music clip of the day

jazz/blues/rock/classical/gospel/more

Category: saxophone

Thursday, January 1st

What better way to start the year than with the music of Sly Stone?

Steven Bernstein’s Millennial Territory Orchestra (Steven Bernstein, trumpet; John Medeski, organ, et al.), live, Paris, 2011

“Stand” (feat. Sandra St. Victor, vocals)

***

“Everyday People” (feat. Eric Mingus, vocals)

*****

Still, after four decades, this album remains on my desert-island list.

Sly and the Family Stone, Fresh, 1973

1. In Time (0:00)
2. If You Want Me To Stay (5:48)
3. Let Me Have It All (8:48)
4. Frisky (11:43)
5. Thankful ‘N’ Thoughtful (14:54)
6. Skin I’m In (19:36)
7. I Don’t Know (Satisfaction) (22:29)
8. Keep On Dancin’ (26:23)
9. Que Sera, Sera (Whatever Will Be, Will Be) (28:45)
10. If It Were Left Up To Me (34:07)
11. Babies Makin’ Babies (36:07)

**********

lagniappe

random thoughts: New Year’s resolution #5

Each day: begin, again.

Monday, December 29th

what’s new

Dirty Beaches, “Time Washes Everything Away,” 12/14 (video)

**********

lagniappe

random thoughts: New Year’s resolution #3

Give up the wish to live in a world where making New Year’s resolutions would be something more than a reminder of how laughably little is within our control.

Thursday, December 25th

Merry Christmas

Bessie Smith (with Joe Smith, cornet; Charlie Green, trombone; Fletcher Henderson, piano), “At the Christmas Ball,” 1925


*****

Blind Lemon Jefferson, “Christmas Eve Blues,” 1928


*****

Victoria Spivey (with Lonnie Johnson, guitar), “Christmas Morning Blues,” 1928


*****

Leroy Carr, “Christmas In Jail—Ain’t That A Pain,” 1929


*****

Johnny Moore’s Three Blazers (feat. Charles Brown, vocals, keyboards), “Merry Christmas, Baby,” 1947


*****

Lowell Fulson, “Lonesome Christmas (I & II),” 1950


*****

Sonny Boy Williamson II, “Sonny Boy’s Christmas Blues,” 1951


*****

John Lee Hooker, “Blues For Christmas,” 1959

Monday, December 22nd

genius at play

Henry Threadgill (alto saxophonist, composer, bandleader) leading a master class (excerpt), Big Indian, N.Y. (Creative Music Studio), 2014

***

More.

Henry Threadgill and His Very Very Circus, “Too Much Sugar for a Dime,” live, New York, c. 1993

*****

Today Henry, who’s been lifting my spirits for over three decades, enters the MCOTD Hall of Fame, joining tenor saxophonist Von Freeman, trumpeter Lester Bowie, poets John Berryman, William Bronk, and Wislawa Szymborska, and gospel singer Dorothy Love Coates.

**********

lagniappe

art beat: more from Friday at the Art Institute of Chicago

Claude Monet (1840-1926), Irises (1914/17)

202092_3185807

*****

radio

One of my favorite musical events begins tonight: the annual Bach Festival on WKCR (Columbia University), which runs through midnight New Year’s Eve.

Thursday, December 18th

When you work on a small scale, a slight shift can seem epic.

Oscar Noriega (alto saxophone), live, New York, 12/7/14

**********

lagniappe

reading table

Climb Mount Fuji,
O snail,
but slowly, slowly.

—Kobayashi Issa (1763-1828; translated from Japanese by Robert Hass)

Saturday, December 6th

two takes

Need a lift?

Charles Ives (1874-1954), Ragtime Dance No. 4 (1904)

Alarm Will Sound, live, New York, 2013


***

Orchestra New England, recording, 1990


**********

lagniappe

musical thoughts

As I remember some of the dances as a boy, and also from father’s description of some of the old dancing and fiddle playing, there was more variety of tempo than in the present-day dances. In some parts of the hall a group would be dancing in polka, while in another, a waltz. Some of the players in the band would, in an impromptu way, pick up with the polka, and some with the waltz, and some with a march. Often the piccolo or cornet would throw in asides. Sometimes a change in tempo, or a mixed rhythm would be caused by a fiddler who, after playing three or four hours steadily, was getting a little sleepy. Or maybe another player was seated too near the hard cider barrel. Whatever the reason for these changes and simultaneous playing of things, I remember distinctly catching a kind of music that was natural and interesting and which was decidedly missed when everybody came down ‘blimp’ on the same beat again.

—Charles Ives

Wednesday, December 3rd

sounds of New York (day two)

Here, as in the city itself, density and spaciousness coexist.

Tim Berne’s Cornered,* “Embraceable Me,” live, New York, 10/12/14

*TB, alto saxophone; Oscar Noriega, clarinets; Ryan Ferreira, guitar; Matt Mitchell, piano; Michael Formanek, bass; Ches Smith, drums, vibraphone.

Tuesday, December 2nd

sounds of New York (day one)

Tamio Shiraishi, live, New York, 10/12/14

 

**********

lagniappe

reading table

Even in Kyoto—
hearing the cuckoo’s cry—
I long for Kyoto.

—Matsuo Basho (1644-1694; translated from Japanese by Robert Hass)

 

Sunday, November 30th

passings

Bunny Briggs, tap dancer, February 26, 1922-November 15, 2014

Duke Ellington Orchestra with Bunny Briggs (dance) and Jon Hendricks (vocal), “David Danced Before the Lord with All His Might,” live (A Concert of Sacred Music), San Francisco (Grace Cathedral), 1965

*****

And David danced before the Lord with all his might . . .

—2 Samuel 6:14 (King James)

**********

lagniappe

art beat

Robert Frank (1924-), Funeral—St. Helena, South Carolina, 1955

RF.A.004.jpg

Wednesday, November 19th

tonight in Chicago

These guys will be playing at Constellation.

Frode Gjerstad Trio (FG, reeds; Jon Rune Strøm, bass; Paal Nilssen-Love, drums)

Live, Poland (Poznan), 2012


***

Live, New York, 2012


**********

lagniappe

random thoughts

What’s surprising isn’t that we die: it’s that we live.