music clip of the day

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Category: piano

Friday, 9/21/12

only rock ’n’ roll

Little Richard, “Whole Lotta Shakin’ Goin’ On,” TV show (Shindig!), 1964

Sunday, 9/16/12

Sister Rosetta Tharpe with the Chicago Blues All-Stars (Big Walter Horton [harmonica], Willie Dixon [bass], et al.), “That’s All,” “Didn’t It Rain,” live, 1960s, Germany

What a treat to hear Walter, with whom I worked back in the ’70s while at Alligator Records, playing with Sister Rosetta.

Friday, 9/14/12

old stuff

Count Basie Orchestra (feat. Jimmy Rushing [vocals] & Herschel Evans [tenor saxophone]), “When My Dreamboat Comes Home,” live (radio broadcast), New York (Savoy Ballroom, Harlem), 1937

The other day, driving to Rockford for a hearing in a murder case, listening to this for the first time, I couldn’t quit hitting the repeat button: “and once again the fields of gloom are adroitly plowed under.”

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lagniappe

musical thoughts

What music from today will folks be listening to in 2087?

Thursday, 9/13/12

A piano to play, books to read, coffee to drink—what more could you want?

Jeremy Denk, talking and playing, New York, 2012

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Playing Gyorgy Ligeti’s Piano Etudes, Book 1

No. 4: Fanfares

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No. 5: Arc-en-ceil

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No. 6: Automne à Varsovie

Wednesday, 9/5/12

Happy (100th) Birthday, John!

John Cage, composer, September 5, 1912-August 12, 1992

Today, celebrating his centennial, we revisit past clips.

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10/9/09

No matter where you are, this landscape is just around the corner.

John Cage (1912-1992), In a Landscape (1948); Stephen Drury, piano

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lagniappe

musical thoughts

Music is a means of rapid transportation.

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What I’m proposing, to myself and other people, is what I often call the tourist attitude—that you act as though you’ve never been there before. So that you’re not supposed to know anything about it. If you really get down to brass tacks, we have never been anywhere before.

***

As far as consistency of thought goes, I prefer inconsistency.

—John Cage

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5/22/10

Here’s a piece that sounds different every time you hear it.

John Cage, 4’ 33” (1952); David Tudor, piano

lagniappe

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musical thoughts

I didn’t wish it [4′ 33″] to appear, even to me, as something easy to do or as a joke. I wanted to mean it utterly and be able to live with it.

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Until I die there will be sounds. And they will continue following my death. One need not fear about the future of music.

—John Cage

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3/8/12

John Cage, Two (1987)

Live, Netherlands (Amsterdam), 2009
Dante Boon (piano), Rutger van Otterloo (soprano saxophone)

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Recording, 1991 (hat Art)
Marianne Schroeder (piano), Eberhard Blum (flute)

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lagniappe

musical thoughts

Every something is an echo of nothing.

—John Cage, Silence (1961)

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7/23/12

Monday, n. the day the weekly tide of confusion rolls in.

How about something simple?

John Cage (1912-1992), Six Melodies (for violin and keyboard; dedicated to Josef & Anni Albers), 1950; Annelie Gahl (violin) & Klaus Lang (electric piano), 2010

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lagniappe (new stuff)

radio

Today it’s all Cage all day at WKCR-FM.

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art beat: more from Sunday’s stop at the Art Institute of Chicago

Agnes Martin, Untitled #12, 1977 (detail)

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another birthday, closer to home

Today also marks the birthday of MCOTD—our third.

Tuesday, 9/4/12

You don’t need to be asleep to be lost in a dream.

Maurice Ravel, Piano Concerto in G Major (1929-31); Martha Argerich, piano; Orchestre National de France (Charles Dutoit, cond.); live, Germany (Frankfurt), 1990

Thursday, 8/30/12

playing this weekend at the Chicago Jazz Festival

Matt Wilson’s Arts & Crafts* (Sunday, 3:30 p.m.)
“We See” (T. Monk), live, New York, 2011

(Paul Motian, this guy—drummers seem to have a particular feeling for Monk.)

*****

Steve Coleman and Five Elements** (Sunday, 7:10 p.m.)
Live, New York, 2010

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Ken Vandermark’s Made To Break Quartet*** (Sunday, 2:20 p.m.)
Live, Barcelona, 2011

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*MW, drums; Terell Stafford, trumpet; Gary Versace, piano; Martin Wind, bass.

**SC, alto saxophone; Jonathan Finlayson, trumpet; Tim Albright, trombone; Miles Okazaki, guitar; David Virelles, piano; Thomas Morgan, bass; Marcus Gilmore, drums.

***KV, reeds; Christof Kurzmann, electronics; Devin Hoff, bass; Tim Daisy, drums.

Thursday, 8/23/12

Music, for some people, is no less vital than oxygen.

James Rhodes, talking and playing (2010)

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lagniappe

reading table

To Praise the Music
by William Bronk (1918-1999)

Evening. The trees in late winter bare
against the sky. Still light, the sky.
Trees dark against it. A few leaves
on the trees. Tension in their rigid branches as if
–oh, it is all as if, but as if, yes,
as if they sang songs, as if they praised.
Oh, I envy them. I know the songs.

As if I know some other things besides.
As if; but I don’t know, not more
than to say the trees know. The trees don’t know
and neither do I. What is it keeps me from praise?
I praise. If only to say their songs,
say yes to them, to praise the songs they sing.
Envied music. I sing to praise their song.

(Want to hear Bronk, a MCOTD Hall of Famer, read this? Here.)

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art beat: more from Tuesday’s stop at the Art Institute of Chicago

Roy Lichtenstein, Mirror #3 (Six Panels) (1971)

 
 
 
 

Friday, 8/17/12

two takes

“Moment’s Notice” (J. Coltrane)

McCoy Tyner Quartet (MT, piano; Bobby Hutcherson, vibes; Charnett Moffett, bass; Eric Harland, drums), live, England, 2002

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John Coltrane (tenor saxophone, with Lee Morgan trumpet; Curtis Fuller, trombone; Kenny Drew, piano; Paul Chambers, bass; Philly Joe Jones, drums), recording (Blue Train), 1957

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lagniappe

random thoughts

Hearing, seeing, touching, smelling, tasting: what sense is missing from our repertoire that, if you came from some other world, you couldn’t imagine living without?

Monday, 8/13/12

A lot of musicians sound like they’re perfectly happy to be right where they are. Not this guy—he seems intent on getting somewhere else.

Art Pepper (alto saxophone), with Milcho Leviev (piano), Tony Dumas (bass), Carl Burnett, drums; “Caravan,” conversation, and more; Norway, 1980