music clip of the day

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Category: miscellaneous electronics

Wednesday, February 19th

sounds of Chicago

Mike Reed’s People, Places & Things (MR, drums; Jason Roebke, bass; Greg Ward, alto saxophone; Tim Haldeman, tenor saxophone), “Wilbur’s Tune,” live, Paris, 2010

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Mike Reed’s Myth/Science Assembly (MR, drums; Tomas Fujiwara, drums; Josh Abrams, bass; Greg Ward, alto saxophone; Ingrid Laubrock, tenor saxophone; Taylor Ho Bynum, trumpet; Mary Halvorson, guitar; Tomeka Reid, cello; Jason Adasiewicz, vibraphone; Nick Butcher, electronics), live (rearranging a found Sun Ra fragment [excerpt]), Chicago (Chicago Jazz Festival), 2011

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Mike Reed’s Loose Assembly (MR, drums; Josh Abrams, bass; Greg Ward, alto saxophone; Tomeka Reid, cello; Jason Adasiewicz, vibraphone), live (studio performance), Chicago, c. 2009

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If other Chicago musicians are “busy,” what’s Mike Reed? In addition to leading various groups, he owns and operates Constellation, a performing arts center. Then there’s the Pitchfork Music Festival, which this summer will feature, over the course of three days, Beck, Giorgio Moroder, Kendrick Lamar, Grimes, et al. He books and produces it.

Tuesday, January 28th

This just in from my son Luke (now twenty-two, living in Kansas City):

Did you see Stevie Wonder last night with Daft Punk?

Stevie Wonder, Pharrell Williams, Daft Punk, “Get Lucky,” live (Grammy Awards), 1/26/14

Saturday, January 25th

sounds of Japan

What do you get when you cross Abba and the Chipmunks?

Perfume, “1 mm,” 2013

Friday, January 17th

Chvrches, “Lies,” live, Scotland (Glasgow), 2012


Ever notice how terribly young everyone seems to be getting?

Thursday, January 16th

sounds of Chicago

Hieroglyphic Being (AKA Jamal Moss), “Space Is The Place (But We Stuck Here On Earth)”

Wednesday, January 8th

William Basinski, “Silent Night,” 2004

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lagniappe

musical thoughts

If all we ever listen to are things that sound like things we’ve heard before, aren’t we living, however comfortably, in an echo chamber?

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taking a break

I’m taking some time off—back in a while.

Friday, January 3rd

what’s new

Darkside, live, Paris (Pitchfork Music Festival), 10/31/13


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lagniappe

art beat

Lee Friedlander (1934-), Japan (Kyoto), 1981

1. Kyoto, 1981

Thursday, December 26th

what’s new

Julianna Barwick, live (studio performance), Seattle, 11/22/13

“Look Into Your Own Mind”


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“Crystal Lake”


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lagniappe

reading table

The Snow Man
by Wallace Stevens (1879-1955)

One must have a mind of winter
To regard the frost and the boughs
Of the pine-trees crusted with snow;

And have been cold a long time
To behold the junipers shagged with ice,
The spruces rough in the distant glitter

Of the January sun; and not to think
Of any misery in the sound of the wind,
In the sound of a few leaves,

Which is the sound of the land
Full of the same wind
That is blowing in the same bare place

For the listener, who listens in the snow,
And, nothing himself, beholds
Nothing that is not there and the nothing that is.

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Stevens’s poems force us, as great poems always do, to live in the occasion of their language—not simply to extract a ‘meaning’ from the language. The point is not so much to understand the poems (for when we understand something, we don’t need it anymore, and we don’t read it again); the point is to inhabit the poems. By doing so, we recognize that our humanity is not constituted by our ‘mastery’ of something. It is constituted by our willingness to humble ourselves to the ‘mystery’ of something.

—James Longenbach

Wednesday, December 18th

what’s new

Glasser, live, London (Boiler Room), 2013

“Forge”


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“Dissect”


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“Landscape”

Friday, September 27th

what’s new

Chvrches, “Gun,” 2013