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Category: saxophone

Monday, 4/23/12

Charles Mingus Quintet,* “So Long Eric,” “Peggy’s Blue Skylight,” “Meditations On Integration” (all by Mingus), live (TV show), Belgium, 1964

Mingus’s music, it seems, has everything. Call it “simple” or “complex” and you’d be both right and wrong—it’s both. Compositional elegance is balanced, exquisitely, with improvisational unruliness. Rhythmic momentum is no less—and no more—important than melodic invention. Like Ellington and Monk, he will, I’m confident, still be listened to a hundred years from now.

(Excerpts from this program have been posted previously.)

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lagniappe

art beat: yesterday at the Art Institute of Chicago

Ludovico Carracci, The Vision of Saint Francis, c. 1602

Going to the Art Institute again, after being away for a while, I felt a bit like someone who doesn’t realize he’s starving until he finds himself at a feast.

*****

*CM, bass; Eric Dolphy, alto saxophone, flute, bass clarinet; Clifford Jordan, tenor saxophone; Jaki Byard, piano; Dannie Richmond, drums.

Friday, 4/20/12

passings

Levon Helm, drummer, singer, songwriter, actor, etc.
May 26, 1940-April 19, 2012

Live,  2/12, Woodstock, NY (Levon’s home)

“Ophelia”

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“The Weight”

*****

“When I Go Away,” recording (Electric Dirt, 2009)

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Levon Helm will always hold a special place in my heart. He was as great of an actor as a musician. For me watching him play the role of my daddy in Coal Miner’s Daughter is a memory I will always treasure.

Loretta Lynn

*** 

When I heard The Band’s Music from Big Pink, their music changed my life. And Levon was a big part of that band. Nigel Olson, my drummer, will tell you that every drummer that heard him was influenced by him. He was the greatest drummer and a wonderful singer and just a part of my life that was magical. They once flew down to see me in Philadelphia and I couldn’t believe it. They were one of the greatest bands of all time. They really changed the face of music when their records came out. I had no idea he was sick so I’m very dismayed and shocked that he died so quickly. But now my son [Zachary Jackson Levon Furnish-John] has his name.

Elton John

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He was my bosom buddy friend to the end, one of the last true great spirits of my or any other generation. This is just so sad to talk about. I still can remember the first day I met him and the last day I saw him. We go back pretty far and had been through some trials together. I’m going to miss him, as I’m sure a whole lot of others will too.

Bob Dylan

Wednesday, 4/18/12

Peter Brötzmann, reed player, composer, bandleader
German Blues, performances 1999-2002, interview 2000

You can have the blues even if you’re German . . .

—Peter Brötzmann

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found words: AOL Headlines

Autistic Cheerleader Inspires Her Squad

*****

Kayaker Drowns After Swan Attack

Sunday, 4/15/12

Deep River Choir, Amiri Baraka (spoken words), David Murray (tenor saxophone), “Oh Freedom,” live

One reason this works so well is that none of the participants—not the singers, not Amiri Baraka, not David Murray—tries to take the performance over. How refreshing, and inspiring, in an age whose motto seems to be “look at me,” to come across folks so intent on serving—not dominating—a performance.

Friday, 4/6/12

Happy (75th) Birthday, Merle!

Merle Haggard, live

“Lonesome Fugitive,” Buck Owens Ranch Show, 1966

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“Working Man Blues,” Austin City Limits, 1978

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“Today I Started Loving You Again,” with Tammy Wynette, England (Wemberly), 1988

Wednesday, 4/4/12

Welcome to the maelstrom.

Miles Davis Group,* live, Berlin, 1973

Part 1: Turnaroundphrase

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Part 2: Turnaroundphrase, cont.; Tune in 5

*MD, trumpet; David Liebman, saxophone; Pete Cosey, guitar, percussion; Reggie Lucas, guitar; Michael Henderson, bass; Al Foster, drums; Mtume, percussion.

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lagniappe

reading table

Last night as I was sleeping,
I dreamt—marvelous error!—
that a spring was breaking
out in my heart.
I said: Along which secret aqueduct,
Oh water, are you coming to me,
water of a new life
that I have never drunk?

Last night as I was sleeping,
I dreamt—marvelous error!—
that I had a beehive
here inside my heart.
And the golden bees
were making white combs
and sweet honey
from my old failures.

Last night as I was sleeping,
I dreamt—marvelous error!—
that a fiery sun was giving
light inside my heart.
It was fiery because I felt
warmth as from a hearth,
and sun because it gave light
and brought tears to my eyes.

Last night as I slept,
I dreamt—marvelous error!—
that it was God I had
here inside my heart.

—Antonio Mochado (1875-1939), “Last Night As I Was Sleeping” (translated from Spanish by Robert Bly)

Monday, 4/2/12

When we last saw Miles, playing in Germany in 1967, he was wearing a suit and tie. Here, two years later, his wardrobe is headed in a new direction. So is his music.

Miles Davis Quintet,* live, France (Antibes), 1969
“Milestones,” “Footprints,” “’Round Midnight”

*MD, trumpet; Wayne Shorter, tenor and soprano saxophones; Chick Corea, electric piano; Dave Holland, bass; Jack DeJohnette, drums.

Saturday, 3/17/12

Listening to this is like surfing: the trick is to catch a wave and ride it.

Charles Gayle Trio,* live, New York (Knitting Factory), 1996

Part 1

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Part 2

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Part 3

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Part 4

More? Here.

*Charles Gayle (piano, tenor saxophone), Gerald Benson (bass), Gerald Cleaver (drums).

Tuesday, 3/13/12

Music doesn’t care who you are, where you come from, what you know. It asks only that you pay attention.

Stefan Wolpe (1902-1972), Piece in Three Parts for Piano and Sixteen Instruments (1961), Peter Serkin (piano), Chamber Music Society of Lincoln Center (Oliver Knussen, cond.)

More? Here.

Saturday, 3/10/12

Happy (109th) Birthday, Bix!

How many sonic experiences are as dizzying as the one offered this time each year by WKCR-FM (Columbia University)? First there’s 24 hours, straight, of Ornette. The next 24? Bix, Bix, Bix.

Frankie Trumbauer and His Orchestra (feat. Bix Beiderbecke, cornet), “There’ll Come A Time (Wait and See),” 1928

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found words

A distinctive psychiatric hospital

—advertisement, New Yorker, 3/5/12