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Category: piano

Tuesday, May 27th

the other night

The sky’s all thunder and lightning, and it’s almost midnight, and I’m sitting in a Walgreens parking lot near Midway Airport, waiting for my son Alex’s long-delayed flight to arrive, and if it weren’t for Rubinstein’s recordings of Chopin’s nocturnes, which I keep playing over and over amidst the rain and the neon, I’d be going absolutely bonkers.

Frederic Chopin (1810-1849), Nocturne in C-sharp minor, Op. 27, No. 1; Arthur [Artur] Rubinstein (1887-1982), piano

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lagniappe

random thoughts

Listening to Chopin, reading Chekhov: if I ever retire, maybe I’ll relocate to the 19th century.

Monday, May 26th

This piece had its world premiere in 1941; the venue wasn’t fancy—a Nazi prisoner-of-war camp.

Olivier Messiaen (1908-1992), Quatuor pour la fin du temps (Quartet for the End of Time), live, ChamberFest Cleveland (Franklin Cohen, clarinet; Yura Lee, violin; Gabriel Cabezas, cello; Orion Weiss, piano), 2013

Saturday, May 24th

more

Sun Ra & His Arkestra (with John Gilmore, tenor saxophone, et al.), “Take the ‘A’ Train” (B. Strayhorn), live, Switzerland (Montreux Jazz Festival), 1976

Saturday, May 17th

beyond category

John Zorn, Book of Angels (excerpts); Uri Caine, piano; Masada String Trio (Mark Feldman, violin; Erik Friedlander, cello;* Greg Cohen, bass); live, France (Marciac), 2008

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lagniappe

reading table

There’s a line in Tarkovsky’s Solaris: we never know when we’re going to die and because of that we are, at any given moment, immortal.

—Geoff Dyer, “Diary,” London Review of Books, 4/3/14

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*It’s all related: Erik’s the son of photographer Lee Friedlander, whose work is often featured here.

Thursday, April 24th

never enough

Frederic Chopin (1810-1849), Piano Sonata No. 3 in B minor
Rafal Blechacz (1985-), piano, live

1st Movement

2nd Movement

3rd Movement

4th Movement

*****

can’t wait 

Tomorrow Blechacz (pronounced, I just learned, BLEH-hatch), who recently won the 2014 Gilmore Artist Award,* will be at the University of Chicago’s Mandel Hall, playing Bach and Beethoven and Chopin.

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*New York Times (1/8/14):

[O]ne of the great windfalls of the music world . . . the $300,000 Gilmore Artist Award . . . is given every four years to an unsuspecting pianist deemed worthy of a great career by a panel of anonymous judges who conduct their worldwide talent search in secret.

Tuesday, April 22nd

Happy (92nd) Birthday, Mingus!

Charles Mingus, bassist, composer, bandleader
April 22, 1922-January 5, 1979

Charles Mingus Quintet (CM, bass; Eric Dolphy, alto saxophone; Booker Ervin, tenor saxophone; Ted Curson, trumpet; Dannie Richmond, drums) with guest Bud Powell (piano), “I’ll Remember April” (G. de Paul, P. Johnston, D. Raye), live, France (Antibes Jazz Festival), 1960

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lagniappe

radio

WKCR (Columbia University): all Mingus, all day.

Monday, April 21st

old stuff

Jeannette and Her Synco Jazzers (Mary Lou Williams, piano, et al.), “The Bumps” (rec. 1927, Chicago)

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lagniappe

musical thoughts

Whistling was said to be popular among ancient Chinese hermits as a way of achieving oneness with nature.

Laughing Lost in the Mountains: Poems of Wang Wei (translations by Tony Barnstone, Willis Barnstone, Xu Haixin)

Monday, April 14th

never enough

Frederic Chopin (1810-1849), Ballade No. 1 in G minor, Op. 23
Krystian Zimerman (1956-), piano, live

Wednesday, April 9th

alone 

Clarity, mystery: they often act like strangers—not here.

Anton Webern (1883-1945), Variations for Piano, Op. 27 (1936)
Andy Costello (piano), live

Saturday, April 5th

alone

Gyorgy Ligeti (1923-2006), Piano Etudes (Book 1), No. 6 (Automne a Varsovie [Autumn in Warsaw]); Susanne Anatchkova (piano), live

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lagniappe

reading table

[N]othing has ever been—nor will it ever be—the way it used to be.

—Aleksandar Hemon, The Book of My Lives

*****

yesterday

Some things cannot be planned for, nor can they be explained. Such was the case this week when a friend of my son Alex—someone who was in our house, full of conversation, just a few weeks ago—killed himself. The funeral was yesterday. Before it began Alex and I talked briefly with the mother and father, whom I had never met. I told them one of the things I appreciated about their son was that he wasn’t merely polite to me, his friend’s father. He wanted to connect. A greater sorrow a parent could not know.