Monday, February 2nd
what’s new
D’Angelo and the Vanguard (Pino Palladino, bass; John Blackwell, drums; Jesse Johnson & Isaiah Sharkey, guitars, et al.), Saturday Night Live, 1/31/15
“Really Love”
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“The Charade”
what’s new
D’Angelo and the Vanguard (Pino Palladino, bass; John Blackwell, drums; Jesse Johnson & Isaiah Sharkey, guitars, et al.), Saturday Night Live, 1/31/15
“Really Love”
***
“The Charade”
Open Minds: Chris Potter Underground (with CP, tenor saxophone, bass clarinet; Craig Taborn, keyboards; Adam Rogers, guitar; Nate Smith, drums), 2012
Music documentaries can go wrong in so many ways. Too much talk. Talk that reminds you, repeatedly, why musicians aren’t paid to speak. Mediocre sound. This one, which I bumped into yesterday, seems to avoid them all.
passings
Joe Sample, keyboard player, composer, February 1, 1939-September 12, 2014
Digable Planets with guests Lester Bowie (trumpet), Melvin “Wah Wah Watson” Ragin (guitar), Joe Sample (keyboards), “Flyin’ High in the Brooklyn Sky,” live, New York, 1990s
As much as I love Lester, a MCOTD Hall-of-Famer, this performance could get along without him. Same with Wah Wah Watson. Not Joe—he makes everybody sound better.
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lagniappe
random thoughts
Life doesn’t end; it stops.
only rock ’n’ roll
Spoon, live (studio performance), Seattle, 7/24/14
summer in the city
Chvrches, live, Chicago (Lollapalooza), 8/1/14
sounds of Zimbabwe
Bhundu Boys, “Hupenyu Hwangu,” live, 1980s
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lagniappe
reading table
Yesterday’s email brought this from a reader.
The Layers
by Stanley Kunitz (1905-2006)I have walked through many lives,
some of them my own,
and I am not who I was,
though some principle of being
abides, from which I struggle
not to stray.
When I look behind,
as I am compelled to look
before I can gather strength
to proceed on my journey,
I see the milestones dwindling
toward the horizon
and the slow fires trailing
from the abandoned camp-sites,
over which scavenger angels
wheel on heavy wings.
Oh, I have made myself a tribe
out of my true affections,
and my tribe is scattered!
How shall the heart be reconciled
to its feast of losses?
In a rising wind
the manic dust of my friends,
those who fell along the way,
bitterly stings my face.
Yet I turn, I turn,
exulting somewhat,
with my will intact to go
wherever I need to go,
and every stone on the road
precious to me.
In my darkest night,
when the moon was covered
and I roamed through wreckage,
a nimbus-clouded voice
directed me:
“Live in the layers,
not on the litter.”
Though I lack the art
to decipher it,
no doubt the next chapter
in my book of transformations
is already written.
I am not done with my changes.
summer in the city
St. Vincent, live, Chicago (Pitchfork Music Festival), 7/19/14*
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lagniappe
reading table
the scrawny pine, too
looks extravagant . . .
summer moon—Kobayashi Issa (1763-1827; translated from Japanese by David G. Lanoue)
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*Set list (courtesy of YouTube):
0:00 Introduction
0:45 Rattlesnake
5:39 Digital Witness
9:13 Cruel
13:10 Marrow
17:40 Every Tear Disappears / Shout (Tears for Fears)
22:16 Surgeon
27:35 Cheerleader
31:19 Prince Johnny
37:15 Birth In Reverse
41:10 Huey Newton
46:47 Bring Me Your Loves
50:52 Your Lips Are Red
sounds of Chicago
Fenton Robinson (1935-1997), “Somebody Loan Me a Dime” (F. Robinson)
Live (The Devil’s Music [BBC], 1979)
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Recording (1967)