Monday, n. the day the weekly tide of confusion rolls in.
How about something simple?
John Cage (1912-1992), Six Melodies (for violin and keyboard; dedicated to Josef & Anni Albers), 1950; Annelie Gahl (violin) & Klaus Lang (electric piano), 2010
Why not start the week with someone you may never have heard before (as I hadn’t until the other day, when I bumped into her on WFMU-FM’sMudd Up! with DJ/Rupture)?
Madosini (1922-), “Uthando Luphelile” (Power to the Women, 2005)
Theo Parrish, “Summertime Is Here” (originally released 1999; reissued 2006)
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lagniappe
musical thoughts
[W]hat we find in our mind and our thought is the same as what we find in our ear and in sound: an ocean in constant flux. Just as our ear turns out to be nothing but a construct, and likewise sound, neither can we isolate anything we might call our mind or thought, much less our self.
—The Heart Sutra, translation (from Sanskrit) and commentary (from which this is drawn) by Red Pine, AKA Bill Porter (2004)
*****
reading table
the whining mosquito
also thinks I’m old . . .
edge of my ear
—Kobayashi Issa, 1819 (translated from Japanese by David G. Lanoue)
Digable Planets with Lester Bowie (trumpet), Joe Sample (keyboard), Melvin “Wah-Wah Watson” Ragin (guitar), “Flying High in the Brooklyn Sky,” live, 1990s