Open Minds: Chris Potter Underground (with CP, tenor saxophone, bass clarinet; Craig Taborn, keyboards; Adam Rogers, guitar; Nate Smith, drums), 2012
Music documentaries can go wrong in so many ways. Too much talk. Talk that reminds you, repeatedly, why musicians aren’t paid to speak. Mediocre sound. This one, which I bumped into yesterday, seems to avoid them all.
Lester Bowie’s From the Root to the Source (MCOTD Hall-of-Famer Lester Bowie [1941-1999], trumpet; Fontella Bass, vocals, piano; Martha Bass, vocals; Malachi Favors, bass, et al.), live, 1983
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lagniappe
reading table
I walked through the mountains today. The weather was damp, and the entire region was grey. But the road was soft and in places very clean. At first I had my coat on; soon, however, I pulled it off, folded it together, and laid it upon my arm. The walk on the wonderful road gave me more and even more pleasure; first it went up and then descended again. The mountainous world appeared to me like an enormous theatre. The road snuggled up splendidly to the mountainsides. Then I came down into a deep ravine, a river roared at my feet, a train rushed past me with magnificent white smoke. The road went through the ravine like a smooth white stream, and as I walked on, to me it was as if the narrow valley were bending and winding around itself. Grey clouds lay on the mountains as though that were their resting place. I met a young traveller with a rucksack on his back, who asked if I had seen two other young fellows. No, I said. Had I come here from very far? Yes, I said, and went farther on my way. Not a long time, and I saw and heard the two young wanderers pass by with music. A village was especially beautiful with humble dwellings set thickly under the white cliffs. I encountered a few carts, otherwise nothing, and I had seen some children on the highway. We don’t need to see anything out of the ordinary. We already see so much.
—Robert Walser (1878-1956), “A Little Ramble” (translated from German by Tom Whalen)
Henry Threadgill (alto saxophonist, composer, bandleader) leading a master class (excerpt), Big Indian, N.Y. (Creative Music Studio), 2014
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More.
Henry Threadgill and His Very Very Circus, “Too Much Sugar for a Dime,” live, New York, c. 1993
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Today Henry, who’s been lifting my spirits for over three decades, enters the MCOTD Hall of Fame, joining tenor saxophonist Von Freeman, trumpeter Lester Bowie, poets John Berryman, William Bronk, and Wislawa Szymborska, and gospel singer Dorothy Love Coates.
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lagniappe
art beat: more from Friday at the Art Institute of Chicago
Claude Monet (1840-1926), Irises (1914/17)
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radio
One of my favorite musical events begins tonight: the annual Bach Festival on WKCR(Columbia University), which runs through midnight New Year’s Eve.
Bunny Briggs, tap dancer, February 26, 1922-November 15, 2014
Duke Ellington Orchestra with Bunny Briggs (dance) and Jon Hendricks (vocal), “David Danced Before the Lord with All His Might,” live (A Concert of Sacred Music), San Francisco (Grace Cathedral), 1965
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And David danced before the Lord with all his might . . .
—2 Samuel 6:14 (King James)
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lagniappe
art beat
Robert Frank (1924-), Funeral—St. Helena, South Carolina, 1955