(Yeah, the fact that I’m posting four tracks by this guy shows how much his music, which I just encountered recently, has been getting under my skin.)
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[Russell’s] various distinctions—folkie, art-music songwriter and improviser, dance-club maven—seem incoherent until you hear several of his records. When musicians get angry about being categorized by critics, I usually feel frustrated: readers, after all, want to know what the record sounds like. With Russell, I take the musicians’ angle. Just listen to it and you’ll understand.
For Arthur, there was no cachet to being eclectic. Rather, he played across genre because it would have required a colossal and entirely counterproductive effort on his part to stick to one sound. . . . Drifting into an ethereal, gravity-defying zone, Arthur had come to embody the interconnectivity of music.
Bobby Rydell, “Swingin’ School” (Billboard Hot 100, #5)
Live (TV broadcast), 1960
Vodpod videos no longer available.
Of musical memories there is no end.
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lagniappe
*****
reading table
You see what I am doing: there was an empty space left in the trunk which I am filling with hay; that’s how it is in our life’s baggage; no matter what we stuff it with it’s better than having empty space.
Who else (besides, of course, Bob Dylan) has played so many different roles so brilliantly?
Miles Davis (with Robben Ford & guest Carlos Santana, guitars), “Burn”
Live, Giants Stadium, East Rutherford, New Jersey, 6/15/86
Listen to stuff long enough and it changes—or you do, anyway. Once I might have faulted this for being repetitive. But that’s a bit like faulting roast beef for being meat. Of course it’s repetitive. That’s part of what makes it soar.
• WKCR-FM (broadcasting from Columbia University)
—Bird Flight (Phil Schaap, jazz [Charlie Parker])
—Morning Classical (Various)
—Amazing Grace (Various)
• WFMU-FM
—Mudd Up! (DJ/Rupture, “new bass and beats”)
—Sinner’s Crossroads(Kevin Nutt, gospel)
—Give The Drummer Some (Doug Schulkind, sui generis)
—Fool’s Paradise (Rex, sui generis)
—Transpacific Sound Paradise (Rob Weisberg, “popular and unpopular music from around the world”)