Han Bennink, drummer, percussionist, visual artist, etc.
Han Bennink (drums) & Guus Janssen (piano), “One Bar”
Live, Japan (Chiba), 2010
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lagniappe
You’ve got to hand it to WKCR-FM. There are a few stations, here and there, that might spin a track or two in honor of the Dutch drummer’s 70th birthday. Somebody might even give him an hour or two. But who, other than a station deeply in tune with Bennink’s own inspired lunacy, would stage a five-day marathon?
*MD, trumpet; David Liebman, saxophone; Pete Cosey, guitar, percussion; Reggie Lucas, guitar; Michael Henderson, bass; Al Foster, drums; Mtume, percussion.
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lagniappe
reading table
Last night as I was sleeping,
I dreamt—marvelous error!—
that a spring was breaking
out in my heart.
I said: Along which secret aqueduct,
Oh water, are you coming to me,
water of a new life
that I have never drunk?
Last night as I was sleeping,
I dreamt—marvelous error!—
that I had a beehive
here inside my heart.
And the golden bees
were making white combs
and sweet honey
from my old failures.
Last night as I was sleeping,
I dreamt—marvelous error!—
that a fiery sun was giving
light inside my heart.
It was fiery because I felt
warmth as from a hearth,
and sun because it gave light
and brought tears to my eyes.
Last night as I slept,
I dreamt—marvelous error!—
that it was God I had
here inside my heart.
—Antonio Mochado (1875-1939), “Last Night As I Was Sleeping” (translated from Spanish by Robert Bly)
When we last saw Miles, playing in Germany in 1967, he was wearing a suit and tie. Here, two years later, his wardrobe is headed in a new direction. So is his music.
Miles Davis Quintet,* live, France (Antibes), 1969
“Milestones,” “Footprints,” “’Round Midnight”
*MD, trumpet; Wayne Shorter, tenor and soprano saxophones; Chick Corea, electric piano; Dave Holland, bass; Jack DeJohnette, drums.
How many sonic experiences are as dizzying as the one offered this time each year by WKCR-FM (Columbia University)? First there’s 24 hours, straight, of Ornette. The next 24? Bix, Bix, Bix.
Frankie Trumbauer and His Orchestra (feat. Bix Beiderbecke, cornet), “There’ll Come A Time (Wait and See),” 1928
Ornette Coleman Quartet with guests Joshua Redman (tenor saxophone), James Blood Ulmer (guitar), Charlie Haden (bass), live, Netherlands (North Sea Jazz Festival, Rotterdam), 2010
Part 1
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Part 2
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Part 3
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Part 4
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Part 5
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lagniappe
radio
WKCR-FM (Columbia University): all Ornette, all day.
Has there ever been a finer hour of jazz—of music—on TV?
The Sound of Jazz(CBS), 1957*
(A couple excerpts have been posted previously—here and here—but until the other day I’d never seen the whole show.)
*With Count Basie (piano), Thelonious Monk (piano), Billie Holiday (vocals), Jimmy Rushing (vocals), Coleman Hawkins (tenor saxophone), Ben Webster (tenor saxophone), Lester Young (tenor saxophone), Gerry Mulligan (baritone saxophone), Jimmy Giuffre (tenor saxophone, clarinet), Pee Wee Ellis (clarinet), Henry “Red” Allen (trumpet), Roy Eldridge (trumpet), Vic Dickenson (trombone), Danny Barker (guitar), Freddie Green (guitar), Jim Hall (guitar), Milt Hinton (bass), Jo Jones (drums), et al.
protean, adj. 1. Of or resembling Proteus in having a varied nature or ability to assume different forms. 2. Displaying great diversity or variety. E.g., Miles Davis.
Miles Davis Quintet (MD, trumpet; Wayne Shorter, tenor saxophone; Herbie Hancock, piano; Ron Carter, bass; Tony Williams, drums), “I Fall In Love Too Easily,” live, Germany (Karlsruhe), 1967
The horn players—all eight of them—are sons of Sun RaArkestra trumpeter and AACM (Association for the Advancement of Creative Musicians) cofounder Phil Cohran.
music clip of the day 