music clip of the day

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Category: jazz

Saturday, March 11th

more

William Parker’s In Order To Survive (WP, bass; Hamid Drake, drums, MCOTD Hall of Fame; Cooper-Moore, piano, vocals; Lewis Barnes, trumpet; Rob Brown, alto saxophone), “Hymn,” live, New York, 2013


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lagniappe

reading table

He isn’t doing that right—that was a very important one. It was what Astaire claimed he was thinking whenever he watched himself onscreen, and I noted that third-person pronoun. This is what I understood by it: that for Astaire the person in the film was not especially connected with him. And I took this to heart, or rather, it echoed a feeling I already had, mainly that it was important to treat oneself as a kind of stranger, to remain unattached and unprejudiced in your own case. I thought you needed to think like that to achieve anything in this world. Yes, I thought that was a very elegant attitude.

—Zadie Smith, Swing Time

Thursday, March 9th

MCOTD Hall of Fame

William Parker’s In Order To Survive (WP, bass, composition; Hamid Drake, drums, MCOTD Hall of Fame;* Lewis Barnes, trumpet; Rob Brown, alto saxophone; Cooper-Moore, piano), “Criminals in the White House,” live, New York, 2013

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lagniappe

radio

Today—his birthday—it’s all Ornette Coleman all day on WKCR-FM (Columbia University).

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*With saxophonists Von Freeman and Henry Threadgill; trumpeter Lester Bowie; gospel singer Dorothy Love Coates; composer Morton Feldman; poets John Berryman, William Bronk, and Wislawa Szymborska; and photographer Helen Levitt.

Thursday, March 2nd

tonight in Chicago

These guys, from Australia, are playing at Constellation.

The Necks, live, London, 2016


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lagniappe

reading table

The Imaginary Iceberg
by Elizabeth Bishop (1911-1979)

We’d rather have the iceberg than the ship,
although it meant the end of travel.
Although it stood stock-still like cloudy rock
and all the sea were moving marble.
We’d rather have the iceberg than the ship;
we’d rather own this breathing plain of snow
though the ship’s sails were laid upon the sea
as the snow lies undissolved upon the water.
O solemn, floating field,
are you aware an iceberg takes repose
with you, and when it wakes may pasture on your snows?

This is a scene a sailor’d give his eyes for.
The ship’s ignored. The iceberg rises
and sinks again; its glassy pinnacles
correct elliptics in the sky.
This is a scene where he who treads the boards
is artlessly rhetorical. The curtain
is light enough to rise on finest ropes
that airy twists of snow provide.
The wits of these white peaks
spar with the sun. Its weight the iceberg dares
upon a shifting stage and stands and stares.

The iceberg cuts its facets from within.
Like jewelry from a grave
it saves itself perpetually and adorns
only itself, perhaps the snows
which so surprise us lying on the sea.
Good-bye, we say, good-bye, the ship steers off
where waves give in to one another’s waves
and clouds run in a warmer sky.
Icebergs behoove the soul
(both being self-made from elements least visible)
to see them so: fleshed, fair, erected indivisible.

Monday, February 13th

 passings

Al Jarreau (aka Alwin Lopez Jarreau), March 12, 1940-February 12, 2017, singer

“Take Five” (P. Desmond), live (TV performance), Germany, 1976


(Taking a break—back in a while.)

Thursday, February 9th

what’s new

Craig Taborn, Daylight Ghosts, 2017


The other day I bumped into this guy in New York, at The Guggenheim, where we were both seeing the Agnes Martin exhibit. We talked for a moment—I told him how much I like his music. Then our eyes went back to the paintings.

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lagniappe

art beat: other day, The Guggenheim (New York)

Agnes Martin (1912-2004), Happy Holiday, 1999

Agnes Martin Happy Holiday, 1999 Acrylic and graphite on canvas 60 x 60 in. (152.4 x 152.4 cm) Pace#31903 AM Catalogue #1999.025 Date of photography: Format of original photography: 8x10 transparency

Thursday, January 26th

What we need—now more than ever.

Clickety Clack! Clickety Clack!
What is this madness that Nixon has put upon us?
Clickety Clack! Clickety Clack!
Won’t someone bring the spirit back?

—Rahsaan Roland Kirk (1935-1977), 1973

Rahsaan Roland Kirk, Bright Moments, recorded live (San Francisco), 1973*


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*Track list (courtesy of YouTube):
A1. Introduction
2. Pedal Up
3. You’ll Never Get To Heaven
4. Clickety Clack
5. Prelude To A Kiss
6. Talk (Electric Nose)
7. Fly Town Nose Blues
B1. Talk (Bright Moments)
2. Bright Moments Song
3. Dem Red Beans And Rice
4. If I Loved You
5. Talk (Fats Waller)
6. Jitterbug Waltz
7. Second Line Jump

Saturday, January 21st

passings

Some drumming is solid. Some, like this, liquid.

Charles “Bobo” Shaw, drummer, September 15, 1947-January 16, 2017

With Lester Bowie (trumpet, MCOTD Hall of Fame), “Bugle Boy Bop” (Bugle Boy Bop, recorded 1977; released 1983)

 

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lagniappe

art beat: other day, Whitney Museum of American Art (New York)

Helen Levitt (MCOTD Hall of Fame), New York, c. 1940

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Wednesday, January 18th

sounds of New York

Aaron Burnett’s Big Machine (AB, tenor saxophone, compositions; Peter Evans, trumpet, Carlos Homs, piano; Nicholas Joswiak, bass; Tyshawn Sorey, drums), live, New York, 11/30/16


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lagniappe

art beat: other day, The Guggenheim (New York)

Vasily Kandinsky (1866-1944), Painting with White Border, 1913

painting-with-white-border

Saturday, January 7th

two takes

“What a Wonderful World” (B. Thiele & G.D. Weiss)

George Adams (1940-1992; tenor saxophone) & Don Pullen (1941-1995; piano), live, Japan (Mt. Fuji Jazz Festival), 1989


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Louis Armstrong (1901-1971), live (TV show), England, 1967


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lagniappe

random sights

this morning, Chicago (Columbus Park)

fullsizerender

 

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what we’re about to lose

Michelle Obama, speaking to a gathering of school counselors at the White House (excerpt), yesterday

 

Our glorious diversity—our diversities of faiths, and colors, and creeds—that is not a threat to who we are; it makes us who we are.

Friday, January 6th

sounds of New York

What other drummer does so much with so little?

Paul Motian Trio (PM, drums; Joe Lovano, tenor saxophone; Bill Frisell, guitar), “It Should’ve Happened a Long Time Ago” (P. Motian), live, New York, 2005