what’s new
Joanna Newsom, “Leaving the City,” live (TV show), 12/8/15
Why God made “repeat.”
Morton Feldman (1926-1987; MCOTD Hall of Fame), Coptic Light (1986); Royal Concertgebouw Orchestra (Peter Eotvos, cond.), live, Amsterdam, 1998
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lagniappe
art beat
William Eggleston (1939-)
Thurston Moore (guitar), Okkyung Lee (cello), Ikue Mori (laptop)
Live, New York, 2009
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lagniappe
musical thoughts
Music, too, is a continually expanding universe.
two takes
Lee Morgan (trumpet) with Wayne Shorter (tenor saxophone), Harold Mabern (piano), Bob Cranshaw (bass), Billy Higgins (drums), “Yes I Can, No You Can’t,” 1966
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S. Mos, mash-up (Tupac Shakur, “Holler If Ya Hear Me” [1993]), 2011
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lagniappe
reading table
And everything turns and turns
and the unknown turns into the song
that is the known, but what in turn
becomes of the song is not for us to say—Mark Strand (1934-2014), “The Webern Variations,” excerpt
sounds of Mali and France
Amadou & Mariam with guest Bertrand Cantat, live, France (near Belfort), 2012
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lagniappe
reading table
We dream – it is good we are dreaming –
It would hurt us – were we awake –—Emily Dickinson (1830-1886), #584 (Franklin), excerpt
what’s new
Missy Elliott, “WTF (Where They From),” 11/12/15
Nothing hits harder than vulnerability.
Frazey Ford, “You’re Not Free,” “September Fields,” “Three Golden Trees,” “Done,” live (studio performance), Seattle, 2014