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Category: piano

Tuesday, May 26th

never enough

Frederic Chopin (1810-1849), Ballade No. 1 in G minor; Krystian Zimerman (piano, 1956-), live, Vienna, 1987

 

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lagniappe

random sights

this morning, Chicago (Columbus Park)

Tuesday, May 19th

sounds of New York

Aruan Ortiz, Anthony Coleman, Vijay Iyer, Solo Piano Impressions for Herbie Nichols (1919-1963, pianist, composer), live, New York, 2019

One-word review of Aruan Ortiz’s opening set: Wow!

 

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lagniappe

random sights

other day, Chicago

Monday, May 18th

Why not begin the week with something quiet?

Jürg Frey (1953-), Extended Circular Music No. 4 (2014); Absolut Trio, live, Switzerland (Basel), 1/22/20

 

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lagniappe

random sights

yesterday, Chicago

Friday, May 15th

only rock ‘n’ roll

Little Richard, 1932-2020

“Tutti Frutti,” 1956 (screen test, The Girl Can’t Help It)

 

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“Long Tall Sally,” 1956 (Don’t Knock the Rock)

 

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“Good Golly, Miss Molly,” 1958

 

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“Rip It Up,” early 1960s

 

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“Lucille,” 1973

 

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When you look at today’s Grammy winners – God bless them – half of them were discovered when they were 10 years old, were groomed, and had managers and publicists. Little Richard just clawed his way to the top at a very early age with nothing except a tremendous amount of talent and gumption.

—David Kirby, author of Little Richard: The Birth of Rock ‘n’ Roll (2009)

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lagniappe

random sights

other day, Chicago

Thursday, May 14th

basement jukebox

Eddie Bo (aka Edwin Joseph Bocage [1930-2009], vocals, piano), “Dinky Doo,” 1961

 

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lagniappe

random sights

yesterday, Oak Park, Ill.

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streaming

Tonight at 7:30 p.m. (ET) the last performance by pianist Peter Serkin (1947-2020) at New York’s 92nd St. Y (12/1/18) will be streamed here (Mozart [Adagio in B Minor, K. 540; Sonata in B-flat Major, K. 570], Bach [Goldberg Variations]).

Saturday, May 9th

never enough

Frederic Chopin (1810-1849), 24 Preludes, Op. 28; Maria João Pires (1944-, piano), live, Portugal (Évora), 1987

 

More? Her wonderful 1994 recording of these pieces is available on Spotify.

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lagniappe

random sights

other day, Oak Park, Ill.

Friday, May 8th

timeless

Sarah Vaughan (1924-1990), “The More I See You” (H. Warren, M. Gordon), live, Sweden (Stockholm), 1964

 

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lagniappe

random sights

yesterday, Chicago (Columbus Park)

Monday, May 4th

Feeling lost?

John Luther Adams (1953-), The Farthest Place (2001); Robin Lorentz (violin), Amy Knoles (vibraphone, marimba), Bryan Pezzone (piano), Barry Newton (bass), 2002

 

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lagniappe

random sights

yesterday, Chicago

Monday, April 27th

never enough

Why not begin the week with something beautiful?

Wolfgang Amadeus Mozart (1756-1791), Piano Sonata in B-flat major, K. 570; Peter Serkin (1947-2020, piano), live, New Jersey (Ridgewood), 2017

 

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lagniappe

random sights

yesterday, Oak Park, Ill.

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reading table

You ask why I live
alone in the mountain forest,

and I smile and am silent
until even my soul grows quiet.

The peach trees blossom.
The waters continue to flow.

I live in the other world,
one that lies beyond the human.

—Li Po (aka Li Bai, 701-762), “Questions Answered” (translated from Chinese by Sam Hamill)

Saturday, April 25th

never enough

How many musicians talk as well as they play?

Jeremy Denk (1970-, piano), playing, and talking about, Bach’s Well-Tempered Clavier (excerpts), live, 4/7/20

 

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lagniappe

reading table

North Haven
by Elizabeth Bishop (1911-1979)

In Memoriam: Robert Lowell

I can make out the rigging of a schooner
a mile off; I can count
the new cones on the spruce. It is so still
the pale bay wears a milky skin; the sky
no clouds except for one long, carded horse’s tail.

The islands haven’t shifted since last summer,
even if I like to pretend they have—
drifting, in a dreamy sort of way,
a little north, a little south, or sidewise—
and that they¹re free within the blue frontiers of bay.

This month our favorite one is full of flowers:
buttercups, red clover, purple vetch,
hackweed still burning, daisies pied, eyebright,
the fragrant bedstraw’s incandescent stars,
and more, returned, to paint the meadows with delight.

The goldfinches are back, or others like them,
and the white-throated sparrow’s five-note song,
pleading and pleading, brings tears to the eyes.
Nature repeats herself, or almost does:
repeat, repeat, repeat; revise, revise, revise.

Years ago, you told me it was here
(in 1932?) you first “discovered girls”
and learned to sail, and learned to kiss.
You had “such fun,” you said, that classic summer.
(“Fun”—it always seemed to leave you at a loss . . .)

You left North Haven, anchored in its rock,
afloat in mystic blue . . . And now—you’ve left
for good. You can’t derange, or rearrange,
your poems again. (But the sparrows can their song.)
The words won’t change again. Sad friend, you cannot change.