music clip of the day

jazz/blues/rock/classical/gospel/more

Category: hard-to-peg

Thursday, 1/28/10

This guy—one of my all-time musical heroes (someone I’ve been listening to for over 30 years)—makes you move. He makes you feel. He makes you think. What more could you ask for?

Henry Threadgill, alto saxophone

With His Very Very Circus, live, New York, 1995

*****

With his Society Situation Dance Band (featuring Craig Harris, trombone), live, Germany (Hamburg), 1988

Like a lot of live performances (especially ones where the musicians haven’t had many chances to play together [as no doubt was the case here]), this gets better as it goes along. At first, things are a bit tentative and raggedy. Then, at around 1:50, trombonist Craig Harris starts to find his way. By around 2:15, the horns and strings begin to sound more cohesive. By around 3:30, the drummers, having gotten more comfortable with the tempo and structure, start to push the groove harder. At around 8:00, with everything going full steam, Threadgill, feeling Harris feeling it, suddenly breaks things down, leaving just the ’bone and the electric guitar. And with that, the performance jumps out of its skin.

*****

With Judith Sanchez Ruiz (dancer), live, New York, 2008

**********

lagniappe

Music should go right through you, leave some of itself inside you, and take some of you with it when it leaves.—Henry Threadgill

Tuesday, 1/26/10

No matter what musical language he’s speaking, you’d swear it was his first.

Marc Ribot, guitar

With Los Cubanos Postizos, “Aurora en Pekin,” live, France, 2002

*****

With Ceramic Dog, “Caravan,” live, Berlin, 2008

*****

Solo, “Bouncing Around” (Django Reinhardt, c. 1937), live, New York, 2009

Saturday, 1/23/10

Who else sounds like Kate & Anna McGarrigle?

Who else makes such wonderfully eccentric career moves—like, for instance, putting out an album all in French?

Who else has not one but two children following in their musical footsteps (Rufus Wainwright, Martha Wainwright)?

Kate McGarrigle (February 6, 1946-January 18, 2010)

Kate & Anna McGarrigle

“Ce Matin,” live, Chicago, 2004

*****

“Talk To Me of Mendocino,” live, Saratoga Springs, New York, 1990

*****

With Family & Friends (including Rufus and Martha Wainwright), live, Mariposa Folk Festival, Toronto, 1989

*****

“Complainte Pour Ste. Catherine,” live, 1981

*****

“Proserpina,” live, London, 12/9/09 (Kate’s last concert)


Saturday, 1/2/10

“Check out Gonzales”—a longtime friend (in a recent email)

Gonzales, Piano Vision (2007)

Part 1

Part 2

(Yo, Scott: Thanks!)

Thursday, 12/31/09

In the public imagination, the guitar’s associated with freedom and individuality. The musical reality’s different. Guitarists travel in herds; few stray from the pack. One who has gone his own way is this man, who’s played with everyone from Muddy Waters (as a session musician for Chicago-based Chess Records) to Miles Davis (as a member of his group [1973-1975]). He employs a variety of unusual tunings and effects. He sounds like no one else.

Pete Cosey, guitar

“Calypso Frelimo” (excerpt), Pete Cosey’s Children of Agharta (JT Lewis, drums; Gary Bartz and John Stubblefield, saxophones & flute; Matt Rubano, bass; Johnny Juice, turntables; Baba Israel, words and beats; Kyle Jason, voice; Bern Pizzitola, guitar; Wendy Oxenhorn, harmonica), live, 2002, New York

*****

Live (with Melvin Gibbs, bass; JT Lewis, drums; Johnny Juice, congas and turntables)

**********

lagniappe

He’s [Pete Cosey’s] the guy who, after Hendrix, showed you how ‘out’ you could go with guitar playing, particularly in the improvised context.—Greg Tate

Wednesday, 12/30/09

Musicians (and composers) fall into two camps: less-is-more and more-is-more.

The less-is-more camp may, in turn, be divided into the less-less-is-more and the more-less-is-more.

And the less-less-is-more . . .

Jon Hassell and Maarifa Street (Jon Hassell, trumpet; Peter Freeman, bass, laptop; Hugh Marsh, violin; Steve Shehan, percussion, laptop), live, Serbia (Belgrade), 2006

Part 1

Part 2

Part 3

Part 4

Part 5

Want more? Here.

**********

lagniappe

. . . Jon Hassell’s ideas and techniques have so thoroughly permeated lo- and hi-brow contemporary electronic music, albeit often in a third or fourth hand way . . . that it’s difficult to think what contemporary music would sound like without his influence. . . . there’s categorically no doubt that Hassell has had as an important effect on contemporary music as Miles Davis or Jimi Hendrix or James Brown or the Velvet Underground.—The Wire

*****

reading table

More on John Berryman (12/28/09): Here Pulitzer-Prize-winning poet Philip Levine recalls John Berryman (also Robert Lowell) as a teacher at the University of Iowa Writers’ Workshop.

He [John Berryman] took that class with a seriousness I had never seen before. . . . He was entrancing. He was magnetic. . . . He had a marvelous sense of humor. . . . He really took this seriously. He was a great teacher. He was the greatest teacher I ever had—and an inspiration.—Philip Levine

Philip Levine, live, England (Aldeburgh), 2009

Monday, 12/21/09

Here’s one of the more intriguing, and inspiring, music videos I’ve ever seen.

Various Artists (Roger Ridley, Grandpa Elliott, Washboard Chaz, Clarence Bekker, Twin Eagle Drum Group, Francois Viguie, Cesar Pope, Dimitri Dolganov, Roberto Luti, Geraldo & Dionisio, Junior Kissangwa Mbouta, Pokei Klass, Django Degen, Sinamuva, Stefano Tomaselli, Vusi Mahlasela), “Stand By Me,” live, various locations

Monday, 12/14/09

Something you like a lot, something you can’t stand: the difference between them isn’t always that great. Take this track, for instance. If, say, the musical backdrop were a bit sweeter, or the lyrics weren’t quite as spare, or the voice sounded a little less haggard, I’d probably hate it.

David Sylvian, “Darkest Dreaming” (1999)

Tuesday, 12/8/09

When melody’s felt rhythmically, and rhythm melodically, you don’t need drums for the music to dance.

Oran Etkin’s Group Kelenia (Oran Etkin, clarinet; Makane Kouyate, percussion; Lionel Loueke, guitar; Joe Sanders, bass), live (radio recording session), New York, 2009

Want more? Here.

Monday, 11/30/09

At his best, Lenny Bruce didn’t meet expectations—he confounded them.

Lenny Bruce, “All Alone,” live (TV broadcast [“The Steve Allen Show”]), 1959