William Parker (bass), Christian McBride (bass), Cooper-Moore (drums), Charles Gayle (tenor saxophone), Hamiett Bluiett (baritone saxophone), Jason Kao Hwang (violin), live (benefit concert), New York, 2012
**********
lagniappe
musical thoughts
Q: What would you do if you were not a composer?
Augusta Read Thomas (1964-): . . . I would spend all day listening. I could listen all day long until the day I die to music I’ve never heard and only begin to scratch the surface. There’s so much new. . . .
Peter Brötzmann Chicago Tentet,* live, France (Le Mans), 2004
**********
lagniappe
musical thoughts
Q: What would people be surprised to know that you listen to?
Bill Clinton: Brötzmann, the tenor sax player, one of the greatest alive.
—Oxford American, 2001 (annual music issue)
*****
*PB, reeds; Ken Vandermark, reeds; Joe McPhee, pocket trumpet, tenor saxophone; Roland Ramanan, trumpet, wooden flute; Toshinori Kondo, trumpet; Jeb Bishop, trombone; Fred Longberg-Holm, cello; Kent Kessler, bass; Michael Zerang, drums; Paal Nilssen-Love, drums.
This I bumped into yesterday, while taking a break from work (murder case, tax stuff, etc.). I found it enthralling—maybe you will too.
Okkyung Lee (cello), live, Ireland (Cork), 2012
**********
lagniappe
radio
Today, on the heels of yesterday’s celebration of Ornette Coleman, WKCR (Columbia University) is hosting yet another birthday marathon—this one for jazz cornetist Bix Beiderbecke, born on this date in 1903.
Frankie Trumbauer and His Orchestra (with Bix Beiderbecke [1903-1931], cornet), “I’m Coming Virginia” (1927)
Klang (James Falzone, clarinet; Jason Adasiewicz, vibraphone; Jason Roebke, bass; Tim Daisy, drums), live (studio performance), 2009
**********
lagniappe
art beat: the other day at the Art Institute of Chicago
Mark Rothko (1903-1970), Untitled (Purple, White, and Red), 1953
This painting and I have been getting together, several times a year, for decades. Admittedly, our relationship is rather one-sided. But, if anything, its indifference to me only deepens my feelings for it.
Kansas City Six (Buck Clayton, trumpet; Lester Young, clarinet; Eddie Durham, electric guitar; Freddie Green, rhythm guitar; Walter Page, bass; Jo Jones, drums), “Pagin’ the Devil,” 1938
**********
lagniappe
reading table
in blossoming trees
suddenly he’s hidden . . .
my son
—Kobayashi Issa (1763-1827; translated from Japanese by David G. Lanoue)
Mike Reed’s People, Places & Things (MR, drums; Jason Roebke, bass; Greg Ward, alto saxophone; Tim Haldeman, tenor saxophone), “Wilbur’s Tune,” live, Paris, 2010
***
Mike Reed’s Myth/Science Assembly (MR, drums; Tomas Fujiwara, drums; Josh Abrams, bass; Greg Ward, alto saxophone; Ingrid Laubrock, tenor saxophone; Taylor Ho Bynum, trumpet; Mary Halvorson, guitar; Tomeka Reid, cello; Jason Adasiewicz, vibraphone; Nick Butcher, electronics), live (rearranging a found Sun Ra fragment [excerpt]), Chicago (Chicago Jazz Festival), 2011
***
Mike Reed’s Loose Assembly (MR, drums; Josh Abrams, bass; Greg Ward, alto saxophone; Tomeka Reid, cello; Jason Adasiewicz, vibraphone), live (studio performance), Chicago, c. 2009
*****
If other Chicago musicians are “busy,” what’s Mike Reed? In addition to leading various groups, he owns and operates Constellation, a performing arts center. Then there’s the Pitchfork Music Festival, which this summer will feature, over the course of three days, Beck, Giorgio Moroder, Kendrick Lamar, Grimes, et al. Hebooks and produces it.
Michael Zerang and the Blue Lights (MZ, drums; Mars Williams, alto saxophone; Dave Rempis, baritone saxophone; Josh Berman, cornet; Kent Kessler, bass), live, Chicago (Hideout), 2013
**********
lagniappe
reading table
Now, in general, Stick to the boat, is your true motto in whaling; but cases will sometimes happen when Leap from the boat, is still better.
