music clip of the day

jazz/blues/rock/classical/gospel/more

Category: hip-hop

Monday, May 13th

Today, celebrating his twenty-second birthday, we revisit a few of the many posts inspired by my son Luke.

*****

It’s impossible, sometimes, to separate our experience of music, especially pop music, from the surrounding circumstances. The other day, for instance, I was taking my son Luke back to school in Bloomington, Indiana. He was playing dashboard DJ. As we rolled through the hills of southern Indiana, nearing our destination, this came on after a long stretch of hip-hop (Lil Wayne, Eminem, Young Jeezy, Tyga, et al.), and the electronic intro, the Björk-like voice—they lit up the highway.

Ellie Goulding, “Lights,” 2010


(Originally posted 8/22/12.)

*****

what you’d be listening to if you were 20* 

Lupe Fiasco, “The End of the World” (sampling M83, “Midnight City”), 2011

 

*****

Adele, “Rolling in the Deep,” Jamie xx Remix, feat. Childish Gambino, 2011


*****

*Based on a sample of one—my son Luke. What a treat to have a pair of 20-year-old ears back in the house (and car) over the holidays.

(Originally posted 1/2/12.)

*****

what’s new

I’ve got some music for you . . .

—my (20-year-old) son Luke, in a hospital room, moments after returning from general anesthesia and foot surgery

“Made In America,” Kanye West & Jay-Z, with Frank Ocean (Watch the Throne), 2011

 

. . . it might be my favorite song on the whole album.

(Originally posted, with a different visual, 9/3/11.)

Wednesday, February 27th

If you’d been in the back seat the other night, as my son Luke was zooming down the Kennedy Expressway—he was taking me home before heading back to school in Bloomington—here’s one of the things you would’ve heard jumping out of the radio.

J. Cole, “Power Trip” (feat. Miguel), 2013

 

Friday, February 15th

a week in New Orleans: day five

Big Freedia

“Na Who Mad,” 2011


***

Talking, walking around town, performing, etc.
Pitchfork TV, 2013

Thursday, 12/27/12

keep on dancing

Then suddenly I could hear Q-Tip—blessed Q-Tip!—not a synthesizer, not a vocoder, but Q-Tip, with his human voice, rapping over a human beat. And the top of my skull opened to let human Q-Tip in, and a rail-thin man with enormous eyes reached across a sea of bodies for my hand. He kept asking me the same thing over and over: You feeling it? I was. My ridiculous heels were killing me, I was terrified I might die, yet I felt simultaneously overwhelmed with delight that “Can I Kick It?” should happen to be playing at this precise moment in the history of the world, and was now morphing into “Smells Like Teen Spirit.” I took the man’s hand. The top of my head flew away. We danced and danced. We gave ourselves up to joy.

—Zadie Smith, “Joy,” The New York Review of Books, 1/10/13

A Tribe Called Quest, “Can I Kick It?” (album, 1990; single, 1991)

Tuesday, 11/20/12

what you’d be listening to if you were 21*

Kendrick Lamar, “Bitch, Don’t Kill My Vibe”

Lady Gaga mix, released 11/8/12

***

Album version (good kid, m.A.A.d city), released 10/22/12

**********

lagniappe

reading table

David Ferry, “The Birds,” Boston University, 2011

This poem appears in Ferry’s latest collection, Bewilderment: New Poems and Translations, which just won the National Book Award. Ferry, now in his late 80s, has said of the book’s title: “It’s not entirely personal. I think everybody’s slightly off the rails. Me too, but I don’t mean it’s my exclusive territory. Yours and mine.”

*****

*Based on a sample of one, my son Luke, who’s home for the holiday.

Friday, 7/27/12

The voice, too, is a rhythm instrument.

Yasiin Bey, AKA Mos Def
Live (studio performance), Paris, 3/5/12*

*“Quiet Dog,” “Niggas In Poorest,” “Sunshine/Screwface,” “Forever Alive”

Friday, 7/20/12

two takes

Robert Glasper Experiment, “Always Shine” (feat. Lupe Fiasco & Bilal)

TV show (David Letterman), 2/29/12

***

Recording, Black Radio (2012)

**********

lagniappe

musical thoughts

Jazz, classical, R&B: so much great music, no matter the genre, shares a particular quality—density.

***

reading table

It’s as if your body were itself a person
And the person wasn’t you.

—Frederick Seidel, “Track Bike” (excerpt), London Review of Books, 7/19/12

***

art beat: yesterday at the Art Institute of Chicago (between court hearings at the nearby federal court building)

Willem de Kooning, Untitled XI (1975)

Friday, 6/29/12

more favorites

Digable Planets with Lester Bowie (trumpet), Joe Sample (keyboard), Melvin “Wah-Wah Watson” Ragin (guitar), “Flying High in the Brooklyn Sky,” live, 1990s

(Originally posted 3/23/11.)

*****

Talib Kweli, “Get By”

Live, New York, 2007

(Originally posted 9/29/09.)

***

Recording & Video, 2002

*****

Lupe Fiasco, “Hip-Hop Saved My Life”

Live, Los Angeles, 2008

(Originally posted 9/14/09.)

***

Recording & Video, 2008

Monday, 6/18/12

Happy (Day After) Father’s Day 

Nas (son) with Olu Dara (father), “Bridging the Gap” (2004)
(sampling Muddy Waters’ “Mannish Boy”)

**********

lagniappe

Here’s more from the old man.

David Murray Octet, “Dewey’s Circle” (DM, tenor saxophone; Olu Dara, trumpet; Butch Morris, cornet; George Lewis, trombone; Henry Threadgill, alto saxophone; Anthony Davis, piano; Wilber Morris, bass; Steve McCall, drums), Ming (Black Saint, 1980)

*****

Muddy Waters, “Mannish Boy” (Chess, 1955)

**********

lagniappe

reading table

People are mysterious, unfathomable—like divinities: natural objects for reverence. But our habits of thought turn the people around us into objects, the means for our self-protection.

—Lama John Makransky, “Family Practice,”
Tricycle, Summer 2001

Friday, 4/27/12

what’s new

The Very Best, “Yoshua Alikuti” (Nairobi, Kenya), 2012

Any resemblance to this is purely intentional.

Lil Wayne, “A Milli,” 2008

*****

Here’s a big shout-out to my son Alex, who just finished his last week of classes, graduates from Harvard next month, and introduced me to The Very Best in the first place.