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Category: orchestra

Tuesday, October 14th

Thirty-eight years later.

Bela Bartok (1881-1945), Piano Concerto No. 3 (1945); Toho Gakuen Orchestra (Yuri Bashmet, cond.) with Martha Argerich (piano), live, 2007

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And an encore.

Domenico Scarlatti (1685-1757), Sonata in D minor; Martha Argerich (piano), live, 2008

Monday, October 13th

No matter what she’s playing, she seems never to touch the ground.

Maurice Ravel (1875-1937), Piano Concerto in G (1929-31); RAI National Symphony Orchestra (Claudio Abbado, cond.) with Martha Argerich (piano), live, Rome, 1969

1st movt.

2nd & 3rd movts.

Monday, September 15th

It’s your choice. You can allow yourself to be swept away. Or you can stay put on your own little island.

Johannes Brahms (1833-1897), Piano Concerto No. 2; Munich Philharmonic (Sergiu Celibidache, cond.) with Daniel Barenboim, piano, live, 1991

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lagniappe

reading table

The man pulling radishes
pointed my way
with a radish.

—Kobayashi Issa (1763-1827; translated from Japanese by Robert Hass)

Monday, August 25th

Why not begin the week with something beautiful?

Lou Harrison (1917-2003), Second Symphony (“Elegiac,” 1988); BBC National Orchestra of Wales

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lagniappe

reading table

never growing old
Mr. and Mrs.
Butterfly

—Kobayashi Issa (1763-1827; translated from Japanese by David G. Lanoue)

Tuesday, July 15th

passings

Lorin Maazel (mah-ZELL), conductor, violinist, composer
March 6, 1930-July 13, 2014

Wolfgang Amadeus Mozart (1756-1791), Symphony No. 41 in C major (“Jupiter”), Orquesta Sinfónica de Galicia (Lorin Maazel, cond.), live, Spain (A Coruña), 2012

Charlie Haden, Tommy Ramone, Lorin Maazel: their differences are dwarfed by what, as music makers, they shared.

Tuesday, May 6th

soundtrack for a dream

Marcos Balter (1974-), Frisson (2011); Chicago Composers Orchestra (Matthew Kasper, cond.) with Eric Lamb (flute), Chicago, 2011


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lagniappe

reading table

Speculative, imaginative writings—texts that ‘open possibility’—help us to live because the definitions by which we live are themselves productions of the cultural imaginary.

—Frances Richard, “Multitudes” (Poetry, May, 2014)

 

Tuesday, April 15th

Yesterday this piece, by a composer often heard here, won the 2014 Pulitzer Prize for music.

John Luther Adams (1953-), Become Ocean (2013); Seattle Symphony

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taking a break

I’m taking some time off—back in a while.

Monday, December 16th

Something beautiful to begin the week.

Wolfgang Amadeus Mozart, Piano Concerto No. 23 in A major, excerpt (2nd movt., Adagio); Hélène Grimaud (piano), Bavarian Radio Chamber Orchestra

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lagniappe

musical thoughts

It is music and dancing that makes me at peace with the world and at peace with myself.

Nelson Mandela (July 18, 1918-December 5, 2013)

Saturday, December 7th

serendipity

Last night I was feeling glum. Then I happened upon this. Listen to this piano sing.

Wolfgang Amadeus Mozart, Piano Concerto No. 27 in B flat major; Maria João Pires (piano), Chamber Orchestra of Europe (Trevor Pinnock, cond.), live


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lagniappe

reading table

Why love what you will lose?
There is nothing else to love.

—Louise Glück, “From the Japanese” (excerpt)

Wednesday, July 3rd

what’s new

I don’t understand a word of German. No matter. Commitment and passion don’t require translation.

Carolin Widmann (violin), playing and talking; Morton Feldman (1926-1987), Violin and Orchestra (1979); CM, Frankfurt Radio Symphony Orchestra (Emilio Pomarico, cond.), ECM Records, 5/13