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Category: reading table

Sunday, 11/8/09

After three Sundays of Aretha, let’s listen to her father.

Reverend C. L. Franklin (1915-1984; Pastor, New Bethel Baptist Church, Detroit, Michigan, 1946-1979), “The Old Ship Of Zion”

Want more? Here.

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[Growing up in the Mississippi Delta, C. L. Franklin] listened to all sorts of music. Even though his family was very poor, they owned a stand up Victrola. He loved listening to Roosevelt Sykes, and he listened to other blues singers. He also listened to a preacher out of Atlanta, J. M. Gates, who ultimately recorded an enormous number of three minute sermons in the twenties and thirties. . . .

The social pattern surrounding the use of the Victrola was very interesting. It was not unusual for the people who didn’t own a Victrola to buy the records and bring them to the home of a friend who did. It became another way of socializing. Even in very strict religious households, children were allowed to listen to music as long as they didn’t dance or cross their legs. They listened to the blues as well as recorded hymns and sermons. B.B. King tells the story about how, as a child, there was no distinction between Saturday night and Sunday morning—that the same people who were at the juke joints were in church pews on Sunday morning. . . .

King said that whenever he was in Detroit, no matter how late he was up on Saturday night playing a gig, he was in the first row at New Bethel Baptist—C. L. Franklin’s church—at 10:45 Sunday morning. He called Reverend Franklin ‘my main preacher.’—Nick Salvatore (author of Singing in a Strange Land: C. L. Franklin, the Black Church, and the Transformation of America [2005])

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reading table

The “Chicago” issue of Granta arrived in the mail this week, and it looks awfully promising. Let’s see: Don DeLillo (on Nelson Algren), Aleksander Hemon (on [I think] playing soccer in the city’s parks), Thom Jones (on working at a General Mills factory in West Chicago), Richard Powers (on the Great Flood of 1992), etc. Oh, and there are some stunning photos, too—not of the city’s grand historic architecture, but of Cabrini Green and the Robert Taylor Homes and the Henry Horner Homes. (A shout-out to my brother Don for tipping me off to this issue.)

Friday, 11/6/09

Some performances are so intimate and so strange that part of you feels as though you should avert your eyes. But another part knows that you can’t.

Nina Simone, “Feelings,” live, Switzerland (Montreux Jazz Festival), 1976

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reading table

Here Robert Creeley reads his poem “Please.”

Sunday, 11/1/09

Aretha didn’t have to wait until she was grown to be great. She was great when she was 14.

Aretha Franklin (at 14, vocal and piano), “Precious Lord,” live, Detroit (New Bethel Baptist Church, where her father, Rev. C. L. Franklin, was pastor), 1956

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reading table

The film rights to Zeitoun, mentioned a while back, have been acquired by Jonathan Demme, who’s going to make an animated movie of it.

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I’m nearing the end of Billy Sothern’s Down in New Orleans: Reflections from a Drowned City. It’s a mixed bag. Some sections are weighed down by political observations that quickly become predictable. But others are alive with the sights and sounds and smells of the streets.

Sunday, 10/4/09

On July 22, 1955, Sam Cooke took the stage at Los Angeles’s Shrine Auditorium. He was 24 years old. He sang that day with the Soul Stirrers, the gospel group he joined—as the new lead singer—when he was 19.

Sam Cooke with the Soul Stirrers, “Nearer My God To Thee,” live, 1955, Los Angeles

More:

Sam Cooke with the Soul Stirrers, “Be With Me Jesus,” live, 1955, Los Angeles

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Sam [Cooke] was shaped in large measure by the Soul Stirrers during their rehearsals. He reacted to them as they pushed him, like a good rhythm section inspires an instrumentalist.—Art Rupe (in Peter Guralnick, Dream Boogie: The Triumph of Sam Cooke [2005])

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Of course, Sam did his best work in gospel. How you gonna take somebody who loves what he’s doing and turn him around and put him in something unfamiliar and he’s gonna be as free and natural as he was at home?—Dorothy Love Coates (in Anthony Heilbut, The Gospel Sound: Good News and Bad Times [1971])

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reading table

How astonishing to see, yesterday, for the first time, a film snippet (the only known to exist) of Anne Frank.

This  apparently dates from 1941, when Anne was 13. The couple walking out of the building are newlyweds—the woman’s a neighbor. That’s Anne leaning out the window.

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Yesterday I also heard this episode of the radio show “This American Life,” which features people whose lives were changed by books.

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Also yesterday (big day), while driving around doing this and that, I heard bits and pieces of this interview with the great Nick Hornby (author of, among other things, High Fidelity).

Monday, 9/21/09

Here, on this last day of summer, saxophonist Albert Ayler takes the Gershwin classic to the far shores of the blues—where (as you’ll hear) the livin’ most certainly ain’t easy.

Albert Ayler, “Summertime”

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reading table

Yesterday, I happened upon this radio interview with New Yorker literary critic (and Harvard professor) James Wood, which I found quite interesting (but then, as an old English Lit major [and one-time high school English teacher], I’m a sucker for this sort of stuff). (Bonus: It’s followed by an interview with director Jane Campion, talking about her new John Keats/Fanny Brawne movie, Bright Star. Oh, and speaking of poetry: If you’d like to receive, via email, a daily dose of one of the finest Japanese haiku poets, you can subscribe to “Issa Haiku-a-Day” here [you’ll be glad you did].)

Sunday, 9/6/09

Here—with a shout-out to my nephew Chris Balmes (who sent me this news [and frequently seems to display astonishingly good taste for one so young])—is gospel singer Marie Knight, who died this week in New York at the age of 89.

“Up Above My Head” (she sang on Sister Rosetta Tharpe’s 1947 “hit” recording)

Talking about this and that (singing, too)

New York Times obit.

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reading table

Just finished Zeitoun, Dave Eggers’ intimate look at New Orleans just before, during, and after Katrina, through the eyes of one man and his family, which recently got a rave in the New York Times Book Review. Four-word review: moves quickly, deeply moving.

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Recently read Colm Toibin’s novel Brooklyn, which tells the story of a young woman who, in the 1950s, emigrates, reluctantly, from Ireland to America. One of the quietest novels—I mean that as a compliment—I’ve ever read. (Novelist Claire Messud’s thoughtful essay-review in the New York Review of Books is well worth reading.)