Yesterday, listening to WKCR-FM (Columbia University), I bumped into this, a track I never tired of hearing when, in the ’70s, I was in college.
Bill Evans (1929-1980), piano, “Never Let Me Go” (Alone, 1968)
Yeah, I love Mozart and Chopin, but I don’t want to listen to them every day. I don’t want to listen to anything every day. This stuff, to these ears, is utterly exhilarating.
Nels Cline (guitar), Dave Rempis (saxophones), Devin Hoff (bass), Frank Rosaly (drums), live, Chicago (Hideout), 2011
#1
#2
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lagniappe
musical thoughts
I discovered that there’s a kind of a hidden connection between R&B and free jazz: the need for that kind of visceral connection with the audience and for something to happen that moves people. I think that beyond R&B, it’s a feature of black music — the moment the solo builds and builds and at a certain point, it hits that cry. Knowing when that needs to happen is something that players from that tradition seem to have.
—guitarist Marc Ribot
Who better to sing about a ghost town than a band that’s survived not only Katrina but three—yes, three—homicides?*
Hot 8 Brass Band, “Ghost Town,” New Orleans, 2012
*As detailed in Wikipedia, in 1996 “seventeen-year-old trumpet player Jacob Johnson was found shot execution-style in his home”; in 2004 “trombone player Joseph ‘Shotgun Joe’ Williams was shot dead by police in controversial circumstances”; and in 2006 “drummer Dinerral “Dick” Shavers was shot and killed while driving with his family,” with a bullet intended for his fifteen-year-old stepson.
He knocked me out with his concept of space, his lightness of touch, his understatement.
Ahmad Jamal Trio (AJ [1930-], piano; Israel Crosby [1919-1962], bass; Vernel Fournier [1928-2000], drums), “Excerpts From The Blues” (not “Ahmad’s Blues”), TV show, 1959
never enough
Von Freeman, tenor saxophone (1923-2012, MCOTD Hall of Famer); Jodie Christian (1932-2012), piano; Rufus Reid (1944-), bass; Jack DeJohnette (1942-), drums; “A Nightingale Sang in Berkeley Square” (E. Maschwitz & M. Sherwin), live, Harrisburg, Penn., 1994
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lagniappe
musical thoughts
Your sound is who you are; it is what makes you different from me and any other saxophonist. We all have the same 12 notes. The only thing that differentiates us, one from the other, is our tone. If you don’t have a sound you can play a thousand notes and no one will hear you, but if you have a sound you can play only one note and everyone will hear you.
Jose James, “Do You Feel”
Live, KCRW Berkeley Street Session, Santa Monica, 12/17/12
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lagniappe
musical thoughts
R&B?
Jazz?
Pop?
We need a new vocabulary—or maybe none at all.
Rock drummers trying to play jazz usually sound like, well, rock drummers trying to play jazz. Jazz drummers trying to play rock are no different; they typically sound like tourists pretending to be natives. This guy, no matter the idiom (rock, jazz, gospel, whatever), sounds right at home.
Brian Blade and The Fellowship Band, live, Chicago, 3/14/13
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lagniappe
reading table
Maybe we think that nirvana is a place where there are no problems, no more delusions. Maybe we think nirvana is something very beautiful, something unattainable. We always think nirvana is something very different from our own life. But we must really understand that it is right here, right now.
—Taizan Maezumi, Appreciate Your Life (2001)
Monk
Thelonious Monk Quartet (TM [1917-1982], piano; Charlie Rouse, tenor saxophone; Larry Gales, bass; Ben Riley, drums), 1968
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lagniappe
reading table
opening day . . .
green of the field
through the ticket gates—Randy Brooks (Baseball Haiku, Cor van den Heuvel & Nanae Tamura, eds.)
I think I’m in love—with the sister in the middle, that is.
Andy & The Bey Sisters (with Kenny Clarke, drums), “Smooth Sailing” (A. Cobb), live, Paris, c. 1964
heaven, n. a place where each morning you’d be awakened by a different combination of musical instruments.
Living By Lanterns (Mike Reed, drums; Jason Adasiewicz, vibraphone; Tomeka Reid, cello, et al.), live, Switzerland (Zurich), 2013
music clip of the day 