two takes
“Lulu’s Back In Town” (H. Warren & A. Dubin)
Fats Waller, recording, 1935
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Thelonious Monk Quartet (TM, piano; Charlie Rouse, tenor saxophone; Larry Gales, bass; Ben Riley, drums), live (TV studio), Norway (Oslo), 1960
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lagniappe
musical thoughts
A note can be as small as a pin or as big as the world. It depends on your imagination.
kinetic
Rudresh Mahanthappa (alto saxophone), Rez Abbasi (guitar), Rich Brown (bass), Rudy Royston (drums), “Killer,” “Playing with Stones,” Washington, D.C., 2012
sounds of Chicago
Want to hear a great solo? You’ve come to the wrong place. This isn’t about solos; it’s about interplay.
The Rempis Percussion Quartet,* live, Chicago (Hideout), 2010
#1
#2
*Dave Rempis, saxophones; Ingebrigt Håker Flaten, bass; Tim Daisy, drums; Frank Rosaly, drums.
keep on dancing
Charlie Parker (alto saxophone) with Ray Malone (tap dance), “Donna Lee,” TV show (Broadway Open House*), 1950
*Broadway Open House is network television’s first late-night comedy-variety series. It was telecast live on NBC from May 29, 1950 to August 24, 1951, airing weeknights from 11pm to midnight. One of the pioneering TV creations of NBC president Pat Weaver, it demonstrated the potential for late-night programming and led to the later development of The Tonight Show.
tonight
I’m going, with my son Alex, to hear a quartet led by this Chicago-based saxophonist at the Hideout, a small club on the city’s northwest side.
Nick Mazzarella Trio (NM, alto saxophone; Anton Hatwich, bass; Frank Rosaly, drums), live, “Do Not Disturb,” live, Asheville, N.C., 2011
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lagniappe
musical thoughts
Make the drummer sound good.
Only a world this noisy could produce music this quiet.
Evan Parker (soprano saxophone), et al.,* live, London (Freedom of the City festival), 2011
*Heledd Francis Wright (flute), John Russell (guitar), Augusti Fernandez (piano), Adam Linson (bass), Toma Gouband (percussion), Lawrence Casserley (electronics), Matt Wright (electronics).
Yeah, I love Mozart and Chopin, but I don’t want to listen to them every day. I don’t want to listen to anything every day. This stuff, to these ears, is utterly exhilarating.
Nels Cline (guitar), Dave Rempis (saxophones), Devin Hoff (bass), Frank Rosaly (drums), live, Chicago (Hideout), 2011
#1
#2
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lagniappe
musical thoughts
I discovered that there’s a kind of a hidden connection between R&B and free jazz: the need for that kind of visceral connection with the audience and for something to happen that moves people. I think that beyond R&B, it’s a feature of black music — the moment the solo builds and builds and at a certain point, it hits that cry. Knowing when that needs to happen is something that players from that tradition seem to have.
—guitarist Marc Ribot
what’s new
Colin Stetson (saxophone), “In Mirrors,” “And In Truth” (feat. Bon Iver’s Justin Vernon), 4/13
There seem to be two possibilities here. One is that you’ll find this mesmerizing, as I do. The other is that it’ll drive you bonkers.
Roscoe Mitchell, alto saxophone, live, Italy (Bologna, Angelica Festival), 2011
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lagniappe
reading table
Wang Wei (699-759), “Deer Park”
(translated from Chinese by Gary Snyder)
Empty mountains:no one to be seen.Yet—hear—human sounds and echoes.Returning sunlightenters the dark woods;Again shiningon the green moss, above.
never enough
Von Freeman, tenor saxophone (1923-2012, MCOTD Hall of Famer); Jodie Christian (1932-2012), piano; Rufus Reid (1944-), bass; Jack DeJohnette (1942-), drums; “A Nightingale Sang in Berkeley Square” (E. Maschwitz & M. Sherwin), live, Harrisburg, Penn., 1994
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lagniappe
musical thoughts
Your sound is who you are; it is what makes you different from me and any other saxophonist. We all have the same 12 notes. The only thing that differentiates us, one from the other, is our tone. If you don’t have a sound you can play a thousand notes and no one will hear you, but if you have a sound you can play only one note and everyone will hear you.
