music clip of the day

jazz/blues/rock/classical/gospel/more

Category: hard-to-peg

Tuesday, October 7th

what’s new

Ashley Paul, “I’m In You” (Heat Source), 2014

Saturday, October 4th

more Miles

Miles Davis Septet,* “Yesternow,” live, Norway (Oslo), 1971


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lagniappe

art beat

Lee Friedlander (1934-), Japan (Hiroshima), 1984

MG_76261

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*MD (trumpet), Gary Bartz (alto saxophone), Keith Jarrett (keyboards), Michael Henderson (bass), Leon Chandler (drums), Don Alias (percussion), James “Mtume” Forman (percussion).

Thursday, October 2nd

basement jukebox

The Ohio Untouchables (feat. Robert Ward, guitar), “Forgive Me Darling,” 1962


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Lonnie Mack, “Memphis,” 1963


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lagniappe

musical thoughts

Maybe, when this life is over, instead of listening to music, we’ll become it.

Tuesday, September 30th

never enough

Miles Davis Septet,* “What I Say,” live, Norway (Oslo), 1971


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lagniappe

art beat

Lee Friedlander (1934-), Japan (Kyoto), 1981

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*****

*MD (trumpet), Gary Bartz (soprano saxophone), Keith Jarrett (keyboards), Michael Henderson (bass), Leon Chandler (drums), Don Alias (percussion), James “Mtume” Forman (percussion).

Thursday, September 18th

Passed over, again, for a MacArthur “genius” grant? Me, too. This guy, though, has reason—625,000 reasons—to celebrate.

Steve Coleman and Five Elements,* live, Switzerland (Cully Jazz Festival), 2013

Steve Coleman took up the alto saxophone when he was a freshman at South Shore High School and within a few years inevitably was drawn into the orbit of one of Chicago’s greatest jazzmen: Von Freeman.

It was Freeman, a tenor saxophone giant who died two years ago at age 88, who welcomed Coleman into the rigors of the jazz life, setting him on a course that has led to Coleman winning one of America’s most prestigious and lucrative arts awards, a MacArthur Fellowship. Like each recipient, Coleman will receive a total of $625,000, dispensed quarterly over the next five years, from the Chicago-based John D. and Catherine T. MacArthur Foundation.

“I realized that (Freeman) is a major player, and he’s right here in the neighborhood,” recalls Coleman, who lives in Allentown, Pa., but always has considered himself a product of musical Chicago.

“He’s somebody I consider one of my mentors, but the rest of the city too. There were a lot of local players I was into,” adds Coleman, citing especially altoist Bunky Green. “Even the blues scene. I’d go to Theresa’s and the Checkerboard — everything about the city influenced me, but mainly the South Side.”

Chicago Tribune, 9/16/14

*SC (1957-), alto saxophone; Jonathan Finlayson, trumpet; Anthony Tidd, bass; Sean Rickman, drums.

Wednesday, September 17th

tonight in Chicago

These guys will be at the Hideout, as will I.

Survival Unit III (Joe McPhee, tenor saxophone, pocket trumpet; Fred Lonberg-Holm, cello; Michael Zerang, drums), live, Denmark (Copenhagen), 2013

I could live a thousand years and never tire of going out in the dark to hear music.

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lagniappe

art beat: Monday at the Art Institute of Chicago (brief stop after lunch)

Josef Koudelka (1938-), Slovakia, 1963 (from Gypsies)
Nationality Doubtful, through September 21st

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Tuesday, September 16th

passings

Joe Sample, keyboard player, composer, February 1, 1939-September 12, 2014

Digable Planets with guests Lester Bowie (trumpet), Melvin “Wah Wah Watson” Ragin (guitar), Joe Sample (keyboards), “Flyin’ High in the Brooklyn Sky,” live, New York, 1990s

As much as I love Lester, a MCOTD Hall-of-Famer, this performance could get along without him. Same with Wah Wah Watson. Not Joe—he makes everybody sound better.

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lagniappe

random thoughts

Life doesn’t end; it stops.

Saturday, September 13th

David T. Little (1978-), Haunt of Last Nightfall; Third Coast Percussion, live


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lagniappe

musical thoughts

It’s not hard to imagine a world where the different kinds of music could be counted. Maybe there’d be 49, or 94, or 949. Thank God, or whatever, we don’t live there.

Friday, September 12th

sounds of Chicago

Robbie Fulks, “Let’s Kill Saturday Night” (R. Fulks), live, Norway (Bergen), 2013


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Here’s another take—his 1998 recording.

Thursday, September 11th

William Basinski, “Disintegration Loop 1.1,” 2001


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lagniappe

reading table

Photograph from September 11
by Wislawa Szymborska (1923-2012; MCOTD Hall-of-Famer; translated from Polish by Clare Cavanagh and Stanislaw Baranczak)

They jumped from the burning floors—
one, two, a few more,
higher, lower.

The photograph halted them in life,
and now keeps them
above the earth toward the earth.

Each is still complete,
with a particular face
and blood well hidden.

There’s enough time
for hair to come loose,
for keys and coins
to fall from pockets.

They’re still within the air’s reach,
within the compass of places
that have just now opened.

I can do only two things for them—
describe this flight
and not add a last line.