only rock ‘n’ roll
Little Richard, 1932-2020
“Tutti Frutti,” 1956 (screen test, The Girl Can’t Help It)
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“Long Tall Sally,” 1956 (Don’t Knock the Rock)
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“Good Golly, Miss Molly,” 1958
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“Rip It Up,” early 1960s
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“Lucille,” 1973
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When you look at today’s Grammy winners – God bless them – half of them were discovered when they were 10 years old, were groomed, and had managers and publicists. Little Richard just clawed his way to the top at a very early age with nothing except a tremendous amount of talent and gumption.
—David Kirby, author of Little Richard: The Birth of Rock ‘n’ Roll (2009)
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lagniappe
random sights
other day, Chicago
basement jukebox
Eddie Bo (aka Edwin Joseph Bocage [1930-2009], vocals, piano), “Dinky Doo,” 1961
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lagniappe
random sights
yesterday, Oak Park, Ill.
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streaming
Tonight at 7:30 p.m. (ET) the last performance by pianist Peter Serkin (1947-2020) at New York’s 92nd St. Y (12/1/18) will be streamed here (Mozart [Adagio in B Minor, K. 540; Sonata in B-flat Major, K. 570], Bach [Goldberg Variations]).
never enough
Why not begin the week with something beautiful?
Wolfgang Amadeus Mozart (1756-1791), Piano Sonata in B-flat major, K. 570; Peter Serkin (1947-2020, piano), live, New Jersey (Ridgewood), 2017
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lagniappe
random sights
yesterday, Oak Park, Ill.
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reading table
You ask why I live
alone in the mountain forest,and I smile and am silent
until even my soul grows quiet.The peach trees blossom.
The waters continue to flow.I live in the other world,
one that lies beyond the human.—Li Po (aka Li Bai, 701-762), “Questions Answered” (translated from Chinese by Sam Hamill)
never enough
How many musicians talk as well as they play?
Jeremy Denk (1970-, piano), playing, and talking about, Bach’s Well-Tempered Clavier (excerpts), live, 4/7/20
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lagniappe
reading table
North Haven
by Elizabeth Bishop (1911-1979)
In Memoriam: Robert Lowell
I can make out the rigging of a schooner
a mile off; I can count
the new cones on the spruce. It is so still
the pale bay wears a milky skin; the sky
no clouds except for one long, carded horse’s tail.
The islands haven’t shifted since last summer,
even if I like to pretend they have—
drifting, in a dreamy sort of way,
a little north, a little south, or sidewise—
and that they¹re free within the blue frontiers of bay.
This month our favorite one is full of flowers:
buttercups, red clover, purple vetch,
hackweed still burning, daisies pied, eyebright,
the fragrant bedstraw’s incandescent stars,
and more, returned, to paint the meadows with delight.
The goldfinches are back, or others like them,
and the white-throated sparrow’s five-note song,
pleading and pleading, brings tears to the eyes.
Nature repeats herself, or almost does:
repeat, repeat, repeat; revise, revise, revise.
Years ago, you told me it was here
(in 1932?) you first “discovered girls”
and learned to sail, and learned to kiss.
You had “such fun,” you said, that classic summer.
(“Fun”—it always seemed to leave you at a loss . . .)
You left North Haven, anchored in its rock,
afloat in mystic blue . . . And now—you’ve left
for good. You can’t derange, or rearrange,
your poems again. (But the sparrows can their song.)
The words won’t change again. Sad friend, you cannot change.