sounds of Chicago
Art Ensemble of Chicago (Roscoe Mitchell, saxophones, percussion; Joseph Jarman, saxophones, percussion, electric guitar; Lester Bowie [MCOTD Hall of Famer], trumpet, percussion; Malachi Favors, bass, percussion; Don Moye, drums, percussion [first clip])
Live, Chicago (Jazz Showcase), 1981
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Recording (“Rock Out”), 1969
less is more*
Rashied Ali (drums), Leroy Jenkins (violin), “Swift Are the Winds of Life,” 1975
*****
*Sometimes, anyway.
alone
Need a jump-start?
Cecil Taylor (1929-), piano, “Looking (Berlin Version) Solo,” live, Berlin, 1989
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lagniappe
musical thoughts
When you are playing, whether you know it or not, you are dancing.
*****
art beat
Lee Friedlander (1934-)
tonight*
Andrew Hill (1931-2007), “Smoke Stack”
Vijay Iyer Trio (VI, piano; Stephan Crump, bass; Marcus Gilmore, drums), Historicity, 2009
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Andrew Hill (with Richard Davis, bass; Eddie Khan, bass; Roy Haynes, drums), Smoke Stack (AKA Smokestack), 1966 (rec. 1963)
This is one of my favorite albums of all time, of any artist, on any instrument.
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lagniappe
musical thoughts
More and more I find myself seeking sounds that don’t convey a particular feeling or mood but, instead, create a space I can inhabit, physically, emotionally, intellectually, if only for a short while.
*****
*On WKCR-FM (Columbia University), from 6-9 p.m. (EST), Vijay Iyer, pianist, composer, recent MacArthur “genius” grant winner, future Harvard professor, will be joining host Mitch Goldman “for a deep focus on Andrew Hill.”
never enough
Thelonious Monk Quartet (TM, piano, compositions; Charlie Rouse, tenor saxophone; Larry Gales, bass; Ben Riley, drums), “Epistrophy,” “Straight, No Chaser,” “Hackensack,” “Rhythm-a-Ning,” “Epistrophy,” live (TV show, Jazz 625 [BBC]), England, mid-’60s
good news, bad news
24 Recipients of MacArthur ‘Genius’ Grant Named
First the bad news: MCOTD was passed over, again. The good news? This guy, often featured here, wasn’t.
Vijay Iyer (1971-), pianist, composer, soon-to-be Harvard professor
“Imagine” (J. Lennon), live, Germany (Leverkusen), 2011
*****
“Actions Speak” (V. Iyer), live (Stephan Crump, bass; Marcus Gilmore, drums), New York, 2012
*****
“Somewhere” (L. Bernstein), recording (Stephan Crump, bass; Marcus Gilmore, drums), Historicity, 2009
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lagniappe
musical thoughts
the stillness of the valley
is itself a kind of music—Du Fu (AKA Tu Fu; 712-770; “Visting the Fengxian Monastery” [excerpt]; translated from Chinese by David Young)
serendipity
Yesterday. Late afternoon, working on an old murder case. Happen upon this: windows open, letting in a breeze.
Mary Halvorson Quintet (MH, guitar, compositions; Jon Irabagon, alto saxophone; Jonathan Finlayson, trumpet; John Hebert, bass; Ches Smith, drums), “Love in Eight Colors,” “Hemorrhaging Smiles,” live, Washington, D.C., 2013
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lagniappe
reading table
From now on
it’s all clear profit,
every sky.—Kobayashi Issa (1763-1827), on his fiftieth birthday (translated from Japanese by Robert Hass)
For over thirty years he’s been taking me places no one else does.
Henry Threadgill’s Zooid, live, New York, 2013
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*****
It’s not just notes on a page. Threadgill really reaches out and grabs you by the lapels. Someone else described it to me as ‘every time Threadgill enters, it’s like the curtains just parted.’ He has this way of cutting right through the texture of the music.
—pianist Vijay Iyer
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lagniappe
reading table: passings
Between my fingers and my thumb
The squat pen rests; snug as a gun.—Seamus Heaney (April 13, 1939-August 30, 2013), “Digging” (excerpt)
can’t wait: Chicago Jazz Festival, 8/29-9/1
The Engines (9/1; Dave Rempis, saxophones, Jeb Bishop, trombone; Kent Kessler [filling in for Nate McBride], bass; Tim Daisy, drums), live, Columbia, South Carolina, 2013
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