Wednesday, February 1st
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Wet Ink Ensemble, Pendulum V (Alex Mincek), live, New York, 2009
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langiappe
reading table
in such an ugly time the true protest is beauty
—Phil Ochs (1940-1976), Pleasures of the Harbor (1967), liner notes
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Wet Ink Ensemble, Pendulum V (Alex Mincek), live, New York, 2009
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langiappe
reading table
in such an ugly time the true protest is beauty
—Phil Ochs (1940-1976), Pleasures of the Harbor (1967), liner notes
Sunday night, in Chicago, I heard these folks perform at Constellation. Afterward, as I walked out the door, the night air seemed clearer, lighter, as if it had just been washed.
Wet Ink Ensemble, Pendulum VII (Alex Mincek), live, New York, 2013
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lagniappe
art beat: other day, High Line (New York)
Tony Matelli (1971-), Sleepwalker, 2014
tonight in Chicago
She’ll be at Stony Island Arts Bank.
Sarah Davachi (1987-), “As the Morning,” 2014
art beat: other day, The Guggenheim (New York)
Agnes Martin (1912-2004), Untitled #5, 1998
This I could listen to all day.
Jürg Frey (1953-), Sam Lazaro Bros (1984); Dante Boon, piano
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lagniappe
musical thoughts
As with breaths, so too with sounds: one after another—each new.
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art beat: other day, The Guggenheim (New York)
Piet Mondrian (1872-1944), Tableau No. 2/Composition No. VII, 1913
In a world so noisy what’s more precious than sounds so quiet?
Morton Feldman (1926-1987, MCOTD Hall of Fame), Piano and string quartet (1985), Sed Contra Ensemble, live (performance begins at 4:11), Ukraine (Lviv), 2016
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lagniappe
art beat: other day, Whitney Museum of American Art (New York)
Edward Hopper (1882-1967), A Woman in the Sun, 1961
back to church
Post-inaugural blues?
Try this.
First Church of Deliverance Choir, “Afterwhile It’ll All Be Over,” live, Chicago
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lagniappe
random sights
other day, New York (High Line)
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my back pages
On a cold, snowy night forty years ago, at a church outside Chicago, my wife, Suzanne, and I were married. Tenor saxophonist Von Freeman (MCOTD Hall of Fame) and pianist John Young, both now gone, performed at the ceremony. All of what they played that night—”Somewhere Over the Rainbow,” “It Never Entered My Mind,” “More” (before); “In a Sentimental Mood” (unaccompanied saxophone, as the bride walked down the aisle); “My Favorite Things,” “Song for My Father” (after)—can be heard here (0:15-).
passings
Some drumming is solid. Some, like this, liquid.
Charles “Bobo” Shaw, drummer, September 15, 1947-January 16, 2017
With Lester Bowie (trumpet, MCOTD Hall of Fame), “Bugle Boy Bop” (Bugle Boy Bop, recorded 1977; released 1983)
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lagniappe
art beat: other day, Whitney Museum of American Art (New York)
Helen Levitt (MCOTD Hall of Fame), New York, c. 1940
timeless
Sleepy John Estes (1899-1977), “Diving Duck Blues” (with James “Yank” Rachell, mandolin; Jab Jones, piano), recorded September 24, 1929 (Memphis)
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lagniappe
art beat: other day, Whitney Museum of American Art (Dreamlands: Immersive Cinema and Art, 1905-2016, through February 5th)
Edwin S. Porter, Coney Island at Night (1905)
sounds of New York
Aaron Burnett’s Big Machine (AB, tenor saxophone, compositions; Peter Evans, trumpet, Carlos Homs, piano; Nicholas Joswiak, bass; Tyshawn Sorey, drums), live, New York, 11/30/16
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lagniappe
art beat: other day, The Guggenheim (New York)
Vasily Kandinsky (1866-1944), Painting with White Border, 1913