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Friday, December 26th

sounds of New Orleans

Henry Butler (piano, vocals), Steven Bernstein (trumpet), Herlin Riley (drums), et al., “Some Iko,” recording session (Viper’s Drag, 2014)

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lagniappe

reading table

One must always fight back, not in the hope of winning but just to delay the moment of losing.

—Samantha Harvey, The Wilderness

Monday, December 22nd

genius at play

Henry Threadgill (alto saxophonist, composer, bandleader) leading a master class (excerpt), Big Indian, N.Y. (Creative Music Studio), 2014

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More.

Henry Threadgill and His Very Very Circus, “Too Much Sugar for a Dime,” live, New York, c. 1993

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Today Henry, who’s been lifting my spirits for over three decades, enters the MCOTD Hall of Fame, joining tenor saxophonist Von Freeman, trumpeter Lester Bowie, poets John Berryman, William Bronk, and Wislawa Szymborska, and gospel singer Dorothy Love Coates.

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lagniappe

art beat: more from Friday at the Art Institute of Chicago

Claude Monet (1840-1926), Irises (1914/17)

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radio

One of my favorite musical events begins tonight: the annual Bach Festival on WKCR (Columbia University), which runs through midnight New Year’s Eve.

Thursday, December 18th

When you work on a small scale, a slight shift can seem epic.

Oscar Noriega (alto saxophone), live, New York, 12/7/14

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lagniappe

reading table

Climb Mount Fuji,
O snail,
but slowly, slowly.

—Kobayashi Issa (1763-1828; translated from Japanese by Robert Hass)

Thursday, December 4th

sounds of New York (day three)

If this life of ours isn’t easy, why should our music be?

Alex Mincek (1975-), String Quartet No. 3; Mivos Quartet, live, New York, 2013


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lagniappe

reading table

By Emily Dickinson (1830-1886; Franklin 384)

It dont sound so terrible—quite—as it did—
I run it over—”Dead”, Brain—”Dead”.
Put it in Latin—left of my school—
Seems it don’t shriek so—under rule.

Turn it, a little—full in the face
A Trouble looks bitterest—
Shift it—just—
Say “When Tomorrow comes this way—
I shall have waded down one Day”

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I suppose it will interrupt me some
Till I get accustomed—but then the Tomb
Like other new Things—shows largest—then—
And smaller, by Habit—

It’s shrewder then
Put the Thought in advance—a Year—
How like “a fit”—then—
Murder—wear!

Wednesday, December 3rd

sounds of New York (day two)

Here, as in the city itself, density and spaciousness coexist.

Tim Berne’s Cornered,* “Embraceable Me,” live, New York, 10/12/14

*TB, alto saxophone; Oscar Noriega, clarinets; Ryan Ferreira, guitar; Matt Mitchell, piano; Michael Formanek, bass; Ches Smith, drums, vibraphone.

Tuesday, December 2nd

sounds of New York (day one)

Tamio Shiraishi, live, New York, 10/12/14

 

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lagniappe

reading table

Even in Kyoto—
hearing the cuckoo’s cry—
I long for Kyoto.

—Matsuo Basho (1644-1694; translated from Japanese by Robert Hass)

 

Monday, December 1st

If I wanted to listen in on a conversation in a language I already know, I could go to Starbucks.

Christian Wolff (1934-), Pulse (1998); Jens Bracher (trumpet) & Julian Belli (percussion), live, Germany (Mannheim), 2011

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lagniappe

reading table

The Idea
by Mark Strand (April 11, 1934-November 29, 2014)

For us, too, there was a wish to possess
Something beyond the world we knew, beyond ourselves,
Beyond our power to imagine, something nevertheless
In which we might see ourselves; and this desire
Came always in passing, in waning light, and in such cold
That ice on the valley’s lakes cracked and rolled,
And blowing snow covered what earth we saw,
And scenes from the past, when they surfaced again,
Looked not as they had, but ghostly and white
Among false curves and hidden erasures;
And never once did we feel we were close
Until the night wind said, “Why do this,
Especially now? Go back to the place you belong;”
And there appeared , with its windows glowing, small,
In the distance, in the frozen reaches, a cabin;
And we stood before it, amazed at its being there,
And would have gone forward and opened the door,
And stepped into the glow and warmed ourselves there,
But that it was ours by not being ours,
And should remain empty. That was the idea.

Sunday, November 30th

passings

Bunny Briggs, tap dancer, February 26, 1922-November 15, 2014

Duke Ellington Orchestra with Bunny Briggs (dance) and Jon Hendricks (vocal), “David Danced Before the Lord with All His Might,” live (A Concert of Sacred Music), San Francisco (Grace Cathedral), 1965

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And David danced before the Lord with all his might . . .

—2 Samuel 6:14 (King James)

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lagniappe

art beat

Robert Frank (1924-), Funeral—St. Helena, South Carolina, 1955

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Saturday, November 29th

alone

Tashi Dorji, live (WFMU performance space), Jersey City, N.J., 9/7/14

 

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lagniappe

reading table

‘Like manufacturers’ instructions. In case of failure, try words.’

—Penelope Fitzgerald, Offshore

Thursday, November 27th

And thankful I am for the sounds of New Orleans, a city both real and unimaginable.

James Booker (1939-1983), “Classified” (J. Booker), live


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lagniappe

art beat

Michael P. Smith (1937-2008), Funeral of Emile Victor Clay, New Orleans, 1996

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