Monday, May 6th
soundtrack to a dream
Why not begin the week with something new?
Christopher Trapani (1980-), Writing Against Time (2014); Yarn/Wire, live, New York, 2014
soundtrack to a dream
Why not begin the week with something new?
Christopher Trapani (1980-), Writing Against Time (2014); Yarn/Wire, live, New York, 2014
tonight in Chicago
They’re playing at Corbett v. Dempsey.
Ken Vandermark (reeds) and Nate Wooley (trumpet), live, Copenhagen, 2016
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lagniappe
reading table
Forever – is composed of Nows –
—Emily Dickinson (1830-1886), from 690 (Franklin)
like nobody else
Anthony Braxton ZIM Sextet (AB, 1945-, reeds, composition; Taylor Ho Bynum, cornet, flugelhorn, trombone; Ingrid Laubrock, reeds; Tomeka Reid, cello; Shelley Burgon, harp; Jacqueline Kerrod, harp; Dan Peck, tuba), live, Germany (Moers), 2017
what’s new
William Basinski (1958-), On Time out of Time, 3/8/19
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lagniappe
reading table
today too
looking at the same mountain . . .
spring rain—Kobayashi Issa, 1763-1827 (translated from Japanese by David G. Lanoue)
what’s new
Joanna Mattrey (viola, stroh violin), live, New York, 4/8/19
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lagniappe
reading table
I made my way to the sofa, where I battled against cancer once more by lying there staring straight ahead. I had such great resistance to thought that I didn’t even worry.
—Colm Toibin, “‘It’s curable,’ he said,” London Review of Books, 4/18/19
sounds of Ecuador and all over
Nicola Cruz, live (The Lot Radio), New York, 2018
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lagniappe
reading table
along the mountain road
somehow it tugs at my heart—
a wild violet—Matsuo Basho, 1644-1694 (translated from Japanese by Makoto Ueda)
sounds of New York
Lake Street Dive, “Musta Been Something,” live, New York (Retrofret Vintage Guitars, Brooklyn), 2018
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lagniappe
reading table
it is spring!
a hill without a name
in thin haze—Matsuo Basho, 1644-1694 (translated from Japanese by Makoto Ueda)