Max Richter (1966-, compositions, piano, keyboard) with the American Contemporary Music Ensemble (Clarice Jensen, cello & artistic director; Ben Russell, violin; Laura Lutzke, violin; Isabel Hagen, viola; Claire Bryant, cello), “On the Nature of Daylight,” “Vladimir’s Blues,” “Infra 5,” live, Washington, D.C., 1/22/20
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lagniappe
musical thoughts
I’m very interested in the idea of a piece of music being a place to think.
I’ve always been aware of being an inconsistent personality. Of having a lot of contradictory voices knocking around my head. As a kid, I was ashamed of it. Other people seemed to feel strongly about themselves, to know exactly who they were. I was never like that. I could never shake the suspicion that everything about me was the consequence of a series of improbable accidents—not least of which was the 400 trillion–to-one accident of my birth. As I saw it, even my strongest feelings and convictions might easily be otherwise, had I been the child of the next family down the hall, or the child of another century, another country, another God.
—Zadie Smith, “Fascinated to Presume: In Defense of Fiction,” New York Review of Books, 10/24/19