music clip of the day

jazz/blues/rock/classical/gospel/more

Category: hard-to-peg

Saturday, December 14th

two takes

This is, to these ears, exhilarating.

Tim Berne’s Snakeoil,* “Cornered (Duck)”

Live, New York (The Stone), 5/8/13


***

Live, Washington, D.C (Atlas Performing Arts Center), 10/9/13


*****

lagniappe

musical thoughts

Music should be no more complex than it needs to be. And no matter how complicated it may actually be, it should never seem that way to the listener. If it does, immediacy has deteriorated into abstraction.

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*TB, alto saxophone; Oscar Noriega, bass clarinet, clarinet; Matt Mitchell, piano; Ches Smith, percussion.

Tuesday, December 10th

keep on dancing

Theo Parrish, live, London (Boiler Room), 2013


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lagniappe

reading table

Nothing in the cry
of cicadas suggests they
are about to die

—Matsuo Basho (1644-1694; translated from Japanese by Sam Hamill)

*****

the beat goes on

Fifteen hundred posts—and counting.

Monday, December 9th

sounds of Chicago

Something quiet to begin the week.

Tobias Broström (1978-), “Twilight”; Third Coast Percussion, live


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lagniappe

reading table

quite remarkable
being born human . . .
autumn dusk.

—Kobayashi Issa (1763-1827; translated from Japanese by David G. Lanoue)

 

Friday, December 6th

sounds of Chicago

Robbie Fulks, “I’ll Trade You Money For Wine,” live, Norway (Oslo), 2013


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lagniappe

art beat

Danny Lyon (1942-), Uptown, Chicago (1965)

CRI_189782

Monday, December 2nd

Merce Cunningham Dance Company, Second Hand (1970),* New York (Brooklyn Academy of Music), 2011

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lagniappe

random thoughts

What if your entire life—every thought, every movement, every word—were actually a work of art, only pretending to be something ordinary?

*****

*Merce Cunningham, choreography; John Cage, music; Jasper Johns, costumes.

Tuesday, November 19th

sounds of New York

David Van Tieghem, “Ear to the Ground,” 1981


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lagniappe

art beat

Robert Frank (1924-), New York, 1958

68__600x480_robert-frank-from-the-bus-2

Wednesday, November 13th

Here’s a variation, from the 1960s civil rights struggles, on the gospel song we heard Sunday.

SNCC Freedom Singers (AKA The Freedom Singers), “Woke Up This Morning with My Mind on Freedom,” live, Turkey, 2007

We started singing songs at the mass meetings. Songs of the movement gave you energy–a willingness and a wantingness to want to be free. Whenever there was a march to be taken place, there were songs that we would use to motivate the people to get in the line. One such song was “I Woke Up This Morning with My Mind Stayed on Freedom.” Most of the songs from the movement were taken from spirituals, gospel, and rhythm and blues–any type of music. Someone in the audience would start and say, “Come and go with me to that land. Come and go with me to that land.” And the rest would just repeat it.

Rutha Mae Harris, SNCC Freedom Singers

*****

And here’s another take on the original.

Mavis Staples, “Woke Up This Morning with My Mind on Jesus,” recording (One True Vine), 2013

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lagniappe

art beat

Danny Lyon (1942-), Atlanta (Toddle House), 1963

sit in tottle house lyon

Tuesday, November 12th

Muhal Richard Abrams’ Experimental Band,* live, Austria (Saalfelden Jazz Festival), 2012

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lagniappe

musical thoughts

Music, like conversation, war, baseball, and sex, gives us a way to interact.

*****

random thoughts

Every year it comes as a surprise—first snow.

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*Muhal Richard Abrams, piano; Henry Threadgill, alto saxophone; Roscoe Mitchell, alto & soprano saxophone; Wadada Leo Smith, trumpet; Amina Claudine Myers, piano; George Lewis, trombone; Leonard Jones, bass; Thurman Barker, vibes, percussion; Reggie Nicholson, drums.

Monday, November 11th

People talk about getting enough of this or that in their daily diet. But what about beauty? There’s an epidemic, unreported by TV, radio, newspapers, of beauty malnutrition.

Lou Harrison (1917-2003), Threnody for Carlos Chavez (1978); William Winant Percussion Group with David Abel (viola), live, Berkeley, Calif., 2010

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lagniappe

art beat: Friday at the Art Institute of Chicago (while waiting for the jury to return a verdict in a trial involving an alleged conspiracy to steal millions of dollars of diamonds)

Paul Cezanne, The Bay of Marseilles, Seen From L’Estaque, c. 1885

ambrvoll_02

Friday, November 8th

Is any instrument more compelling than the human voice?

Patty Griffin, live, Washington, D.C., 2013

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lagniappe

art beat

Lee Friedlander (1934-)

Pittsburg-PA-1980