music clip of the day

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Category: hard-to-peg

Tuesday, January 29th

two takes

“If I Could Only Fly” (B. Foley)

Merle Haggard, TV show (music starts at 1:15), 1986


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Blaze Foley (1949-1989)


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What makes this song work? For me two things stand out; both relate to the first line of the hook (“If I could only fly . . .”). One is the sounds of the words: the repeated “f’s,” the long “i” and the “y.” The other is what happens with the melody: the little step up on the second syllable of “only.” To me it suggests, fleetingly, what it might feel like, as imagined by the singer, to take flight—”if only.”

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lagniappe

Here’s one more take—Blaze, boozy, somebody’s backyard, 1985.

Saturday, 1/26/13

last night

I heard these guys at the University of Chicago’s Mandel Hall, where the program ranged from Felix Mendelssohn to John Zorn.

Philip Glass, Mishima (1984-85, excerpt); Brooklyn Rider, New York, 2006

Thursday, 1/24/13

two takes

Bessie Jones (1902-1984), “Sometimes”

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Moby, “Honey” (Play, 1999)

Wednesday, 1/23/13

Saturday night, between trips to Northwestern’s Pick-Staiger Hall, I caught these folks at Chicago’s City Winery.

Dolly Varden, “Forgiven Now,” live, Chicago area (SPACE, Evanston), 2011

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Here they talk about, and play songs from, their new album (For A While).

Thursday, 1/17/13

sui generis

DJ/rupture (turntables) & Andy Moor (guitar), “Hot Pink Version”; recorded in France (Orleans), 2007; photos by Andy Moor

Wednesday, 1/16/13

Toru Takemitsu (1930-1996), And then I knew ’twas wind (1992)
Aureole Trio, New Hampshire (Monadnock Music), 2011

My life sometimes seems to consist of a series of trips, back and forth, between the sublime and the wretched. Yesterday afternoon, for instance, I stumbled upon this—a piece I’d never heard before—during a break from work. What was I working on? An oral argument I’ll be presenting this morning before a three-judge panel of the federal court of appeals in Chicago, on behalf of a guy, now in his mid-50s, who spends each day, as he has for decades, in a cell about 45 miles southwest of the city, where he’s serving a sentence of “natural life.”

Tuesday, 1/15/13

Listening to his stuff, which I’ve been doing for over thirty years, is like eating a particular fruit, a strawberry, say, or a plum—there’s nothing else like it.

Henry Threadgill’s Society Situation Dance Band
Live, Germany (Hamburg), 1988

#1

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#2

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#3

Monday, 1/14/13

John Cage, Third Construction (1941)
So Percussion

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lagniappe

musical thoughts

Is anything more familiar—or mysterious—than sound?

Friday, 1/11/13

two takes

Dolly Varden, “Surrounded By The Sound”

Live, Chicago, 2008

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Recording (Forgiven Now), 2002

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A lot of stuff like this, at least on the surface, I can’t stand. This I love. Why? Well, for starters, there’s the way the voices interweave. Then there’s the way the words sound. Take the hook, for instance: “I want to be surrounded by the sound.” And, too, there’s the presentation, disarmingly modest. Nothing’s oversold.

Wednesday, 1/9/2013

This I could listen to all day.

Neneh Cherry & The Thing (Mats Gustafsson, baritone saxophone; Ingebrigt Håker Flaten, bass; Paal Nilssen-Love, drums), “Dream Baby Dream,” live, Spain (San Sebastian), 2012