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Category: reading table

Sunday, 12/9/12

back to church

“I Want Jesus To Rock Me To Sleep”
Mt. Calvary Baptist Church, Gastonia, N.C., 2008

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lagniappe

reading table

Falling blossoms.
Blossoms in bloom are also
falling blossoms.

—Ryokan (1758-1831), translated from Japanese by Kazuaki Tanahashi (Sky Above, Great Wind: The Life and Poetry of Zen Master Ryokan, 2012)

Friday, 12/7/12

two takes

Stephanie McDee, “Call the Police”

Recording (Living The Blues), 2002

***

Live, Baton Rouge, 2012

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lagniappe

reading table

We know we are very special. Yet we keep trying to find out in what way: not this way, not that way, then what way?

—Lydia Davis, “Special” (The Collected Stories of Lydia Davis, 2009)

Wednesday, 12/5/12

My favorite drummer?

There are days I’d say this is the guy.

Among the many things I love about his playing, which dances, always, is the balance of simplicity and complexity—it’s never more complex than it is simple, never simpler than it is complex.

Old and New Dreams (Don Cherry [1936-1995], pocket trumpet; Dewey Redman [1931-2006], tenor saxophone; Charlie Haden [1937-], bass; Ed Blackwell [1929-1992], drums), live

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lagniappe

reading table

Art is not in some far-off place.

—Lydia Davis, “Extracts from a Life” (The Collected Stories of Lydia Davis, 2009)

Saturday, 12/1/12

Some sounds once they enter your brain they never leave.

Perfume, “Baby Cruising Love” (2008)

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lagniappe

reading table

How little we know,
and when we know it!

*****

We close in on ourselves,
then yelp that the world is awry.

*****

We had macaroni for lunch every day
except Sunday, when a small quail was induced
to be served to us. Why do I tell you these things?
You are not even here.

—John Ashbery, miscellaneous fragments (“Like A Sentence,” “Tahiti Trot,” “This Room”)

Wednesday, 11/21/12

Happy (108th) Birthday, Hawk!

Coleman Hawkins, tenor saxophonist, November 21, 1904-May 16, 1969

“Prisoner of Love,” 1958 (Art Ford’s Jazz Party, music starts at 1:15)

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“Lover Man,” 1961

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“Body and Soul,” London, 1967

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lagniappe

radio

WKCR-FM, broadcasting from Columbia University, is playing his music—and nothing but—until midnight. (Thank God for college radio.)

*****

reading table

We’re all in this apart.

—David Ferry, “Found Single-Line Poems,” excerpt (Bewilderment: New Poems and Translations [2012])

*****

something to get you in the holiday mood

William Burroughs, “Thanksgiving Prayer” (Gus Van Sant, dir.)

Tuesday, 11/20/12

what you’d be listening to if you were 21*

Kendrick Lamar, “Bitch, Don’t Kill My Vibe”

Lady Gaga mix, released 11/8/12

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Album version (good kid, m.A.A.d city), released 10/22/12

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lagniappe

reading table

David Ferry, “The Birds,” Boston University, 2011

This poem appears in Ferry’s latest collection, Bewilderment: New Poems and Translations, which just won the National Book Award. Ferry, now in his late 80s, has said of the book’s title: “It’s not entirely personal. I think everybody’s slightly off the rails. Me too, but I don’t mean it’s my exclusive territory. Yours and mine.”

*****

*Based on a sample of one, my son Luke, who’s home for the holiday.

Sunday, 11/18/12

Where classical music, as we heard the other day (remembering Elliott Carter), has the concerto, gospel has the soloist and choir.

Jennifer Hudson & Chapter 2 Gospel Singers, “Changed” (W. Hawkins)
Live, New York (Harlem), 2005

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lagniappe

reading table

Deep autumn—
my neighbor,
how does he live, I wonder?

—Matsuo Basho, 1644-1694 (translated from Japanese by Robert Hass)

Friday, 11/16/12

only rock ’n’ roll

Metz, “Wasted”

Recording (Metz, Sub Pop), 10/12

***

Live, Canada (Sackville), 8/3/12

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lagniappe

musical thoughts

Rock ’n’ roll.

R&B.

Jazz.

Whatever their differences, they’ve got something in common.

Nobody’s more important than the drummer. 

If the drums aren’t happening, nothing is.

*****

reading table: passings

“The Forgotten Dialect of the Heart”

How astonishing it is that language can almost mean,
and frightening that it does not quite. Love, we say,
God, we say, Rome and Michiko, we write, and the words
get it all wrong. We say bread and it means according
to which nation. French has no word for home,
and we have no word for strict pleasure. A people
in northern India is dying out because their ancient
tongue has no words for endearment. I dream of lost
vocabularies that might express some of what
we no longer can. Maybe the Etruscan texts would
finally explain why the couples on their tombs
are smiling. And maybe not. When the thousands
of mysterious Sumerian tablets were translated,
they seemed to be business records. But what if they
are poems or psalms? My joy is the same as twelve
Ethiopian goats standing silent in the morning light.
O Lord, thou art slabs of salt and ingots of copper,
as grand as ripe barley lithe under the wind’s labor.
Her breasts are six white oxen loaded with bolts
of long-fibered Egyptian cotton. My love is a hundred
pitchers of honey. Shiploads of thuya are what
my body wants to say to your body. Giraffes are this
desire in the dark. Perhaps the spiral Minoan script
is not language but a map. What we feel most has
no name but amber, archers, cinnamon, horses, and birds.

*****

“By Small and Small: Midnight to Four A.M.”

For eleven years I have regretted it,
regretted that I did not do what
I wanted to do as I sat there those
four hours watching her die. I wanted
to crawl in among the machinery
and hold her in my arms, knowing
the elementary, leftover bit of her
mind would dimly recognize it was me
carrying her to where she was going.

—Jack Gilbert, February 18, 1925-November 11, 2012

Tuesday, 11/6/12

A reader writes:

Have you seen these films?

Furry Lewis, guitar
William Eggleston, Stranded in Canton (1973-74)

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More?

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lagniappe

reading table

“Election Day”
By William Carlos Williams (1940)

Warm sun, quiet air
an old man sits

in the doorway of
a broken house—

boards for windows
plaster falling

from between the stones
and strokes the head

of a spotted dog

Tuesday, 10/30/12

refuge from the storm

Hariprasad Chaurasia, bansuri (bamboo flute)
Raag Shivanjali, live, Germany (Stuttgart), 1995

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lagniappe

art beat: more from Friday’s stop at the Art Institute of Chicago

Utagawa Hiroshige, Sparrows and Camellia in Snow, c. 1831-33

 

*****

reading table

singing in the tree
are you a widower, Crow
Milky Way above

—Kobayashi Issa, 1804 (translated from Japanese by David G. Lanoue)