music clip of the day

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Category: rock/pop

Wednesday, February 18th

white folks got soul, too
(day three)

J.J. Cale (1938-2013)

“Call Me the Breeze” (J.J. Cale), live, Tulsa, 2004


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“After Midnight” (J.J. Cale), live (with Eric Clapton), Dallas, 2004

Wednesday, December 24th

passings

Joe Cocker, singer, May 20, 1944-December 22, 2014

“The Letter,” live (with Leon Russell, piano, et al.), 1970

Friday, December 5th

only rock ‘n’ roll

Ajax, live, Boston, 2014

Wednesday, November 26th

Thankful I am, too, for the unruly pleasures of rock ‘n’ roll.

Flamin’ Groovies, “Shake Some Action,” 1976


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lagniappe

musical thoughts

The story told in “Shake Some Action” is complete in its title—though in the song it’s a wish, not a fact, a desperate wish the singer doesn’t expect to come true. The words hardly matter: “Need” “Speed” “Say” “Away” are enough. It starts fast, as if in the middle of some greater song. A bright, trebly guitar counts off a theme, a beat is set, a bass note seems to explode, sending a shower of light over all the notes around it. The rhythm is pushing, but somehow it’s falling behind the singer. He slows down to let it catch up, and then the sound the guitar is making, a bell chiming through the day, has shot past both sides. Every beat is pulling back against every other; the whole song is a backbeat, every swing a backhand, every player his own free country, discovering the real free county in the song as it rises up in front of him, glimpsing that golden land, losing it as the mirage fades, blinking his eyes, getting it back, losing it again—that is its reckless abandon, the willingness of the music, in pursuit of where it needs to go, where it must go, to abandon itself.

—Greil Marcus, The History of Rock ‘n’ Roll in Ten Songs (2014)

Friday, November 14th

sounds of Chicago

Steve Dawson’s Funeral Bonsai Wedding (SD, vocals and guitar; Jason Adasiewicz, vibraphone; Jason Roebke, bass; Frank Rosaly, drums), “As Soon As I Walk In” (S. Dawson), 2014

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lagniappe

musical thoughts

Music and family have provided two of my life’s through lines. As little boys, my brother Don and I would play in the basement, listening, on the brightly lit juke box, to the Everly Brothers (“Wake Up, Little Susie”), and Johnny Horton (“The Battle of New Orleans”), and Gene Pitney (“The Man Who Shot Liberty Valance”). Soon we were out the door, hearing the Beatles at Comiskey Park, the Velvet Underground at the Kinetic Playground, and the MC5 in Lincoln Park. Still the beat goes on, undiminished by the passing years. Last week, for my sixty-second birthday, Don gave me (what else?) a record—the new album by this guy, Steve Dawson.

Friday, October 31st

only rock ‘n’ roll

The Ex, “Every Sixth Is Cracked,” live (studio performance), Netherlands, 2014


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lagniappe

art beat

William Klein (1928-), Dance in Brooklyn, New York, 1955

klein_dance-660x462

Saturday, October 25th

only rock ‘n’ roll

Murmurs, live, Oakland, Calif., 2014


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lagniappe

art beat

Lee Friedlander (1934-)

8art0627

Friday, October 24th

only rock ‘n’ roll

Vexx, live, San Diego, 2014

Saturday, October 18th

only rock ‘n’ roll

Ex Hex, “Everywhere,” live (studio performance), Washington, D.C., 2014

 

Friday, October 17th

sounds of Japan

Perfume, live, Tokyo, 2014


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lagniappe

art beat

Garry Winogrand (1928-1984), New York (Metropolitan Opera), c. 1951

winogrand_metropolitian-opera1951

*****

musical thoughts

No musical pleasure is “guilty.”