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Category: piano

Tuesday, 6/19/12

Turn it off: cellphone, email, Twitter—the whole modern rot.

Let this, and nothing else, surround you.

Frederic Chopin, Nocturne in D-flat major, Op. 27, No. 2
Martha Argerich (piano), live, Germany (Saarbrücken), 1972

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lagniappe

musical thoughts

In the right hands there are no notes—only mysteries.

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reading table

Then I considered the spiritual bread that a newspaper constitutes, still warm and moist as it emerges from the press and the morning mist in which it has been delivered at crack of dawn to the housemaids who take it to their masters with a bowl of milk, this miraculous loaf, multiplied ten-thousandfold and yet unique, which stays unchanged for everyone while proliferating across every threshold.

—Marcel Proust, The Fugitive (translated from French by Peter Collier)

Monday, 6/18/12

Happy (Day After) Father’s Day 

Nas (son) with Olu Dara (father), “Bridging the Gap” (2004)
(sampling Muddy Waters’ “Mannish Boy”)

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lagniappe

Here’s more from the old man.

David Murray Octet, “Dewey’s Circle” (DM, tenor saxophone; Olu Dara, trumpet; Butch Morris, cornet; George Lewis, trombone; Henry Threadgill, alto saxophone; Anthony Davis, piano; Wilber Morris, bass; Steve McCall, drums), Ming (Black Saint, 1980)

*****

Muddy Waters, “Mannish Boy” (Chess, 1955)

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lagniappe

reading table

People are mysterious, unfathomable—like divinities: natural objects for reverence. But our habits of thought turn the people around us into objects, the means for our self-protection.

—Lama John Makransky, “Family Practice,”
Tricycle, Summer 2001

Wednesday, 5/30/12

old stuff

Fred Astaire (with Ginger Rogers), “I Won’t Dance”
Roberta, 1935

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lagniappe

radio

Driving around yesterday afternoon, I happened upon a new series on NPR’s All Things Considered, “Mom and Dad’s Record Collection.” “[M]usicians, writers, even politicians” talk about a “song they discovered through a parent and how it shaped them.” First up was singer and actress Audra McDonald, who can be heard here.

Tuesday, 5/29/12

two takes

“Human Nature” (S. Porcaro & J. Bettis)

Vijay Iyer Trio (VI, piano; Stephan Crump, bass; Marcus Gilmore, drums), live (studio performance [KPLU-FM]), 2011

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Michael Jackson, recording (Thriller), 1982

Saturday, 5/26/12

John Luther Adams, “Red Arc/Blue Veil” (excerpt)
Live, University of Kentucky, 2008
Clint Davis, piano
Charlie Olvera, vibraphone, crotales
Jason Corder, Jordan Munson, video

(Originally posted on 2/10/11.)

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lagniappe

musical thoughts

One of the functions of music is to remind us how much more beautiful the world is than it needs to be.

Thursday, 5/24/12

A high school girl in Reykjavik, an old man in Prague, a grieving widow in Sydney: no matter who you are, no matter where you are, these sounds are just a click away.

Franz Schubert, Piano Sonatas D. 958 (C minor), 959 (A major), 960 (B-flat major); Alfred Brendel, piano*

One of the delights of doing this blog is imagining the lives of the folks who stop by. In the past few days, for instance, there’ve been visitors from Germany, Netherlands, France, Syria, and Italy; Lithuania, Sweden, United Kingdom, and Mexico; Greece, New Zealand, Belgium, Israel, and Ethiopia; Colombia, Hungary, Slovakia, and Spain; Mongolia, Argentina, Indonesia, Turkey, Pakistan, Singapore, and the United States. To all: Welcome!

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*Here, courtesy of YouTube, is more detailed information about the program:

Sonata in C minor, D. 958

I Allegro
II Adagio
III Menuetto: Allegro — Trio
IV Allegro

Sonata in A major, D. 959
I Allegro
II Andantino
III Scherzo: Allegro vivace — Trio: Un poco più lento
IV Rondo. Allegretto — Presto

Sonata in B-flat major, D. 960
I Molto moderato
II Andante sostenuto
III Scherzo: Allegro vivace con delicatezza — Trio
IV Allegro, ma non troppo — Presto

Thursday, 5/17/12

old stuff

Claude Debussy, Children’s Corner, 1908
Alfred Cortot (piano), Marcel L’Herbier (director), 1936

More Cortot? Here. And here.

*****

Children’s Corner was written for Debussy’s three-year-old daughter, Claude-Emma (nicknamed ‘Chou-Chou’ [AKA Chouchou]) and bears the following dedication: ‘to my dear Chou-Chou, with the tender apologies of her father for what is to follow.’

All Music Guide to Classical Music (2005)

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Claude & Chouchou
picnicking in a pine forest near Archachon, 1915

Saturday, 5/12/12

Imagine what it would’ve been like to sit in the late afternoon with a cup of tea, listening to him, in the next room, practicing.

Dinu Lipatti (1917-1950), piano
Mozart, Sonata No. 8 in A Minor, K. 310,
Recorded live in Besancon, France, 9/16/1950

More? Here. And here.

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lagniappe

As the date of his appearance in Besançon approached, Lipatti was becoming more and more ill [Hodgkin’s lymphoma]; nevertheless, in the days before the recital he wrote to his teacher Florica Musicescu and also to Paul Sacher that his health was fine. The morning of his performance, he practiced on the Gaveau piano in the Salle du Parliament without any problems. That afternoon, however, he developed a strong fever, and his doctor begged him to cancel; Lipatti did not want to consider this but admitted that he didn’t think he could perform. The organizer of the recital was contacted by telephone, and when he stated that the hall was already full, Lipatti made the decision to play. After some injections, he walked robot-like to the car that transported him to the hall. He took each step deliberately, with such difficulty that he decided that he would not leave the stage between pieces. The Radiodiffusion Française cancelled the live transmission of the recital, fearing the worst, but recorded the performance for future broadcast.

The hall was packed, with additional seating behind the piano . . . The concentration of both the artist and the audience members is palpable in both the photographs and the recording of the recital, with enthusiastic applause greeting each work.

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Despite other planned concerts later in September and in October, Lipatti did not give another public performance.

Mark Ainley

Thursday, 5/10/12

two takes

“Spring Can Really Hang You Up The Most” (T. Wolf & F. Landesman)

Bob Dorough, vocals & piano (Right On My Way Home, 1997)

*****

Betty Carter, vocals (Inside Betty Carter, 1964)

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lagniappe

reading table

Alcove
by John Ashbery
(Planisphere, 2009)

Is it possible that spring could be
once more approaching? We forget each time
what a mindless business it is, porous like sleep,
adrift on the horizon, refusing to take sides, “mugwump
of the final hour,” lest an agenda—horrors!—be imputed to it,
and the whole point of its being spring collapse
like a hole dug in sand. It’s breathy, though,
you have to say that for it.

And should further seasons coagulate
into years, like spilled, dried paint, why,
who’s to say we weren’t provident? We indeed
looked out for others as though they mattered, and they,
catching the spirit, came home with us, spent the night
in an alcove from which their breathing could be heard clearly.
But it’s not over yet. Terrible incidents happen
daily. That’s how we get around obstacles.

Thursday, 5/3/12

Weary of words?

You’ve come to the right place.

These guys take you places words don’t go.

Von Freeman,* tenor saxophone; Clifford Jordan, tenor saxophone (first solo); Willie Pickens, piano; Dan Shapera, bass; Robert Shy, drums; “Oleo” (S. Rollins), live, Chicago (Chicago Jazz Festival), 1988

More Clifford? Here.

More Von? Here. And here. And here.

*MCOTD Hall of Fame (Charter Member).