Four Tet (aka Kieran Hebden, 1977-, DJ), live “from the middle of nowhere,” streamed 4/3/20
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lagniappe
random sights
yesterday, Oak Park, Ill.
*****
reading table
[E]very reading of every poem, regardless of language, is an act of translation: translation into the reader’s intellectual and emotional life. As no individual reader remains the same, each reading becomes a different—not merely another—reading. The same poem cannot be read twice.
—Eliot Weinberger (1949-), 19 Ways of Looking at Wang Wei
John Prine, singer, songwriter, October 10, 1946–April 7, 2020
Prine’s stuff is pure Proustian existentialism. Midwestern mindtrips to the nth degree. And he writes beautiful songs. I remember when Kris Kristofferson first brought him on the scene. All that stuff about “Sam Stone” the soldier junky daddy and “Donald and Lydia,” where people make love from ten miles away. Nobody but Prine could write like that. If I had to pick one song of his, it might be “Lake Marie.” I don’t remember what album that’s on.
Mat Maneri (1969-, viola), “Nobody Knows the Trouble I’ve Seen” (trad.), live, Paris, 2020
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lagniappe
random sights
yesterday, Oak Park, Ill.
*****
reading table
A leaf, one of the last, parts from a maple branch:
it is spinning in the transparent air of October, falls
on a heap of others, stops, fades. No one
admired its entrancing struggle with the wind,
followed its flight, no one will distinguish it now
as it lies among the other leaves, no one saw what I did. I am
the only one.
—Bronisław Maj (1953-), “A Leaf,” translated from Polish by Czesław Miłosz and Robert Hass