music clip of the day

jazz/blues/rock/classical/gospel/more

Category: R&B

Wednesday, May 28th

basement jukebox

The Five Jets, “Down Slow,” 1954

Friday, May 23rd

what’s new

Where would Western civilization be without the invention of the three-minute pop song?

Dream Chart Top 40 Songs: May 2014 (5/24/14)

Wednesday, May 21st

two takes

Grace Jones with Sly & Robbie, “My Jamaican Guy”

Live, Jamaica (Kingston), late ’80s


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Recording, 1982

Wednesday, May 14th

basement jukebox

J. B. Lenoir (1929-1967), “Mama Talk To Your Daughter,” 1954


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lagniappe

reading table

In the hospital yard stands a small annex surrounded by a whole forest of burdock, nettles, and wild hemp. The roof is rusty, the chimney is half fallen down, the porch steps are rotten and overgrown with grass, and only a few traces of stucco remain. The front facade faces the hospital, the back looks onto a field, from which it is separated by the gray hospital fence topped with nails. These nails, turned point up, and the fence, and the annex itself have that special despondent and accursed look that only our hospitals and prisons have.

—Anton Chekhov (1860-1904), “Ward No. 6” (opening paragraph; translated from Russian by Richard Pevear and Larissa Volokhonsky)

Wednesday, April 30th

sounds of Chicago

Specter (AKA Spekter, Andres Ordanez), “Pipe Bomb,” 2011


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lagniappe

reading table

[N]othing enhances pleasures and blocks guilt like a looming cataclysm.

—Aleksandar Hemon, The Book of My Lives

Monday, April 28th

passings

DJ Rashad, October 9, 1979-April 26, 2014

Live, Chicago (Pitchfork Music Festival), 2013


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“I Don’t Give A Fuck” (sampling Tupac Shakur’s dialogue in Juice), 2013


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“I’m Gone” (remixing Gil Scott-Heron’s “Home Is Where The Hatred Is”), 2011

Wednesday, April 23rd

sounds of New Orleans

Let Me Do My Thang: Rebirth Brass Band (Keith Reynaud, 2000)


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lagniappe

random thoughts

Day after day tiptoeing through minefields, until finally our luck runs out.

 

Wednesday, April 2nd

passings

Frankie Knuckles, DJ, January 18, 1955-March 31, 2014

2013 Boiler Room set, excerpt (Lou Rawls, “You’ll Never Find Another Love Like Mine,” remix)


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It could be plausibly argued that Knuckles was as important to the birth of contemporary dance music as James Brown was to soul or Chuck Berry to rock ‘n’ roll. And like those innovators, Knuckles helped nurture a deceptively sophisticated sound that celebrated and embraced outsiders and misfits — in Knuckles’ case, the gay African-American and Hispanic communities.

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“God has a place on the dancefloor,” he once told the Tribune. “We wouldn’t have all the things we have if it wasn’t for God. We wouldn’t have the one thing that keeps us sane – music. It’s the one thing that calms people down.

“Even when they’re hopping up and down in a frenzy on the dancefloor, it still has their spirits calm because they’re concentrating on having a good time, loving the music, as opposed to thinking about something negative. I think dancing is one of the best things anyone can do for themselves. And it doesn’t cost anything.”

—Greg Kot, Chicago Tribune (obituary), 4/1/14

Monday, February 17th

sounds of Chicago

Baby Huey (AKA James Ramey, 1944-1970), “Listen To Me,” 1971 (Curtom)


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lagniappe

art beat: more from Thursday’s stop at the Art Institute of Chicago

Joan Mitchell (1925-1992), City Landscape, 1955

Joan_Mitchell_City_Landscape

Friday, February 14th

What could be more romantic?

Bo Diddley (1928-2008), live, 1981

#1


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#2


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#3