No one fired up this pianist—one of the most influential in the history of jazz—like this drummer.
Bill Evans Trio (BE [1929-1980], piano; Philly Joe Jones [1923-1985], drums; Marc Johnson [1953-], bass), “Nardis” (M. Davis), live, Italy (Umbria), 1978
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lagniappe
reading table
How many poems have gotten so much attention with so few words?
so much depends
upona red wheel
barrowglazed with rain
waterbeside the white
chickens—William Carlos Williams (1883-1963), “The Red Wheelbarrow”
another take
Frederic Chopin (1810-1849), Prelude in C-sharp minor (Op. 45); Arturo Benedetti Michelangeli (1920-1995), live, Italy (Prato), 1967
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lagniappe
musical thoughts
[N]ow Miles [Davis] was relaxed and pianist Arturo Benedetti Michelangeli was sending him into several shades of ecstasy.
‘Listen to those trills!’ Miles ordered.
—1961 interview, The Miles Davis Reader
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random sights
yesterday, Oak Park, Ill.
This I could listen to all day.
Morton Feldman (1926-1987, MCOTD Hall of Fame), Palais de Mari (1986); Blair McMillen (piano) and Ryan Olivier (video processing), live, Philadelphia, 2014
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lagniappe
musical thoughts
My obsession with surface is the subject of my music. In that sense, my compositions are really not ‘compositions’ at all. One might call them time canvases in which I more or less prime the canvas with an overall hue of the music.
—Morton Feldman, “Between Categories” (Give My Regards to Eighth Street)
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random sights
yesterday, Oak Park, Ill.
what’s new
Tim Berne (alto saxophone), Matt Mitchell (piano), Dave King (drums), live, New York, 1/7/19
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lagniappe
reading table
in my thatched hut
even dreaming
the cold—Kobayashi Issa, 1763-1827 (translated from Japanese by David G. Lanoue)
Why not begin the week with something beautiful?
Tarkovsky Quartet (François Couturier, piano; Anja Lechner, cello; Jean-Marc Larché, soprano saxophone; Jean-Louis Matinier, accordion), “Nuit blanche,” 2017
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lagniappe
reading table
I prefer winter . . . when you feel the bone structure of the landscape . . . . Something waits beneath it, the whole story doesn’t show.
—painter Andrew Wyeth (1917-2009), Times Literary Supplement, 11/23/18