never enough
Miles Davis (with Wayne Shorter, tenor saxophone; Herbie Hancock, piano; Ron Carter, bass; Tony Williams, drums), live, Italy (Milan), 1964*
Listening to Tony Williams never fails to leave me feeling lighter.
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lagniappe
art beat: other day, Art Institute of Chicago
Arshile Gorky (1904-1948), The Plough and the Song, 1946-47
*****
*Setlist (courtesy of YouTube):
1. Autumn Leaves 0:43
2. My Funny Valentine 14:34
3. All Blues 26:22
4. All of You 40:03
5. Joshua 50:41
like nobody else
Bob Dorough (1923-), “Devil May Care” (B. Dorough), live (studio performance), Newark, N.J., 2015
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lagniappe
random sights
yesterday, Oak Park, Ill.
*****
baseball: Chicago Cubs
Whether staring and suffering, or grinning and hugging and high-fiving, fans become generic in every World Series. But I remember Cubs fans differently from my sporadic visits to the sunlit Confines in those lean years. They loved their Cubs and yearned for better times, but cheered without irony for every good or great play by the visiting team. It was the game they loved above all.
We will see these youthful champions in the post-season for years to come, I believe. Their infield has a combined age of ninety-six—my own age, as it happens—as good a young bunch as I can recall. Bryant, the third baseman and coming National League M.V.P., goes six feet five and bats from a spread-legged crouch that expands magically into a sudden tall tree with the skyward bat at its top. He’s also swift. That sprint of his around the bases from first reminded you of a clip from the Olympics. The shortstop, Addison Russell, who is twenty-two, batted in six runs in Game 6. Báez, at second, patrols his environs with a feline muscularity. Twenty-seven-year-old Anthony Rizzo, the first baseman, bats left, and may prove to be the best of the quartet—with any luck, a future Hall of Famer whose best years await us.
—Roger Angell, New Yorker, 11/3/16
never enough
Miles Davis (with Wayne Shorter, saxophones; Chick Corea, keyboards; Dave Holland, bass; Jack DeJohnette, drums), live, Paris, 1969*
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lagniappe
baseball: Chicago Cubs
It’s going to take a while, maybe a year or two, for this to sink in.
*****
*Setlist (courtesy of YouTube):
1. Introduction 0:00
2. Directions 0:34
3. Bitches Brew 8:33
4. Paraphernalia 22:50
5. Riot 35:21
6. I Fall In Love Too Easily 38:42
7. Sanctuary 40:53
8. Miles Runs The Voodoo Down 45:13
9. The Theme 1:02:45
tonight in Chicago
He’ll be playing at Constellation.
Wadada Leo Smith (trumpet) with John Edwards (bass), Mark Sanders (drums), live, Latvia (Riga), 2014
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lagniappe
art beat: yesterday at the Art Institute of Chicago
Henri Matisse (1869-1954), The Geranium, 1906
like nobody else
Ran Blake (1935-), “‘Round Midnight” (T. Monk), live, Italy (Milan), 2015
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lagniappe
reading table
Not quite dark yet
and the stars shining
above the withered fields.—Yosa Buson (1716-1783), translated from Japanese by Robert Hass
like nobody else
How about a trip to Paris?
Blossom Dearie (1924-2009), “C’est le Printemps” (“It Might as Well Be Spring”)
(R. Rodgers, O. Hammerstein II; adaptation, J. Sablon), “Plus je t’embrasse” (“Heart of My Heart”) (B. Ryan; adaptation, Max François), live, Paris, 1961
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lagniappe
reading table
Autumn again
getting old is like
a bird flying into a cloud—Matsuo Basho (1644-1694), translated from Japanese by David Young
sounds of New York
Nate Wooley Quartet (NW, trumpet, compositions; Chris Pitsiokos, alto saxophone; Brandon Lopez, bass; Dre Hocevar, drums), live, New York, 10/6/16
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lagniappe
reading table
Seen in plain daylight
the firefly’s nothing but
an insect—Matsuo Basho (1644-1694; translated from Japanese by Sam Hamill)
voices I miss
Tenor saxophonist Von Freeman (1923-2012, MCOTD Hall of Fame), “Footprints” (W. Shorter), live, Minneapolis, 1996 (Live at the Dakota);* Dead of Summer (Jean Seberg), 1970
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lagniappe
reading table
Autumn weighs upon me
but tomorrow will come
and I will miss tonight—Yosa Buson (1716-1783), translated from Japanese by W.S. Merwin and Takako Lento
*****
*With Bobby Peterson, piano; Terry Burns, bass; Phil Hey, drums.