music clip of the day

jazz/blues/rock/classical/gospel/more

Category: hard-to-peg

Saturday, May 7th

In Chicago last night, at Constellation, I heard her play. One-word review: riveting. How many musicians create their own vocabulary, their own syntax, their own inflections?

Okkyung Lee, cello

Live, London, 2009


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Live, Latvia (Riga), 2014

Saturday, April 30th

This is a sound-world I’d be happy to inhabit all day.

Anna Thorvaldsdóttir (1977-), Ró (2013); Esbjerg Ensemble, live

Tuesday, April 26th

14 strings + drums

Tomeka Reid Quartet (TR, cello, compositions; Mary Halvorson, guitar; Jason Roebke, bass; Tomas Fujiwara, drums), live, New York, 3/8/16


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lagniappe

random sights

yesterday, Chicago (Columbus Park)

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Saturday, April 23rd

passings

Lonnie Mack, guitarist, singer, songwriter, July 18, 1941-April 21, 2016

“Memphis” (C. Berry), 1963


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“She Don’t Come Here Anymore,” 1966


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“Farther on Down the Road,” live (with Albert Collins, Roy Buchanan), New York (Carnegie Hall), 1985

Thursday, April 21st

what’s new

Vijay Iyer (keyboards), Wadada Leo Smith (trumpet), A Cosmic Rhythm With Each Stroke, 2016


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“Passages”


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lagniappe

random sights

this morning, Oak Park, Ill.

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Wednesday, April 20th

More.

Henry Threadgill’s Society Situation Dance Band
Live, Germany (Hamburg), 1988

#1


#2


#3


*****

Henry Threadgill and His Very Very Circus
“Too Much Sugar for a Dime,” live, New York, 1995


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lagniappe

random sights

this morning, Oak Park, Ill.

FullSizeRender (66)

Tuesday, April 19th

MCOTD Hall of Famer—and, as of yesterday, Pulitzer Prize Winner.

Henry Threadgill’s Zooid

Live, Poland (Warsaw), 2011


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Live, New York, 2013


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Live, Washington, D.C., 2013


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lagniappe

musical thoughts

All music is classical music, you know. I don’t put up boundaries on music.

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Of course I started out in an ethnic community, with the blues and church music and jazz. But that was just one place to start. You read fiction then you start reading nonfiction! You start reading biographies and scientific accounts. It doesn’t change where you came from. It just broadens it. That’s what we do, we keep building on the foundation where we come from. You don’t lose it, you just keep building on it.

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I think we’ve gotten used to the dissonant, so it’s not even dissonant any more.

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[W]e have no control over anything but what we do. I just try to stay hopeful: I don’t want to get too pessimistic about anything.

—Henry Threadgill, The Guardian, 4/18/16

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the beat goes on

2,300 posts—and counting.

Thursday, April 14th

more

Getatchew Mekurya (1935-2016), c. 1972


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“Tezeta,” “Muziqa heywete,”

Wednesday, April 13th

passings

Getatchew Mekurya, saxophonist, March 14, 1935-April 4, 2016

Live with The Ex (music begins at 2:25), Netherlands (Nijmegen), 2011

Tuesday, April 12th

sounds of Syria

Omar Souleyman, “Bahdeni Nami” (prod. by Four Tet), 2015