Thursday, 10/7/10
How many tracks this terrific have engendered videos this nutty?
Rosanne Cash, “The Wheel” (1993)
How many tracks this terrific have engendered videos this nutty?
Rosanne Cash, “The Wheel” (1993)
Something new to sing in the shower.
Felix del Pilar Perez Castro, “Amor Loco,” Soy Cuba (I Am Cuba, 1964)
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lagniappe
Paul Anka, “Crazy Love” (1958)
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In response to yesterday’s clips:
Amen!
Many years ago, when I was younger than my sons are now (22, 19), I listened to this album (Forever Changes) day after day after day.
Arthur Lee and Love, “Alone Again Or,” “A House Is Not A Motel,” England (London), 2003
Elvis—blues singer
Elvis Presley, “Stranger In My Own Home Town,” live (rehearsal), 1970
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lagniappe
Percy Mayfield, “Stranger In My Own Home Town” (1964)
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art beat
Stranger in Paradise: The Works of Reverend Howard Finster, Chicago Cultural Center, through 9/26/10 (in the gallery next to The Jazz Loft Project, W. Eugene Smith in NYC, 1957-1965, there through 9/19/10)
Mr. Coke (1988; tractor enamel on wood)
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My work is scrubby. It’s bad, nasty art. But it’s telling something. You don’t have to be a perfect artist to work in art.
—Reverend Howard Finster
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Matthew Arient’s Angel (1987; tractor enamel on wood)
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Howard Finster Vision House
Mr. Excitement
Jackie Wilson, “Higher and Higher,” “Lonely Teardrops,” live (TV broadcast), introduced by Roy Orbison and (I think) Del Shannon, 1974
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lagniappe
art beat
While at the Art Institute the other day, I wandered into a small room of paintings by this guy—who, in his early 20s (in the 1950s), moved to New York to study music with Lennie Tristano.
Robert Ryman, from The Elliot Room (Charter Series), 1985-87
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radio
Looking for something different?
How ’bout an hour of NYC traffic reports, uninterrupted?
(I stumbled onto this last night—Kenny G’s Hour of Pain—while waiting for Sinner’s Crossroads.)
When your kids go back to college (as my older son Alex did Saturday and my younger son Luke ten days ago), it’s not just their voices you no longer hear around the house; it’s also the voices they listen to—like this guy, for instance (a Luke favorite).
Mike Posner, “Cooler Than Me,” live, Los Angeles, 2010
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lagniappe
So where would she [M.I.A.] live if visas and tour plans weren’t a factor? She pauses for a moment, then says, “Space. I’m over Earth.” She laughs. “Earth is so 2000-and-fucking-9.”
—M.I.A. (Rolling Stone, 8/5/10)
two takes
This just in from my older (22-year-old) son Alex:
Have you heard the new Arcade Fire? It’s incredibly good, totally different from their older stuff—poppy and catchy.
Arcade Fire, “The Suburbs”
The Suburbs (8/10)
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live, New York (Madison Square Garden), 8/5/10
More? Here.
Who would’ve thought this would be so good?
Tom Jones & Janis Joplin, “Raise Your Hand,” live (TV broadcast), 1969
Here’s more from the guy who, the other day, we heard live in Slovenia.
Bob Dylan, “Beyond Here Lies Nothin'” (2009)
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lagniappe
Howlin’ Wolf (with Hubert Sumlin, guitar; Hosea Lee Kennard, piano; Alfred Elkins, bass; Earl Phillips, drums), “Who’s Been Talking” (Chess Records, Chicago, 1957)
More Howlin’ Wolf? Here.
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lagniappe
art beat
The New Yorker (8/16/10) writes of Matisse’s Bathers by a River, which is currently on view, in the exhibit “Matisse: Radical Invention, 1913-1917,” at the Museum of Modern Art: “it consumes at least as much aesthetic energy as it imparts.” Except when it’s on loan elsewhere, this painting hangs at Chicago’s Art Institute. Over the years I’ve seen it dozens (maybe hundreds) of times. Never once, as I looked at it, did it occur to me how much “aesthetic energy” it was “consum[ing].”
Henri Matisse, Bathers by a River (1909-16)
Suppose Blind Willie McTell, who died in 1959, came back to life for a day.
How would you explain this to him—a video clip of a pop icon singing a song about him, during a recent concert in Slovenia, captured by a cell-phone camera then uploaded onto the ’net for anyone, anywhere in the world, to see?
Bob Dylan, “Blind Willie McTell,” live, Slovenia (Ljubljana), 6/13/2010
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lagniappe
Blind Willie McTell
hotel room, Atlanta, 1940
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“Statesboro Blues,” 1928 (Atlanta)