music clip of the day

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Category: piano

Saturday, 3/17/12

Listening to this is like surfing: the trick is to catch a wave and ride it.

Charles Gayle Trio,* live, New York (Knitting Factory), 1996

Part 1

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Part 2

***

Part 3

***

Part 4

More? Here.

*Charles Gayle (piano, tenor saxophone), Gerald Benson (bass), Gerald Cleaver (drums).

Tuesday, 3/13/12

Music doesn’t care who you are, where you come from, what you know. It asks only that you pay attention.

Stefan Wolpe (1902-1972), Piece in Three Parts for Piano and Sixteen Instruments (1961), Peter Serkin (piano), Chamber Music Society of Lincoln Center (Oliver Knussen, cond.)

More? Here.

Thursday, 3/8/12

John Cage, Two (1987)

Live, Netherlands (Amsterdam), 2009
Dante Boon (piano), Rutger van Otterloo (soprano saxophone)

*****

Recording, 1991 (hat Art)
Marianne Schroeder (piano), Eberhard Blum (flute)

More? Here. And here.

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lagniappe

musical thoughts

Every something is an echo of nothing.

—John Cage, Silence (1961)

Monday, 3/5/12

Has there ever been a finer hour of jazz—of music—on TV?

The Sound of Jazz (CBS), 1957*

(A couple excerpts have been posted previously—here and here—but until the other day I’d never seen the whole show.)

*With Count Basie (piano), Thelonious Monk (piano), Billie Holiday (vocals), Jimmy Rushing (vocals), Coleman Hawkins (tenor saxophone), Ben Webster (tenor saxophone), Lester Young (tenor saxophone), Gerry Mulligan (baritone saxophone), Jimmy Giuffre (tenor saxophone, clarinet), Pee Wee Ellis (clarinet), Henry “Red” Allen (trumpet), Roy Eldridge (trumpet), Vic Dickenson (trombone), Danny Barker (guitar), Freddie Green (guitar), Jim Hall (guitar), Milt Hinton (bass), Jo Jones (drums), et al.

Sunday, 3/4/12

going back home

Davis Sisters, “I Believe I’ll Go Back Home”
TV Gospel Time (introduced by Brother Joe May), early 1960s

More? Here. And here.

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lagniappe

Here’s a secular take.

John Lee Hooker, “I Believe I’ll Go Back Home” (That’s My Story: John Lee Hooker Sings The Blues, 1960)

*****

reading table

Home is never what you think it is.

Meaning lies in meaning’s absence. The mist
Is always just about to lift.

—J. Allyn Rosser, “Sugar Dada” (excerpt)

Monday, 2/27/12

protean, adj. 1. Of or resembling Proteus in having a varied nature or ability to assume different forms. 2. Displaying great diversity or variety. E.g., Miles Davis.

Miles Davis Quintet (MD, trumpet; Wayne Shorter, tenor saxophone; Herbie Hancock, piano; Ron Carter, bass; Tony Williams, drums), “I Fall In Love Too Easily,” live, Germany (Karlsruhe), 1967

More? Here. And here. And here.

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lagniappe

last night

There’s something in nothing, and we’ll never know what it is.

—Susan Howe, poet, after a performance of Frolic Architecture with composer and musician David Grubbs at the University of Chicago’s Bond Chapel

Wednesday, 2/22/12

old stuff

Jimmie Lunceford and his Dance Orchestra, “Rhythm Coming to Life Again,” “Rhythm Is Our Business,” “You Can’t Pull the Wool Over My Eyes,” “Moonlight on the Ganges,” “Nagasaki,” “Jazznochracy,” 1936

More? Here.

Saturday, 2/18/12

 passings

In?

Out?

No matter—he played it all.

Jodie Christian, February 2, 1932-February 13, 2012, Chicago-based pianist; cofounder, AACM (Association for the Advancement of Creative Musicians)

With Eddie Harris, tenor saxophone (Melvin Jackson, bass; Billy Hart drums), “Listen Here” (with a nod at the end to “Freedom Jazz Dance”), live, Montreux, 6/20/1969

***

With Roscoe Mitchell, soprano saxophone (Malachi Favors, bass, et al.), live, Chicago, 1984

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lagniappe

reading table

A dead beetle lies on the path through the field.
Three pairs of legs folded neatly on its belly.
Instead of death’s confusion, tidiness and order.
The horror of this sight is moderate,
its scope is strictly local, from the wheat grass to the mint.
The grief is quarantined.
The sky is blue.

To preserve our peace of mind, animals die
more shallowly: they aren’t deceased, they’re dead.
They leave behind, we’d like to think, less feeling and less world,
departing, we suppose, from a stage less tragic.
Their meek souls never haunt us in the dark,
they know their place,
they show respect.

And so the dead beetle on the path
lies unmourned and shining in the sun.
One glance at it will do for meditation—
clearly nothing much has happened to it.
Important matters are reserved for us,
for our life and our death, a death
that always claims the right of way.

—Wislawa Szymborska, “Seen From Above,” (translated from Polish by Stanislaw Baranczak and Clare Cavanagh)

Wednesday, 2/15/12

the ecstatic impulse

Pharoah Sanders, tenor saxophonist, composer, bandleader, 1940-

“You’ve Got To Have Freedom” (P. Sanders)

Take 1: Live (with William Henderson, piano; James Leary, bass; Kharon Harrison, drums), Los Angeles, 2011

***

Take 2: Live (with John Hicks, piano; Walter Booker, bass; Idris Muhammad, drums), Los Angeles, 1981 (Live [Evidence])

More? Here.

Jazz, R&B, gospel—listening to him you’re reminded, again, that they all come from the same place.

Monday, 2/13/12

There are all kinds of love songs.

Sonny Boy Williamson II (AKA Aleck [or Alex] “Rice” Miller), “Your Funeral and My Trial,” live, Europe, 1960s

More? Here.

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lagniappe

reading table

Moonlight in the kitchen is a sign of God.

—Anne Carson, “God’s Work” (excerpt)