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Category: piano

Saturday, June 25th

Entering his sound-world isn’t hard. What’s hard is leaving.

Tristan Murail (1947-), La Barque mystique, 1993

Tuesday, June 21st

never enough

Thelonious Monk Quartet (TM, piano; Charlie Rouse, tenor saxophone; Larry Gales, bass; Ben Riley, drums), “Rhythm-a-Ning” (T. Monk), live, London, 1966

Friday, June 17th

Feel like floating?

Chick Corea (piano) & Gary Burton (vibraphone)
Live, Washington, D.C., 6/13/16


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lagniappe

random sights

other morning, Chicago (Columbus Park)

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Tuesday, June 14th

More.

Tristan Murail (1947-), Territoires de l’oubli (1977); Lan Cao (1987-, piano), live, Germany (Cologne), 2014

 

Monday, June 6th

yesterday in Chicago

At the Art Institute—next to Millennium Park, site of Saturday’s Gospel Fest—I heard this piece for the first time, played by three Chicago-based musicians (violinist Yuan-Qing Yu, clarinetist J. Lawrie Bloom, pianist Adam Nieman). It, too, sang.

Charles Ives (1874-1954), Largo for Violin, Clarinet, Piano (1901-02); Lucy Chapman-Stoltzman (violin), Richard Stoltzman (clarinet), Richard Goode (piano), 1990

 

Tuesday, May 31st

Need a lift?

Angelika Niescier (alto saxophone), Ralph Alessi (trumpet), Florian Weber (piano), Chris Tordini (bass), Tyshawn Sorey (drums), “The Barn Thing” (A. Niescier), live, Germany (Krefeld), 2013


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lagniappe

art beat: other day, Art Institute of Chicago 

Aaron Siskind (1903-1991), Martha’s Vineyard Rocks 127B 1954 (Abstractions, through 8/14/16)

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Saturday, May 28th

three takes

Wolfgang Amadeus Mozart (1756-1791), Piano Sonata No. 8 in A minor

Sviatoslav Richter (1915-1997), live

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#2


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Artur Schnabel (1882-1951), 1939

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Dinu Lipatti (1917-1950), live, France (Besancon), 1950


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The A minor sonata is the first of only two Mozart piano sonatas in a minor key . . . It was written in one of the most tragic times of his life: his mother had just died.

Wikipedia

Wednesday, May 25th

Unfailing clarity, lyricism—how apt to hear him shortly after Mozart.

Sonny Rollins, live (“On Green Dolphin Street,” “St. Thomas,” “Four”), Denmark, 1968*


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lagniappe

reading table

dripping from the flower vendor’s
display
morning dew

—Kobayashi Issa, 1763-1828 (translated from Japanese by David G. Lanoue)

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*With Kenny Drew (piano), Niels-Henning Orsted Pedersen (bass), Albert “Tootie” Heath (drums).

Monday, May 23rd

I love his approach to Mozart. He’s never fussy or mannered. He plays simply, directly—like a bird flying from tree to tree.

Wolfgang Amadeus Mozart (1756-1791), Piano Sonata No. 12 in F major (:07-), Fantasia in C minor (22:42-), Sonata No. 14 in C minor (39:54-); Friedrich Gulda (1930-2000), live, Germany (Munich), 1990


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lagniappe

musical thoughts

Mozart was a kind of idol to me—this rapturous singing . . . that’s always on the edge of sadness and melancholy and disappointment and heartbreak, but always ready for an outburst of the most delicious music.

Saul Bellow (1915-2005)

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reading table

If, instead of the words ‘good’ or ‘right’ (or ‘sacred’) we use the words ‘beautiful’ or ‘pleasurable’ or ‘enlivening,’ . . . how would our lives be different?

—Adam Phillips, Unforbidden Pleasures (quoted in yesterday’s New York Times Book Review)

Saturday, May 14th

If I learned I had a week to live, one afternoon, sunlight streaming through the windows, I’d listen to Mozart.

Wolfgang Amadeus Mozart (1756-1791), Adagio in B minor, K. 540
Mitsuko Uchida, live

 

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lagniappe

art beat: other day, Art Institute of Chicago

Vincent van Gogh (1853-1890), Entrance to the Public Gardens at Arles, 1888

vincent-van-gogh-entrance-to-the-public-park-in-arles-art-print-poster

(Taking a break—back in a while.)