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Category: hard-to-peg

Friday, January 3rd

what’s new

Darkside, live, Paris (Pitchfork Music Festival), 10/31/13


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lagniappe

art beat

Lee Friedlander (1934-), Japan (Kyoto), 1981

1. Kyoto, 1981

Monday, December 30th

five takes

“Burning Love” (D. Linde)

Arthur Alexander, recording, 1972


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Elvis Presley, live, Greensboro, N.C., 1972


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Elvis Presley, recording, 1972


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Bruce Springstein, live, Italy (Florence), 2012


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The Korean Black Eyes, recording, 1974


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lagniappe

art beat

Weegee (AKA Arthur Fellig, 1899-1968)

weegee_09

Thursday, December 26th

what’s new

Julianna Barwick, live (studio performance), Seattle, 11/22/13

“Look Into Your Own Mind”


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“Crystal Lake”


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lagniappe

reading table

The Snow Man
by Wallace Stevens (1879-1955)

One must have a mind of winter
To regard the frost and the boughs
Of the pine-trees crusted with snow;

And have been cold a long time
To behold the junipers shagged with ice,
The spruces rough in the distant glitter

Of the January sun; and not to think
Of any misery in the sound of the wind,
In the sound of a few leaves,

Which is the sound of the land
Full of the same wind
That is blowing in the same bare place

For the listener, who listens in the snow,
And, nothing himself, beholds
Nothing that is not there and the nothing that is.

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Stevens’s poems force us, as great poems always do, to live in the occasion of their language—not simply to extract a ‘meaning’ from the language. The point is not so much to understand the poems (for when we understand something, we don’t need it anymore, and we don’t read it again); the point is to inhabit the poems. By doing so, we recognize that our humanity is not constituted by our ‘mastery’ of something. It is constituted by our willingness to humble ourselves to the ‘mystery’ of something.

James Longenbach

Monday, December 23rd

passings

Larry Lujack, disc jockey, June 6, 1940-December 18, 2013

Live, WCFL-AM (Chicago), 12/23/72 (not ’73)


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lagniappe

Christmas, 1936

Fats Waller, “Swingin’ Them Jingle Bells” (1936)


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random thoughts

Sometimes I feel like a TV that works only on certain channels.

Friday, December 20th

alone

Bill Frisell (guitar), “Nowhere Man,” “In My Life,” “Strawberry Fields Forever,” live, Washington, D.C., 2012


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lagniappe

random thoughts

Of this I am sure: The longer I live the more mysterious—the more unknowable—is life.

Wednesday, December 18th

what’s new

Glasser, live, London (Boiler Room), 2013

“Forge”


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“Dissect”


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“Landscape”

Saturday, December 14th

two takes

This is, to these ears, exhilarating.

Tim Berne’s Snakeoil,* “Cornered (Duck)”

Live, New York (The Stone), 5/8/13


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Live, Washington, D.C (Atlas Performing Arts Center), 10/9/13


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lagniappe

musical thoughts

Music should be no more complex than it needs to be. And no matter how complicated it may actually be, it should never seem that way to the listener. If it does, immediacy has deteriorated into abstraction.

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*TB, alto saxophone; Oscar Noriega, bass clarinet, clarinet; Matt Mitchell, piano; Ches Smith, percussion.

Tuesday, December 10th

keep on dancing

Theo Parrish, live, London (Boiler Room), 2013


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lagniappe

reading table

Nothing in the cry
of cicadas suggests they
are about to die

—Matsuo Basho (1644-1694; translated from Japanese by Sam Hamill)

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the beat goes on

Fifteen hundred posts—and counting.

Monday, December 9th

sounds of Chicago

Something quiet to begin the week.

Tobias Broström (1978-), “Twilight”; Third Coast Percussion, live


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lagniappe

reading table

quite remarkable
being born human . . .
autumn dusk.

—Kobayashi Issa (1763-1827; translated from Japanese by David G. Lanoue)

 

Friday, December 6th

sounds of Chicago

Robbie Fulks, “I’ll Trade You Money For Wine,” live, Norway (Oslo), 2013


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lagniappe

art beat

Danny Lyon (1942-), Uptown, Chicago (1965)

CRI_189782