Wednesday, June 3rd
sounds of New York
Meredith Monk, “Last Song”
Live, New York (Joe’s Pub), 2005
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Recording (Impermanence), 2008
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lagniappe
random thoughts
Who is this guy who keeps talking, talking, talking inside my head?
sounds of New York
Meredith Monk, “Last Song”
Live, New York (Joe’s Pub), 2005
***
Recording (Impermanence), 2008
**********
lagniappe
random thoughts
Who is this guy who keeps talking, talking, talking inside my head?
ten strings, twenty fingers
Stephan Crump (bass) & Mary Halvorson (guitar), “Erie” (S. Crump), live, New York, 4/17/15
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lagniappe
random thoughts
Life consists of driving a vehicle you didn’t design, one that came without an owner’s manual, until one day it runs off the road and winds up in a ditch.
Feeling glum?
Not for long.
Jim Campilongo & Honeyfingers,* live, New York, 2013
*JC, guitar; Luca Benedetti, guitar; Jonny Lam, lap steel guitar; Catherine Popper, bass; Shawn Pelton, drums.
More reasons to wonder: Where would we be without the saxophone?
Collective Identity Saxophone Quartet (Alex Harding, baritone; Jorge Sylvester & Bruce Williams, alto; Sam Newsome, soprano), live, New York, 10/11/14
Open Minds: Chris Potter Underground (with CP, tenor saxophone, bass clarinet; Craig Taborn, keyboards; Adam Rogers, guitar; Nate Smith, drums), 2012
Music documentaries can go wrong in so many ways. Too much talk. Talk that reminds you, repeatedly, why musicians aren’t paid to speak. Mediocre sound. This one, which I bumped into yesterday, seems to avoid them all.
Need a jolt?
Brandon Lopez (bass), Tyshawn Sorey (drums), Chris Pitsiokos (alto saxophone), live, New York, 11/10/14
Talk about range. The piece we heard Saturday—the one with flute, violin, bass clarinet, and piano? It was composed by the drummer.
When you work on a small scale, a slight shift can seem epic.
Oscar Noriega (alto saxophone), live, New York, 12/7/14
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lagniappe
reading table
Climb Mount Fuji,
O snail,
but slowly, slowly.—Kobayashi Issa (1763-1828; translated from Japanese by Robert Hass)