music clip of the day

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Category: saxophone

Monday, December 22nd

genius at play

Henry Threadgill (alto saxophonist, composer, bandleader) leading a master class (excerpt), Big Indian, N.Y. (Creative Music Studio), 2014

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More.

Henry Threadgill and His Very Very Circus, “Too Much Sugar for a Dime,” live, New York, c. 1993

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Today Henry, who’s been lifting my spirits for over three decades, enters the MCOTD Hall of Fame, joining tenor saxophonist Von Freeman, trumpeter Lester Bowie, poets John Berryman, William Bronk, and Wislawa Szymborska, and gospel singer Dorothy Love Coates.

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lagniappe

art beat: more from Friday at the Art Institute of Chicago

Claude Monet (1840-1926), Irises (1914/17)

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radio

One of my favorite musical events begins tonight: the annual Bach Festival on WKCR (Columbia University), which runs through midnight New Year’s Eve.

Thursday, December 18th

When you work on a small scale, a slight shift can seem epic.

Oscar Noriega (alto saxophone), live, New York, 12/7/14

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lagniappe

reading table

Climb Mount Fuji,
O snail,
but slowly, slowly.

—Kobayashi Issa (1763-1828; translated from Japanese by Robert Hass)

Saturday, December 6th

two takes

Need a lift?

Charles Ives (1874-1954), Ragtime Dance No. 4 (1904)

Alarm Will Sound, live, New York, 2013


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Orchestra New England, recording, 1990


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lagniappe

musical thoughts

As I remember some of the dances as a boy, and also from father’s description of some of the old dancing and fiddle playing, there was more variety of tempo than in the present-day dances. In some parts of the hall a group would be dancing in polka, while in another, a waltz. Some of the players in the band would, in an impromptu way, pick up with the polka, and some with the waltz, and some with a march. Often the piccolo or cornet would throw in asides. Sometimes a change in tempo, or a mixed rhythm would be caused by a fiddler who, after playing three or four hours steadily, was getting a little sleepy. Or maybe another player was seated too near the hard cider barrel. Whatever the reason for these changes and simultaneous playing of things, I remember distinctly catching a kind of music that was natural and interesting and which was decidedly missed when everybody came down ‘blimp’ on the same beat again.

—Charles Ives

Wednesday, December 3rd

sounds of New York (day two)

Here, as in the city itself, density and spaciousness coexist.

Tim Berne’s Cornered,* “Embraceable Me,” live, New York, 10/12/14

*TB, alto saxophone; Oscar Noriega, clarinets; Ryan Ferreira, guitar; Matt Mitchell, piano; Michael Formanek, bass; Ches Smith, drums, vibraphone.

Tuesday, December 2nd

sounds of New York (day one)

Tamio Shiraishi, live, New York, 10/12/14

 

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lagniappe

reading table

Even in Kyoto—
hearing the cuckoo’s cry—
I long for Kyoto.

—Matsuo Basho (1644-1694; translated from Japanese by Robert Hass)

 

Sunday, November 30th

passings

Bunny Briggs, tap dancer, February 26, 1922-November 15, 2014

Duke Ellington Orchestra with Bunny Briggs (dance) and Jon Hendricks (vocal), “David Danced Before the Lord with All His Might,” live (A Concert of Sacred Music), San Francisco (Grace Cathedral), 1965

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And David danced before the Lord with all his might . . .

—2 Samuel 6:14 (King James)

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lagniappe

art beat

Robert Frank (1924-), Funeral—St. Helena, South Carolina, 1955

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Wednesday, November 19th

tonight in Chicago

These guys will be playing at Constellation.

Frode Gjerstad Trio (FG, reeds; Jon Rune Strøm, bass; Paal Nilssen-Love, drums)

Live, Poland (Poznan), 2012


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Live, New York, 2012


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lagniappe

random thoughts

What’s surprising isn’t that we die: it’s that we live.

Tuesday, November 18th

four takes

“Lulu’s Back In Town” (A. Dubin, H. Warren)

Fats Waller (studio recording), 1935


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Art Tatum (live), 1935


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Thelonious Monk (live, Paris; Charlie Rouse [tenor saxophone], Larry Gales [bass], Ben Riley [drums]), 1966

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Jason Moran (live, New York [East Village apt.]), 2011

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lagniappe

art beat

Helen Levitt (1913-2009), New York, c. 1940

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Thursday, October 30th

No background. No foreground. Three lines, intertwining.

Dewey Redman (1931-2006), tenor saxphone; Malachi Favors (1927-2004), bass; Ed Blackwell (1929-1992), drums; “Paris? Oui!,” 1969

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lagniappe

art beat

Bruce Davidson (1933-), Duffy Circus, Ireland, 1967

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Monday, October 20th

Why not start the week with a parade?

Divine Ladies Social Aid and Pleasure Club Parade (with Stooges Brass Band), New Orleans, 2009


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lagniappe

art beat

Lee Friedlander (1934-), Second Liners, New Orleans, 1961

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