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Category: reading table

Tuesday, August 13th

alone

Earl Hines (1903-1983; piano), “I Ain’t Got Nobody,” 1928


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lagniappe

reading table

“At Lake Haptacong” (excerpt)
By David Ferry (1924-)

The trees look thinly leaved, as if it were
Late autumn, early spring, or winter in a place
Where dead leaves cling to trees all winter long.

You cannot tell what weather or season it is.
My mother, as in all those early pictures,
Although in this one already having lost

Her girlish slimness, looks sexually alive,
Full of energy, her hair dark, abundant,
Her smile generous (though maybe less so than

In the pictures taken a few years earlier).
Somewhere in this picture there is inscribed
The source or secret, somewhere inscribed the cause,

Of the anxious motherly torment of disapproval,
The torment not resisted by my father,
Visited by my mother on my sister,

The baby in the picture, torment that was
Perhaps in turn the cause of the alcoholism
That, many years later, the baby in the picture

Won out over.  But it’s all unreadable
In this charming family photograph which, somehow,
Perhaps because of the blankness of the sky,

Looks Russian, foreign, of no country I know.

Sunday, August 11th

Repeat them often enough and words lose their literal shapes, dissolving into pure feeling.

Heavenly Gospel Singers, “I Stepped in the Water One Day,” live, St. James Missionary Baptist Church, Canton, Mississippi, 1978


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lagniappe

reading table

. . . Heaven have mercy on us all—Presbyterians and Pagans alike—for we are all somehow dreadfully cracked about the head, and sadly needing mending.

—Herman Melville (1819-1891), Moby-Dick

Thursday, August 8th

There are all kinds of blues, too.

Joe McPhee Survival Unit 3 (JM, alto saxophone; Fred Lonberg-Holm, cello; Michael Zerang, drums), live, London, 2010


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lagniappe

reading table

Dream Song 40
By John Berryman (1914-1972)

I’m scared a lonely. Never see my son,
easy be not to see anyone,
combers out to sea
know they’re goin somewhere but not me.
Got a little poison, got a little gun,
I’m scared a lonely.

I’m scared a only one thing, which is me,
from othering I don’t take nothin, see,
for any hound dog’s sake.
But this is where I livin, where I rake
my leaves and cop my promise, this’ where we
cry oursel’s awake.

Wishin was dyin but I gotta make
it all this way to that bed on these feet
where peoples said to meet.
Maybe but even if I see my son
forever never, get back on the take,
free, black & forty-one.

Back in the ’70s, when I was in college, I heard John Berryman read his poetry, an experience that opened my ears and mind in all kinds of ways. He moved so swiftly, and gracefully, from one register to another, leaping back and forth between high and low as if nothing could be more natural. Today he joins a select group—tenor saxophonist Von Freeman, trumpeter Lester Bowie, singer Dorothy Love Coates, poets Wislawa Szymborska and William Bronk—in the MCOTD Hall of Fame.

Wednesday, August 7th

There are all kinds of music.

Silence (excerpt), 2012


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Silence tells the story of a field recordist (played by Eoghan Mac Giolla Bhríde, also co-writer of the film with director Pat Collins) who returns to his native Ireland after 15 years living in Berlin, spending his days wandering through north west Ireland and recording the soundscapes.

—Wire

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lagniappe

reading table

As I grow to understand life less and less, I learn to love it more and more.

—Jules Renard (1864-1910)

Friday, August 2nd

old school

James Brown and The Famous Flames, “Out of Sight”
Live (T.A.M.I. Show), 1964


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lagniappe

reading table

Here’s a cheery thought for the end of the week.

In life, there are no happy endings.

—novelist Anita Brookner

Wednesday, July 31st


More sounds from the shadows.

György Kurtág (1926-), 12 Microludes for String Quartet (Hommage à Mihály András) (1978), Maxwell Quartet, live, Scotland (Argyllshire), 2012

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lagniappe

reading table

“Chartres”
By George Oppen (1908-1984)

The bulk of it
In air

Is what they wanted. Compassion
Above the doors, the doorways

Mary the woman and the others
The lesser

Are dreams on the structure. But that a stone
Supports another

That the stones
Stand where the masons locked them

Above the farmland
Above the will

Because a hundred generations
Back of them and to another people

The world cried out above the mountain

Tuesday, July 30th

alone

Ran Blake (1935-), “Over the Rainbow” (H. Arlen & E. Harburg), live, Portugal (Lisbon), 2010


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lagniappe

reading table

Even in Kyoto—
hearing the cuckoo’s cry—
I long for Kyoto.

—Matsuo Basho (1644-1694; translated from Japanese by Robert Hass)

Wednesday, July 17th

What’s needed sometimes, like, for instance, the other morning, when I was driving to court for a hearing in a murder case, slid this into the CD player, and cranked up the volume, is something to get your juices going.

Mark Ernestus, “Mark Ernestus Meets BBC,” 2011


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lagniappe

reading table

“Come see
the crappy house at night!”
croak the frogs

—Kobayashi Issa (1763-1827), 1807 (translated from Japanese by David G. Lanoue)

Sunday, July 14th

This guy played with everyone from The Mighty Clouds of Joy to Al Green to The Canton Spirituals to The Roots to (as we heard Friday) D’Angelo.

Chalmers “Spanky” Alford (1955-2008), guitar, “The Lord’s Prayer”

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lagniappe

reading table

We are never all of a piece . . .

—Marcel Proust (1871-1922), Sodom and Gomorrah (translated from French by John Sturrock)

Wednesday, July 10th

3n 

Matthew Shipp Trio (MS, piano; Michael Bisio, bass; Whit Dickey, drums), live, Cold Spring, N.Y., 2011

#1

#2

#3

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lagniappe

reading table

Don’t be too eager to ask
What the gods have in mind for us . . .

—Horace (65 BC-25 BC), Ode I.11 (excerpt; translated from Latin by David Ferry)