music clip of the day

jazz/blues/rock/classical/gospel/more

Category: piano

Wednesday, 9/14/11

Miles Davis Quintet (MD, trumpet; Wayne Shorter, tenor saxophone; Herbie Hancock, piano; Ron Carter, bass; Tony Williams, drums), “Footprints” (W. Shorter), live, Sweden, 1967

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Time for just one note? 3:34. (Shorter’s entire solo is a marvel [1:54-3:54]: it’s as intimate and delicate as a dream.)

More? Here. And here.

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lagniappe

reading table

just the other day
we said goodbye . . .
dewy grave

—Kobayashi Issa, 1790s (trans. David G. Lanoue)

Saturday, 9/10/11

lucid, adj. suffused with light, luminous. E.g., Morton Feldman’s Piano and String Quartet.

Morton Feldman, Piano and String Quartet (1985)
Kronos Quartet with Aki Takahashi (piano)

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In a world that keeps getting faster and noisier, Feldman offers a refuge.
Here time slows. Quietly.

More? Here. And here. And here. And here. And here.

Thursday, 9/8/11

hearing colors, seeing sounds

John Coltrane, “Giant Steps,” excerpt (Giant Steps, Atlantic, 1970)
Animation by Michal Levy (2001)

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(Yo, Michael: Thanks for the tip!)

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lagniappe

Synesthesia is a rare neurological condition that leads stimulation in one sensory pathway to trigger an experience in another. Basically, a short-circuiting in the brain that enables such strange phenomena like perceiving letters and numbers as inherently colored (color-graphemic synesthesia) or hearing sounds in response to visual motion. More than 60 types of synesthesia have been identified, with one of the most common being the cross-sensory experience of color and sound — “hearing” color or “seeing” music.

Israeli artist and jazz musician Michal Levy . . .  is an actual synesthetic: When she listens to music, she sees shapes and colors as different tones, pitches, frequencies, harmonies, and other elements of the melody unfold.

Maria Popova

Wednesday, 9/7/11

What’s surprising here isn’t that there are so many wonderful moments. Given the line-up, you’d expect that. What you wouldn’t expect is for these guys to sound so cohesive, as if they’d been playing together for years.

Sun Ra All Stars (SR, keyboards; Don Cherry, pocket trumpet, vocals; Lester Bowie, trumpet; Archie Shepp, tenor saxophone, vocals; John Gilmore, tenor saxophone; Marshall Allen, alto saxophone, percussion; Philly Joe Jones, drums; Clifford Jarvis, drums; Famadou Don Moye, drums, percussion), live, Germany (Berlin), 1983

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More Sun Ra? Here. And here. And here.

More Don Cherry? Here. And here. And here.

More Lester Bowie? Here. And here. And here. And here.

More Archie Shepp? Here.

More Philly Joe Jones? Here. And here.

More Famadou Don Moye? Here. And here.

Wednesday, 8/31/11

 passings

 Jerry Lieber, songwriter, April 25, 1933-August 22, 2011

Willie Mae “Big Mama” Thornton, “Hound Dog” (J. Lieber & M. Stoller), live (TV broadcast; Buddy Guy, guitar; Fred Below, drums), Europe, 1965 (originally recorded 1952)

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(Originally posted 12/10/10.)

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Nick Ashford, songwriter, singer, May 4, 1941-August 22, 2011

Ashford & Simpson, “Ain’t No Mountain High Enough” (N. Ashford & V. Simpson), live

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David “Honeyboy” Edwards, singer, guitar player, June 28, 1915-
August 29, 2011

Live, WBEZ-FM (Chicago), 2008

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Monday, 8/29/11

Happy Birthday, Bird!

Charlie Parker, alto saxophonist, August 29, 1920-March 12, 1955

According to Miles Davis, the history of jazz can be summarized in four words: Louis Armstrong, Charlie Parker.

Charlier Parker & Dizzy Gillespie, “Hot House,” live (TV broadcast), 1952

(Originally posted 10/17/09.)

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lagniappe

radio

WKCR-FM’s Lester Young/Charlie Parker birthday marathon runs until midnight—today’s all Bird.

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musical thoughts

Don’t play the saxophone. Let it play you.

—Charlie Parker

Saturday, 8/20/11

You may find it difficult to remember someone’s favorite foods or to recall their favorite movies. But their favorite music? Today’s my mother’s birthday; she’s been gone a long time. This guy she loved.

The King Cole Trio (Nat King Cole, piano & vocals; Oscar Moore, guitar; Johnny Miller, bass), “It is Better to Be by Yourself” (Breakfast in Hollywood, 1946)

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More? Here.

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lagniappe

art beat: more from Thursday’s stop at Chicago’s Art Institute

Hiroshi Yoshida, Three Little Islands (1930)

Saturday, 7/23/11

In his world Frederic Chopin and Professor Longhair are neighbors.

James Booker, December 17, 1939-November 8, 1983

“Classified,” live, Switzerland (Montreux Jazz Festival), 1978

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Playing for friends (home video), Europe, 1978

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lagniappe

art beat

Lucian Freud, December 8, 1922-July 20, 2011

Self-Portrait: Reflection (2002)

Thursday, 7/21/11

Time for just one?

I’d go with Alfred Cortot.

*****

favorites
(an occasional series)

Of beauty you cannot have too much.

Frederic Chopin, Ballade No. 1 in G minor, Op. 23 (1835-36)

Take 1: Vladimir Horowitz, live, New York (Carnegie Hall)

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Take 2: Krystian Zimerman, live

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Take 3: Claudio Arrau

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Take 4: Alfred Cortot

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Take 5: Sviatoslav Richter, live (Kiev)

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More Chopin? Here. And here. And here.

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lagniappe

musical thoughts

[T]he things we feel in life are not experienced in the form of ideas, and so their translation into literature, an intellectual process, may give an account of them, explain them, analyse them, but cannot recreate them as music does, its sounds seeming to take on the inflections of our being, to reproduce that inner, extreme point of sensation which is that thing that causes us the specific ecstasy we feel from time to time and which, when we say ‘What a beautiful day! What beautiful sunshine!’, is not conveyed at all to our neighbour, in whom the same sun and the same weather set off quite different vibrations.

—Marcel Proust, The Prisoner (1925), trans. Carol Clark

(Originally posted 12/27/10.)

Wednesday, 7/20/11

old stuff
(an occasional series)

Duke Ellington, “Black Beauty” (1928)

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