Tim Berne’s Snakeoil (TB, alto saxophone; Oscar Noriega, clarinet; Matt Mitchell, piano; Ches Smith, drums, vibraphone), “Small World in a Small Town” (T. Berne), live, Brazil (Sao Paulo), 2015
Steve Reich (1936-), Six Marimbas (1986); Undergraduate Recital (Colin Van de Reep, Noam Bierstone, Sandro Valiante, Mark Morton, Ben Reimer, Ben Duinker), McGill University, Montreal, 2011
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lagniappe
reading table
Attention is the rarest and purest form of generosity.
The only thing hard about listening to this is letting go of everything else.
John Luther Adams (1953-), Dream in White on White (1992); Virtuoso String Orchestra (Joaquin Valdepenas, cond.), Sanya Eng (harp), live, Toronto, 2014
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lagniappe
reading table
Barn’s burnt down—
now
I can see the moon.
—Mizuta Masahide, 1657-1723 (translated from Japanese by Lucien Stryk and Takashi Ikemoto)
Julia Wolfe (1958-), Believing (2001); Bang on a Can All-Stars, live, South Korea (Tongyeong International Music Festival), 2014
lagniappe
art beat
Regular readers may recognize this drawing, which was posted last year. The artist is a client of mine, Walter Unbehaun, a seventy-something bank robber whose story is told in the January issue of GQ magazine (Kathy Dobie, “The Curious Case of the Homesick Bank Robber”). This drawing makes an appearance:
[H]e’d created a strong bond with his lawyer. He considered ‘Rich’ a friend, giving him two finely wrought pencil sketchings. One was of an ancient and deeply wrinkled Peruvian woman, the other of a plump African woman wearing glasses.
Walter Unbehaun, African Preacher (Kankakee County Jail, 2014)