Thursday, September 5th
Today, MCOTD’s 10th anniversary, we revisit our first post.
***
One left Cuba after the revolution, the other stayed. Here they play together: pianists—father and son—Bebo and Chucho Valdes.
Today, MCOTD’s 10th anniversary, we revisit our first post.
***
One left Cuba after the revolution, the other stayed. Here they play together: pianists—father and son—Bebo and Chucho Valdes.
never enough
Frederic Chopin (1810-1849), Nocturne No. 15 in F minor, Op. 55, No. 1; Sviatoslav Richter (1915-1997, piano), live, Moscow, 1972
**********
lagniappe
reading table
Only thing
the thief left behind—
moon in my window.—Ryokan (1758-1831), translated from Japanese by Kazuaki Tanahashi
sounds of New York
Craig Taborn (piano, electronics), Cory Smythe (piano, electronics), “X’s and Y’s,” live, New York, 2018
**********
lagniappe
reading table
SHOE FROM THE WAVES
oh he got a shoe from the waves
—Robert Grenier (1941-), A Day at the Beach (1984)
MCOTD Hall of Fame
Morton Feldman (1926-1987, MCOTD Hall of Fame), For Christian Wolff (1986); Eberhard Blum (flute), Nils Vigland (piano, celesta), 1992
It can be hard to recall, after an hour or two, what the world sounded like before this began.
**********
lagniappe
listening room
Clear, open, luminous: pianist Aki Takahashi’s recently released recording of For Bunita Marcus (1985), available on Spotify, is one of the finest renderings of Feldman’s unique sound-world that I’ve ever heard.
never enough
Frederic Chopin (1810-1849), Nocturne No. 8 in D-flat major, Op. 27, No. 2; Dinu Lipatti (1917-1950, piano), 1947
**********
lagniappe
reading table
Consonants are the body; vowels are breath.
—Sadiqa de Meijer, “The Ebbing Language,” Poetry, 9/19
MCOTD Hall of Fame
Morton Feldman (1926-1987, MCOTD Hall of Fame), For Philip Guston (1984); S.E.M. Ensemble, 2000
spellbinding (part two)
Why not begin the week with something beautiful?
Daniil Trifonov (1991-, piano), live (Chopin, Prelude No. 15 [“Raindrop”])