Friday, 8/31/12
only rock ’n’ roll
Wilco, live, Barcelona (Primavera Sound Festival), 5/31/12
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only rock ’n’ roll
Wilco, live, Barcelona (Primavera Sound Festival), 5/31/12
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who you’d be swept away by—right now—
if you were a 24-year-old male*
Jessie Ware, live, London, 7/18/12
“Night Light”
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“Taking In Water”
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“Running”
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lagniappe
radio: final day of WKCR’s Pres-&-Bird Birthday Marathon
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*Based on a sample of one—my son Alex.
Everybody knows the boat is leaking . . .
Leonard Cohen, “Everybody Knows,” live, London, 2008
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lagniappe
talking (Canadian TV, 1997)
(Yeah, the interviewer is often obnoxious; but, despite [because of?] that, this is one of the more intriguing “celebrity interviews” I’ve heard.)
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reading table
Returning To My Cottage
by Wang Wei (699-759 [trans. David Young])
A bell in the distance
the sound floats
down the valley
one by one
woodcutters and fishermen
stop work, start home
the mountains move off
into darkness
alone, I turn home
as great clouds beckon
from the horizon
the wind stirs delicate vines
and water chestnut shoots
catkin fluff sails past
in the marsh to the east
new growth
vibrates with color
it’s sad
to walk in the house
and shut the door.
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radio: 72 hours of Pres & Bird
Celebrating the birthdays of Lester Young (8/27) and Charlie Parker (8/29), WKCR-FM (broadcasting from Columbia University) will be playing their music all day today, tomorrow, and Wednesday.
timeless
Sly and the Family Stone
“Thank You (Falettinme Be Mice Elf Again),” TV Show (Soul Train), 1974
*****
“In Time,” Fresh, 1973
Jazz legend Miles Davis was so impressed by the song “In Time” . . . that he made his band listen to the track repeatedly for a full 30 minutes. Composer and music theorist Brian Eno cited Fresh as having heralded a shift in the history of recording, “where the rhythm instruments, particularly the bass drum and bass, suddenly [became] the important instruments in the mix.”
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lagniappe
art beat: more from Tuesday’s stop at the Art Institute of Chicago
Roy Lichtenstein, Landscape in Fog (1996)
It’s impossible, sometimes, to separate our experience of music, especially pop music, from the surrounding circumstances. The other day, for instance, I was taking my son Luke back to school in Bloomington, Indiana. He was playing dashboard DJ. As we rolled through the hills of southern Indiana, nearing our destination, this came on after a long stretch of hip-hop (Lil Wayne, Eminem, Young Jeezy, Tyga, et al.), and the electronic intro, the Björk-like voice—they lit up the highway.
Ellie Goulding, “Lights”
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lagniappe
art beat: yesterday at the Art Institute of Chicago (after a hearing at the nearby federal court building)
Roy Lichtenstein: A Retrospective (through 9/3/12)
Look Mickey (1961)
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Artist’s Studio “Look Mickey” (1973)
summer in the city
Grimes, “Circumambient”
Pitchfork Music Festival, Chicago (Union Park), 7/14/12
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Here’s another take (Visions, 2012).
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lagniappe
Grimes goes record shopping (Amoeba Music, Los Angeles [Hollywood], 2012).
There’s a reason, I’m coming to realize, why so many pop musicians these days look young enough to be my children—they are.
summer in the city
Jack White, “Take Me With You When You Go”
Lollapalooza, Chicago (Grant Park), 8/5/12
only rock ’n’ roll
Pussy Riot, “Punk Prayer,”* Russia (Moscow), 2012
After enduring five months of delays and attracting worldwide attention, the Pussy Riot trial finally began in Moscow this week. But what is Pussy Riot? Why is it on trial? What is Moscow? All your questions will be answered here.
What is Pussy Riot?
Pussy Riot is a Russian punk collective founded in September of last year in the wake of Vladimir Putin’s announcement that he would seek election for a third presidential term. (Putin, currently the prime minister, stepped down from the presidency in 2008 due to limits on serving consecutive terms; the current president, Dmitri Medvedev, is a Putin ally.) “[A]t that point,” Pussy Riot’s Serafima (members use pseudonyms) told Vice in February, “we realized that this country needs a militant, punk-feminist, street band that will rip through Moscow’s streets and squares, mobilize public energy against the evil crooks of the Putinist junta and enrich the Russian cultural and political opposition[.]”
Okay, but… what do they do?
I mean, what have punks ever done? Mostly the women of Pussy Riot wear colorful clothes and balaclavas and stage Situationist-style guerrilla performances in public spaces like the Red Square. It was one such performance — a “punk prayer” called “Our Lady, chase Putin out,” undertaken in Moscow’s Christ the Savior Cathedral — that got three of the group’s members in so much trouble.
What happened?
On February 21, Five Pussy Rioteers took to the church’s altar and performed a mock prayer, begging the Virgin Mary to chase Putin out of power. They lasted about 30 seconds before being removed by security guards, and the footage was later used in a music video, which you can see here.
That’s it? [Rolls eyes.]
Well, where the U.S. has successfully neutralized the protest possibilities of punk rock through a careful combination of commodification and fashionable cynicism, Russia doesn’t fuck around: two weeks after the prayer, three women in Pussy Riot — Nadezhda Tolokonnikova, Mariya Alekhina and Yekaterina Samutsevich — were arrested and charged with hooliganism, which can carry a sentence of up to seven years. They’ve been languishing in jail since then, denied bail and waiting through several delays; two of the women are mothers and haven’t seen their young kids since the arrest.
Holy shit.
Yeah. Who’s punk rock now, huh? Their lawyers say they’ve been denied food and sleep; today, a doctor had to be called when Alekhina became sick in court. The prosecutor is making all kinds of nutty accusations, according to The New Yorker‘s Masha Lipman:
In an interview, one said that the incident could “soon escalate into events comparable to the explosion of the twin towers on September 11th in America… It was proven that the act had been committed not by the American government or by the C.I.A. but by forces above them. For instance, all the employees of the shopping center” — the lawyer referred to the W.T.C. as torgovy tsentr, the Russian for “mall” — had been informed through secret masonic channels that they should not report to work on September 11th.” When the interviewer asked, “Do you mean that the Pussy Riot act and the terrorist attack in the U.S. were organized by the same people?,” the lawyers responded, “In the first instance it was a satanic group, and in the second it was the global government. But at the highest level both are connected-by Satan.” Who else?
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So what happens next?
The trial will last a couple of weeks. All three women have pleaded not guilty; at worst, they could be sentenced to seven years in prison.
—Max Read, Gawker, 8/2/12
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*Lyrics (English translation, courtesy of YouTube):
(Chorus)
St. Maria, Virgin, Drive away Putin
Drive away! Drive away Putin!
(end chorus)
Black robe, golden epaulettes
All parishioners are crawling and bowing
The ghost of freedom is in heaven
Gay pride sent to Siberia in chains
The head of the KGB is their chief saint
Leads protesters to prison under escort
In order not to offend the Holy
Women have to give birth and to love
Holy shit, shit, Lord’s shit!
Holy shit, shit, Lord’s shit!
(Chorus)
St. Maria, Virgin, become a feminist
Become a feminist, Become a feminist
(end chorus)
Church praises the rotten dictators
The cross-bearer procession of black limousines
In school you are going to meet with a teacher-preacher
Go to class – bring him money!
Patriarch Gundyaev believes in Putin
Bitch, you better believed in God
Belt of the Virgin is no substitute for mass-meetings
In protest of our Ever-Virgin Mary!
(Chorus)
St. Maria, Virgin, Drive away Putin
Drive away! Drive away Putin!
(end chorus)
only rock ’n’ roll
The Wrens, “Happy”
Live, New York (Knitting Factory), 2007
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Recording, The Meadowlands, 2003
One of the best albums of all time.
—my (24-year-old) son Alex, the other day, while playing this track
only rock ’n’ roll
A reader writes:
An old friend sent me this Youtube clip of a concert we attended back in high school. At the time I had never heard of Fleetwood Mac or Peter Green. They were the opening act and, not surprisingly, I have now forgotten who we went to see.
Fleetwood Mac, “Black Magic Woman,” live, Boston (Boston Tea Party), 1970