three takes
Wolfgang Amadeus Mozart (1756-1791), Piano Sonata No. 8 in A minor
Sviatoslav Richter (1915-1997), live
#1
#2
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Artur Schnabel (1882-1951), 1939
#1
#2
#3
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Dinu Lipatti (1917-1950), live, France (Besancon), 1950
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The A minor sonata is the first of only two Mozart piano sonatas in a minor key . . . It was written in one of the most tragic times of his life: his mother had just died.
Unfailing clarity, lyricism—how apt to hear him shortly after Mozart.
Sonny Rollins, live (“On Green Dolphin Street,” “St. Thomas,” “Four”), Denmark, 1968*
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lagniappe
reading table
dripping from the flower vendor’s
display
morning dew—Kobayashi Issa, 1763-1828 (translated from Japanese by David G. Lanoue)
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*With Kenny Drew (piano), Niels-Henning Orsted Pedersen (bass), Albert “Tootie” Heath (drums).
I love his approach to Mozart. He’s never fussy or mannered. He plays simply, directly—like a bird flying from tree to tree.
Wolfgang Amadeus Mozart (1756-1791), Piano Sonata No. 12 in F major (:07-), Fantasia in C minor (22:42-), Sonata No. 14 in C minor (39:54-); Friedrich Gulda (1930-2000), live, Germany (Munich), 1990
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lagniappe
musical thoughts
Mozart was a kind of idol to me—this rapturous singing . . . that’s always on the edge of sadness and melancholy and disappointment and heartbreak, but always ready for an outburst of the most delicious music.
—Saul Bellow (1915-2005)
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reading table
If, instead of the words ‘good’ or ‘right’ (or ‘sacred’) we use the words ‘beautiful’ or ‘pleasurable’ or ‘enlivening,’ . . . how would our lives be different?
—Adam Phillips, Unforbidden Pleasures (quoted in yesterday’s New York Times Book Review)
If I learned I had a week to live, one afternoon, sunlight streaming through the windows, I’d listen to Mozart.
Wolfgang Amadeus Mozart (1756-1791), Adagio in B minor, K. 540
Mitsuko Uchida, live
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lagniappe
art beat: other day, Art Institute of Chicago
Vincent van Gogh (1853-1890), Entrance to the Public Gardens at Arles, 1888
(Taking a break—back in a while.)
sounds of New York
Music is, in part, a function of place. Can you imagine these sounds coming out of San Diego?
Charles Gayle Trio (CG, tenor saxophone, piano; Larry Roland, bass; Michael Wimberly, drums), live, Germany (Cologne), 2012
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lagniappe
reading table
It might be lonelier
Without the Loneliness –—Emily Dickinson (1830-1886), 535 (Franklin), fragment
never enough
What do I watch when he’s at the piano? His feet.
Thelonious Monk Quartet (TM, piano, compositions; Charlie Rouse, tenor saxophone; Larry Gales, bass; Ben Riley, drums), live, France (Amiens), 1966
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lagniappe
reading table
Thought forms in the soul in the same way clouds form in the air.
—Joseph Joubert (1754-1824), 1786 (The Notebooks of Joseph Joubert, translated from French by Paul Auster)
(Thanks to Orange Crate Art for introducing me to Joubert.)
This is a sound-world I’d be happy to inhabit all day.
Anna Thorvaldsdóttir (1977-), Ró (2013); Esbjerg Ensemble, live
MCOTD Hall of Fame
Morton Feldman (1926-1987), Durations I (1960); Moscow Contemporary Music Ensemble, live
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lagniappe
random sights
other day, Chicago (Columbus Park)
sounds of Chicago
Ralph Shapey (1921-2003), Three for Six (1979); Oerknal!, live, Netherlands (The Hague, Amsterdam) 2014
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lagniappe
reading table
He ate and drank the precious Words—
His Spirit grew robust—
He knew no more that he was poor,
Nor that his frame was Dust—
He danced along the dingy Days
And this Bequest of Wings
Was but a Book—What Liberty
A loosened spirit brings——Emily Dickinson (1830-1886), 1593 (Franklin)
what’s new
Vijay Iyer (keyboards), Wadada Leo Smith (trumpet), A Cosmic Rhythm With Each Stroke, 2016
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“Passages”
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lagniappe
random sights
this morning, Oak Park, Ill.
music clip of the day 