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Thelonious Monk Quartet (TM, piano; Charlie Rouse, tenor saxophone; Butch Warren, bass; Frankie Dunlop, drums), “Just a Gigolo” (I. Caesar, L. Casucci), “Bolivar Blues” (T. Monk), live, Tokyo, 1963
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lagniappe
art beat
Berenice Abbott (1898-1991), Designer’s Window, Bleecker Street, New York, 1947
what’s new
Magically Inclined (Sean Sonderegger, tenor saxophone, compositions; Curtis Fowlkes, trombone; Kamala Sankaram, voice; Harvey Valdes, guitar; Shawn Lovato, bass; Joe Hertenstein, drums), “anyone lived in a pretty how town” (words by E.E. Cummings), live, New York, 10/15/17
sounds of Seattle
Delvon Lamarr Organ Trio, live, Seattle, 2017
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lagniappe
art beat
Berenice Abbott (1898-1991), Pine and Henry Streets, New York, 1936

drum festival
day two
Hamid Drake (MCOTD Hall of Fame, drums), Sylvain Kassap (clarinets), Benjamin Duboc (bass), live, France (Pantin), 2016
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lagniappe
reading table
I haven’t died before, so I sometimes get a bad case of beginner’s nerves, but they soon pass.
—Cory Taylor (1955-2016), Dying: A Memoir
drum festival
day one
Dafnis Prieto Sextet (DP, drums; Peter Apfelbaum, tenor saxophone; Alex Sipiagin, trumpet; Roman Filiu, alto saxophone; Manuel Valera , piano; Johannes Weidenmueller, bass), “Back and Forth” (D. Prieto), live, East Lansing, Mich., 2017
astringent, adj. sharp and penetrating. E.g., the playing of Ran Blake and Steve Lacy.
Ran Blake (piano) & Steve Lacy (soprano saxophone), “The Man I Love” (G. Gershwin), 1991 (That Certain Feeling)
Sometimes a simple melody can be more than enough.
Frank Lacy and 10³²K (FL, trombone; Kevin Ray, bass; Andrew Drury, percussion), “I’ll Be Right Here Waiting” (S. McCall), live, Troy, N.Y., 2016
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lagniappe
reading table
from the mist
stinging insects
emerge—Kobayashi Issa, 1763-1827 (translated from Japanese by David G. Lanoue)