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Category: miscellaneous electronics

Thursday, December 26th

what’s new

Julianna Barwick, live (studio performance), Seattle, 11/22/13

“Look Into Your Own Mind”


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“Crystal Lake”


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lagniappe

reading table

The Snow Man
by Wallace Stevens (1879-1955)

One must have a mind of winter
To regard the frost and the boughs
Of the pine-trees crusted with snow;

And have been cold a long time
To behold the junipers shagged with ice,
The spruces rough in the distant glitter

Of the January sun; and not to think
Of any misery in the sound of the wind,
In the sound of a few leaves,

Which is the sound of the land
Full of the same wind
That is blowing in the same bare place

For the listener, who listens in the snow,
And, nothing himself, beholds
Nothing that is not there and the nothing that is.

*****

Stevens’s poems force us, as great poems always do, to live in the occasion of their language—not simply to extract a ‘meaning’ from the language. The point is not so much to understand the poems (for when we understand something, we don’t need it anymore, and we don’t read it again); the point is to inhabit the poems. By doing so, we recognize that our humanity is not constituted by our ‘mastery’ of something. It is constituted by our willingness to humble ourselves to the ‘mystery’ of something.

James Longenbach

Wednesday, December 18th

what’s new

Glasser, live, London (Boiler Room), 2013

“Forge”


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“Dissect”


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“Landscape”

Friday, September 27th

what’s new

Chvrches, “Gun,” 2013

Thursday, August 29th

nothing much happening

Phill Niblock, “Pan Fried 70” (Touch Food, 2003)

#1


#2


#3


#4


#5


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lagniappe

random thoughts

If they’re both immeasurable, is a lifetime any greater than a moment?

Wednesday, July 17th

What’s needed sometimes, like, for instance, the other morning, when I was driving to court for a hearing in a murder case, slid this into the CD player, and cranked up the volume, is something to get your juices going.

Mark Ernestus, “Mark Ernestus Meets BBC,” 2011


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lagniappe

reading table

“Come see
the crappy house at night!”
croak the frogs

—Kobayashi Issa (1763-1827), 1807 (translated from Japanese by David G. Lanoue)

Wednesday, June 19th

serendipity

Last night, while I was doing some law work, these guys—I’d never heard of them before—jumped out of the radio.*

Los Pirañas, “Bambo Ha Muerto Devorado Por El Pecado (Version Alterna),” live, Colombia (Bogotá), 2011


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lagniappe

reading table

I am not poor, I am not rich, nothing’s here but nothing’s lacking, I have little, I want nothing: all my treasure is in Minerva’s tower.

—Robert Burton, The Anatomy of Melancholy (1621)

*****

*Give the Drummer Some (WFMU-FM [Give the Drummer Radio StreamTues., 6-7 p.m.; Fri., 9 a.m.-noon [EST]).

Saturday, May 18th

soundtrack for a dream I’d like to have

Four Tet (AKA Kiernan Hebden), live (Boiler Room), 2012


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lagniappe

reading table

I don’t regard my life
as insufficient.
Inside the brushwood gate
there is a moon;
there are flowers.

—Ryokan, 1758-1831 (translated from Japanese by Kazuaki Tanahashi [Sky Above, Great Wind: The Life and Poetry of Zen Master Ryokan])

Tuesday, May 7th

Only a world this noisy could produce music this quiet.

Evan Parker (soprano saxophone), et al.,* live, London (Freedom of the City festival), 2011


*Heledd Francis Wright (flute), John Russell (guitar), Augusti Fernandez (piano), Adam Linson (bass), Toma Gouband (percussion), Lawrence Casserley (electronics), Matt Wright (electronics).

Thursday, April 18th

keep on dancing

Hieroglyphic Being (AKA Jamal Moss), Imaginary Soundscapes (B1), 2013


Who knew electronic music could be so warm, so joyous?

Wednesday, April 10th

two takes

Julius Eastman (1940-1990), Evil Nigger (1979)

Julius Eastman, Frank Ferko, Janet Kattas, Patricia Martin, pianos; live, Northwestern University (Evanston, Ill.), 1980 (Unjust Malaise, New World Records, 2005)

http://vimeo.com/58118363


*****

Jace Clayton, electronics; David Friend & Emily Manzo, pianos (The Julius Eastman Memory Depot, New Amsterdam Records, 2013)


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lagniappe

musical thoughts

Today’s composer, because of his problematical historical inheritance, has become totally isolated and self-absorbed. Those composers who have gained some measure of success through isolation and self-absorption will find that outside of the loft door the state of the composer in general and their state in particular is still as ineffectual as ever. The composer must become the total musician, not only a composer. To be only a composer is not enough.

Julius Eastman

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reading table

Ecstasy affords/the occasion and expediency determines the form.

—Marianne Moore (1887-1972), “The Past is the Present”