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Category: jazz

Monday, 10/22/12

old stuff

The great thing about the 21st century is that it’s so easy to leave.

Count Basie Orchestra (Don Byas, tenor saxophone; Harry “Sweets” Edison and Buck Clayton, trumpets; Freddie Green, guitar; Jo Jones, drums, et al.), “Dance of the Gremlins,” “Swingin’ the Blues,” 1941

Saturday, 10/20/12

passings

David S. Ware, saxophonist, composer, bandleader
November 7, 1949-October 18, 2012

“Mikuro’s Blues,” live, Europe, 200?*

*****

Live, Lithuania (Vilnius), 2007*

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lagniappe

reading table

“Variations On A Text By Vallejo”
By Donald Justice (1925-2004)

Me moriré en Paris con aguacero …

I will die in Miami in the sun,
On a day when the sun is very bright,
A day like the days I remember, a day like other days,
A day that nobody knows or remembers yet,
And the sun will be bright then on the dark glasses of strangers
And in the eyes of a few friends from my childhood
And of the surviving cousins by the graveside,
While the diggers, standing apart, in the still shade of the palms,
Rest on their shovels, and smoke,
Speaking in Spanish softly, out of respect.

I think it will be on a Sunday like today,
Except that the sun will be out, the rain will have stopped,
And the wind that today made all the little shrubs kneel down;
And I think it will be a Sunday because today,
When I took out this paper and began to write,
Never before had anything looked so blank,
My life, these words, the paper, the gray Sunday;
And my dog, quivering under a table because of the storm,
Looked up at me, not understanding,
And my son read on without speaking, and my wife slept.

Donald Justice is dead. One Sunday the sun came out,
It shone on the bay, it shone on the white buildings,
The cars moved down the street slowly as always, so many,
Some with their headlights on in spite of the sun,
And after awhile the diggers with their shovels
Walked back to the graveside through the sunlight,
And one of them put his blade into the earth
To lift a few clods of dirt, the black marl of Miami,
And scattered the dirt, and spat,
Turning away abruptly, out of respect.

*****

*With Matthew Shipp (piano), William Parker (bass), Guillermo Brown (drums).

Wednesday, 10/10/12

Rhythmic punch?

Not much.

Lyrical beauty?

Ditto.

But, like few others, he keeps me on the edge of my seat.

Lennie Tristano (1919-78), live, Copenhagen, 1965*

*“Darn That Dream,” “Lullaby of the Leaves,” “Expressions,” “You Don’t Know What Love Is,” “Tivoli Gardens Swing,” “Ghost of a Chance,” “Imagination,” “Tangerine.”

Sunday, 10/7/12

Some folks sing with their feet.

Duke Ellington Orchestra, Bunny Briggs (dance), Jon Hendricks (vocal), “David Danced Before the Lord with All His Might,” live, San Francisco (Grace Cathedral), 1965

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lagniappe

reading table

And David danced before the Lord with all his might . . .

—2 Samuel 6:14 (King James)

Tuesday, 9/25/12

bloodlines

Ravi Coltrane (JC’s son), tenor saxophone; Matt Garrison, bass (son of Coltrane bassist Jimmy Garrison); Nikki Glaspie, drums; live (Le Poisson Rouge), New York, 1/7/12

Thursday, 9/20/12

shhhh . . .

Joe McPhee, “Old Eyes” (for Ornette Coleman), live, New York, 2009

Friday, 9/14/12

old stuff

Count Basie Orchestra (feat. Jimmy Rushing [vocals] & Herschel Evans [tenor saxophone]), “When My Dreamboat Comes Home,” live (radio broadcast), New York (Savoy Ballroom, Harlem), 1937

The other day, driving to Rockford for a hearing in a murder case, listening to this for the first time, I couldn’t quit hitting the repeat button: “and once again the fields of gloom are adroitly plowed under.”

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lagniappe

musical thoughts

What music from today will folks be listening to in 2087?

Wednesday, 9/12/12

earthy (horns) + ethereal (vibes) = enthralling

Peter Brötzmann (saxophones, tarogato) and Jason Adasiewicz (vibraphone), live, New York (Le Poisson Rouge), 9/5/12

Part 1

***

Part 2

***

Part 3

***

Tonight these guys will be at the Hideout, a little club on Chicago’s near northwest side, which is where I’ll be too.

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lagniappe

reading table

Four trees – upon a solitary Acre –
Without Design
Or Order, or Apparent Action –
Maintain –

The Sun – upon a Morning meets them –
The Wind –
No nearer Neighbor – have they –
But God –

The Acre gives them – Place –
They – Him – Attention of Passer by –
Of Shadow, or of Squirrel, haply –
Or Boy –

What Deed is Theirs unto the General Nature –
What Plan
They severally – retard – or further –
Unknown –

—Emily Dickinson

Monday, 9/3/12

 joy, n. listening to Paul Motian play Monk.

Paul Motian Trio (PM, drums; Joe Lovano, tenor saxophone; Bill Frisell, guitar), “Misterioso” (T. Monk), live, New York (Village Vanguard), 2005

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lagniappe

art beat: yesterday at the Art Institute of Chicago

Jasper Johns, Corpse and Mirror II (1974-75)

*****

reading table

up to today
such a healthy singer . . .
katydid

—Kobayashi Issa, 1813 (translated from Japanese by David G. Lanoue)

Thursday, 8/30/12

playing this weekend at the Chicago Jazz Festival

Matt Wilson’s Arts & Crafts* (Sunday, 3:30 p.m.)
“We See” (T. Monk), live, New York, 2011

(Paul Motian, this guy—drummers seem to have a particular feeling for Monk.)

*****

Steve Coleman and Five Elements** (Sunday, 7:10 p.m.)
Live, New York, 2010

*****

Ken Vandermark’s Made To Break Quartet*** (Sunday, 2:20 p.m.)
Live, Barcelona, 2011

*****

*MW, drums; Terell Stafford, trumpet; Gary Versace, piano; Martin Wind, bass.

**SC, alto saxophone; Jonathan Finlayson, trumpet; Tim Albright, trombone; Miles Okazaki, guitar; David Virelles, piano; Thomas Morgan, bass; Marcus Gilmore, drums.

***KV, reeds; Christof Kurzmann, electronics; Devin Hoff, bass; Tim Daisy, drums.